Captions In Marjane Satrapi's Persepolis

As the graphic novel has become a more respected medium of literary work, artists/authors have found a more effective yet subtle method of communication: instead of explicitly stating feelings, they can be portrayed through illustration which will be absorbed both consciously and subconsciously by readers, further developing an understanding and connection to the content matter. In the graphic memoir Persepolis, author and artist Marjane Satrapi reinforces her turbulent emotional states over the course of her youth through panel design—specifically, captions, splash panels, and patterns. This, in combination with the monochromatic design heavy on negative space, communicates a clear narrative of distress, devastation, elation, and pride.
Satrapi utilizes captions, providing a running narration that directly addresses the reader and bonds them to the text. Captions, as opposed to bubbles, are particularly prevalent in the first 53 pages due to its historical context. The use of captions acts as a buffer between Iran’s rich history and the reader’s presumed ignorance of it. The tone is fairly formal and informative due to the chaotic and violent nature of Iran’s history, and refrains from too much emotional connection. However, it soon begins to act as an internal monologue, switching from her younger self’s reactions to her current reflection. Casual language and general flippancy in the face of adversity softens the situation, and relates the audience to Satrapi in her encounter with the Guardians of the Revolution. Her casualness at
In Persepolis, Satrapi emphasizes her tempestuous life and feelings over the course of her youth through illustrative tactics—specifically, captions, splash panels, and patterns. This, in addition to a running theme of negative space, recounts a clear narrative of distress, devastation, elation, and