She is a immensely likeable character in this play, and she does not have serious faults. Her love unlike the other characters in the play, seem to be the only form of passionate and true love, as compared to self-indulgent love sickness. (Act two Scene four)
She pined in thought.
and with yellow and green melancholy,
she sat like patience on a monument.
smiling at grief, was it not love indeed?
"Patience on a monument" is an allegory figure of Patience adorned on the Renaissance tombstones . With this, Viola is comparing her imaginary sister (herself, whom she concealed from Orsino, and known to Orsino as Cesario the servant boy) with a statue. This is a contrast of a living thing and a dead thing, which symbolises the passion in her love compared to Orsino's grandeur self-indulgent love, her passion being alive and burning which is silent and eternal-enduring, while his love sickness another form of "dead" love, a love which is fake and untrue, a love which only consists of himself. Using a tomb to show love, also shows that love ultimately is fatal, and brings death of the heart should the person not requite their love.
Orsino & Olivia
These two are similarly alike in character, they are both buffeted by their strong emotions, and both ultimately seem to be self-indulgent individuals who enjoy melodrama and self-involvement more than anything. In Act one, when we first meet the characters, Orsino is pining away his love for Olivia, while Olivia is off pining for her dead brother. Both of them prefer to lock themselves away in their sorrow and grievances and mope around their homes instead of facing reality in the outside world. Orsino continues pining for Olivia's love while Olivia whisks herself away when she meets Cesario (Viola in disguise) taking up her own lovesick fantasy pursues for Cesario. Both characters seem out of touch with their real emotions because one pines for unrequited love, while the other falls in love with a man who...
Please join StudyMode to read the full document