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Call of the Wild Cited Sources
1)Veggian, Henry. "The Call of the Wild." The Call of the Wild. N.p., n.d. Web. 07 May 20130
-The Call of the Wild drew immediate critical attention from popular journalists.
-Londons presence proliferated in the 1960's, and 1960 was a watershed year for The Call of the Wild as many of Londons works were reprinted.

2)"Call of the Wild Critical Review" StudyMode.com. 10 2010. 10 2010 .
-the story becomes so in-depth it is tedious, causing readers to lose concentration and possibly even interest in the story as a whole.
- Despite the story having a good general plot, the book had a weak writing style. In the beginning of the book, for instance, there was plenty of necessary information; however, it was presented in a lackluster format

3)""Call of the Wild" Book Review" StudyMode.com. 04 2005. 04 2005 .
-In Jack London's book "Call of the Wild", we are taught that anyone or thing can be taken from its surroundings and hurled into a world where one has to learn how to survive.

4)Bost, Jeremy. "The Call of the Wild Critical Book Review." Bright Hub Education. N.p., n.d. Web. 07 May 2013.
-London appears to have been heavily influenced by Darwin’s theories. For example, Buck would lie down by the fire and have dreams about an ancient “half-man.” Consider this quote: “…Buck spent long hours musing by the fire.
-The vision of the short-legged hairy man came to him more frequently now that there was little work to be done; and often, blinking by the fire, Buck wandered with him in that other world which he remembered.” (London, 1996, p. 104)

5)"The Call of the Wild Analysis." Shmoop. N.p., n.d. Web. 07 May 2013.
-Tone
London’s tone is contemplative – he often steps away from plot to comment on the way Buck is learning, how Buck’s character changes, or what the call of the wild surroundings
-Buck’s dreams of sitting by a fire with some sort of primitive form of man might represent his getting in touch with his past, his ancestry, the great tradition of

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