Chaz's Blog Analysis
Dhoom: 3 Movie Review & Film Summary (2013) | Roger Ebert
1/27/2014
In Memoriam 1942 – 2013 “Roger Ebert loved movies.”
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Stranger by the Lake
Both a supreme erotic thriller and a meditation on the nature of desire itself. At a gay cruising spot somewhere in France, the main character… I, Frankenstein
Ridiculous plotting that crosses Mary Shelley with demonology out of "Underworld" are complimented by elaborately mediocre production design and oodles of mediocre CGI-action scenes.
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Run & Jump
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Ballad of Narayama
"The Ballad of Narayama" is a Japanese film of great beauty …show more content…
Life Unspooled: On Watching "Life Itself" in the Middle of Polish Winter
Far Flungers | by Michał Oleszczyk
Michał Oleszczyk reflects on the experience of watching "Life Itself" using the streaming link that was an incentive for contributors to the film's Indiegogo completion…
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Moving Through Empathy: On "Life Itself"
Balder and Dash | by Olivia Collette
Olivia Collette's experience dealing with a loved one's illness made "Life Itself" especially powerful for her.
A Small-town Film Festival Fights to Save a Local Theater
Balder and Dash | by The …show more content…
The second half of "Dhoom: 3" features a surprisingly adroit, if not terribly subtle, interrogation into the the morality of operating outside the law for a good cause. The movie stacks the deck a bit by having the banker be such a loathsome (and implicitly racist) bastard, but Aamir Khan and Abhishek Bachchan do a compelling job exploring the various moral and ethical colors involved in the cops-and-robbers game. Khan brings out the best in Bachchan as an actor, with his performance in "Dhoom: 3" finally shorn of the awkwardness and dullness into which his work in the first two movies all too often regressed. This, again, is a testament to the control
Khan exerts over the movie: never heavy-handed, but absolute.
There isn't quite as much of Katrina Kaif as one would like in "Dhoom: 3," if one is partial to Katrina Kaif (I have to confess a complete lack of impartiality when it comes to Ms. Kaif, who is a sublime presence), with her role limited for the most part to two stunning
1/27/2014
In Memoriam 1942 – 2013 “Roger Ebert loved movies.”
RogerEbert.com
Reviews
Great Movies
Chaz's Blog
Blogs
Far Flungers
Channels
Contributors
Stranger by the Lake
Both a supreme erotic thriller and a meditation on the nature of desire itself. At a gay cruising spot somewhere in France, the main character… I, Frankenstein
Ridiculous plotting that crosses Mary Shelley with demonology out of "Underworld" are complimented by elaborately mediocre production design and oodles of mediocre CGI-action scenes.
Other Reviews
Gloria
Run & Jump
Gimme Shelter
Review Archives
✖
Ballad of Narayama
"The Ballad of Narayama" is a Japanese film of great beauty …show more content…
Life Unspooled: On Watching "Life Itself" in the Middle of Polish Winter
Far Flungers | by Michał Oleszczyk
Michał Oleszczyk reflects on the experience of watching "Life Itself" using the streaming link that was an incentive for contributors to the film's Indiegogo completion…
Other Articles
A Letter to Roger on "Life Itself" | Far Flungers
"The Square": Rise and Fall of the Century's Greatest Protest | Far Flungers
David Cronenberg's "The Fly" | Far Flungers
Far Flunger Archives
✖
Moving Through Empathy: On "Life Itself"
Balder and Dash | by Olivia Collette
Olivia Collette's experience dealing with a loved one's illness made "Life Itself" especially powerful for her.
A Small-town Film Festival Fights to Save a Local Theater
Balder and Dash | by The …show more content…
The second half of "Dhoom: 3" features a surprisingly adroit, if not terribly subtle, interrogation into the the morality of operating outside the law for a good cause. The movie stacks the deck a bit by having the banker be such a loathsome (and implicitly racist) bastard, but Aamir Khan and Abhishek Bachchan do a compelling job exploring the various moral and ethical colors involved in the cops-and-robbers game. Khan brings out the best in Bachchan as an actor, with his performance in "Dhoom: 3" finally shorn of the awkwardness and dullness into which his work in the first two movies all too often regressed. This, again, is a testament to the control
Khan exerts over the movie: never heavy-handed, but absolute.
There isn't quite as much of Katrina Kaif as one would like in "Dhoom: 3," if one is partial to Katrina Kaif (I have to confess a complete lack of impartiality when it comes to Ms. Kaif, who is a sublime presence), with her role limited for the most part to two stunning