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Campbell's Soup Cans Analysis

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Campbell's Soup Cans Analysis
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Andy Warhol constructed the painting ‘32 Campbell’s Soup Cans’ in early 1962. Alongside the exclusive frames all placed flush relative to each other. Additionally, each enclosed structure is approximately 20 inches by 16 inches. Piece by piece, the Campbell’s Soup Cans Andy individually painted received a different assortment of flavor, the top left corner coordinates with a tomato soup can thoroughly to the bottom right corner ending with turkey vegetable soup. Correspondingly, the series of Campbell’s soup cans exposes each type of soup. Andy painted the cans from an elevated front facing view. Provided that, two dented metal rings define the top portion of the bare metal can. The top half of each Campbell’s Soup can is colored red, while the bottom half of the can is a plain white color. Each word printed on the label on the can is in a different font. The word ‘Campbell’s’ illustrated in large white cursive. Underneath the Campbell’s word, but still on the top red portion of the can designed in a capital bold text reading ‘CONDENSED’. Between the bottom and top of the can is a brown circle representing the distinct stamp of the Campbell’s Company. Andy Warhol painted the circle, but left out the details within the brown stamp. In addition, the white bottom half of the can represents the type of soup written in a
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I was looking for something that was the essence of nothing, and that was it”. This painting has a dearth of emotion and personality to it. This painting is exactly a soup can, a painting of modern art. This painting lacks a certain mood; the colors are particularly identical, to the actual Campbell’s Soup Can. The elements of this painting are defined as if you were to be looking at the actual can

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