The Tiber Muse, originally discovered in the vicinity of the Tiber River in Rome in 1885, is a product of the Graeco-Roman era and is dated around the 2nd-1st century BCE. This date and other formal qualities of the sculpture such as the pose, drapery and medium suggest that it was produced during the Hellenistic Period of Greece and Asia Minor, and then imported to Rome at a later date. The importation, copying, and public display of Greek art were common from the start of Roman conquering of Greek territories and throughout the Roman Imperial era. The formal qualities of this piece, to be explored later in this exhibition, are comparable to those of the Nike of Samothrace in that they both exhibit the dramatic, elaborate techniques common of the Hellenistic Period (323-30 BCE) that embrace a range of emotions, providing us with an overpowering, multi-sensory experience as we view these pieces. The qualities and purpose of art during the Hellenistic Period were quite different from those of the Byzantine Era, to be further explored by comparing these two sculptures with the Justinian and Attendants mosaic from San Vitale in Ravenna, Italy. Through a formal analysis of these three works, the meaning, purpose and values of the culture that produced them will become clear, and we can further understand the historical context of these two very different time periods.…