Chuck Berry School Days Interpretation
Chuck Berry
"School Days"
One song that personifies the raucous, feel good party vibe of the fifties would be Chuck Berry's "School Days" which was released in 1957. He truly made a hit with rebellious teenagers with a song about the occurrences of a school day and all of the trials and tribulations that go along with it. Chuck was also known as one of the most influential blues guitarists of his time. In this particular Chuck Berry song there are 4 different instruments present; guitar, bass, drums, and piano. The drums and bass come together to form a solid rhythm section with an apparent shuffle rhythm. The drummer may be adding some syncopation to the rhythm because it sounds as if the he may be playing triplets on the high hat. …show more content…
This is a twelve-measure idea that starts on the chord based around the first scale degree, or the tonic. It then switches to the IV chord in the fifth measure for two bars then goes back to I. It then switches to the dominant chord (V) then back to IV, and then finally resolves to the I chord for the final two measures. One obvious change is the stop time that happens every 12 bars, well technically 11. Berry uses up one bar with the beginning of his verse and the music comes in on the 2nd bar. There are also some short stop time patterns present in the last 20 seconds of the song to accentuate Berry's vocals. The melody is carried by the vocals and in the answering parts the guitar plays, sometimes almost identical to each …show more content…
No one wants to be working hard in school they want to be partying, and dancing! "Soon as three o'clock rolls around You finally lay your burden down." School is a burden and everyone wants to get out and start having fun. Similar to many 50's party songs, "the man" is working against us and we need to just drop our books, drop a coin in the jukebox, dance and make out all night long. The song is strictly in 12 bar blues with a repeating verse. It does not change throughout the song. Other than some slight varying riffs here and there, there is really nothing that would change the verses to anything but "a."
Intro Verse Verse Verse Verse Solo Verse Verse Outro 1 12 12 12 12 12 12 12 1 ½ a a a a interlude a
"School Days"
One song that personifies the raucous, feel good party vibe of the fifties would be Chuck Berry's "School Days" which was released in 1957. He truly made a hit with rebellious teenagers with a song about the occurrences of a school day and all of the trials and tribulations that go along with it. Chuck was also known as one of the most influential blues guitarists of his time. In this particular Chuck Berry song there are 4 different instruments present; guitar, bass, drums, and piano. The drums and bass come together to form a solid rhythm section with an apparent shuffle rhythm. The drummer may be adding some syncopation to the rhythm because it sounds as if the he may be playing triplets on the high hat. …show more content…
This is a twelve-measure idea that starts on the chord based around the first scale degree, or the tonic. It then switches to the IV chord in the fifth measure for two bars then goes back to I. It then switches to the dominant chord (V) then back to IV, and then finally resolves to the I chord for the final two measures. One obvious change is the stop time that happens every 12 bars, well technically 11. Berry uses up one bar with the beginning of his verse and the music comes in on the 2nd bar. There are also some short stop time patterns present in the last 20 seconds of the song to accentuate Berry's vocals. The melody is carried by the vocals and in the answering parts the guitar plays, sometimes almost identical to each …show more content…
No one wants to be working hard in school they want to be partying, and dancing! "Soon as three o'clock rolls around You finally lay your burden down." School is a burden and everyone wants to get out and start having fun. Similar to many 50's party songs, "the man" is working against us and we need to just drop our books, drop a coin in the jukebox, dance and make out all night long. The song is strictly in 12 bar blues with a repeating verse. It does not change throughout the song. Other than some slight varying riffs here and there, there is really nothing that would change the verses to anything but "a."
Intro Verse Verse Verse Verse Solo Verse Verse Outro 1 12 12 12 12 12 12 12 1 ½ a a a a interlude a