Hansen criticises this integrated perception of marriage and power stating that the Wife of Bath is “ironically trapped in the misogynist culture she explicitly names as the enemy and is blind to the ways in which her tactics further embed her in the assumptions she tries in vein to defy” (1996 p.274). This statement insults Alisoun’s character as it oversimplifies her understanding of her situation and neglects to take into account the social context of the text. She is not a victim as she has knowingly embraced an institution associated with female confinement and oppression. By willingly playing the game she manipulates marriage in her favour and uses it as a tool to help her achieve the power and autonomy she strives for, “What sholde I taken keep hem for to plese, / But it were for my profit and…
Love is the emotional investment that pushes people to their limits. This is demonstrated in the film “Pieces of April”, when our protagonist April is pushed to do something for the sake of love, even though she dreaded every moment of it. She tries to prepare a Thanksgiving meal for her and her family with hopes to be reunited after years of negligence. Although she tries to conceal her exhilaration it is clear and obvious that she is eager for her family’s arrival. Her attempt at cooking a meal for her family and going through so much difficulty is not so literal. It represents the notion of how love can push people into doing impetuous things. The deficient love of a girl for her family can make her do so much. The relationship between April and her mother, Joy, resemble the relationship of Tiffany Chan and her mother from the short story "Of Kin and Kind". Both the mother and daughter relationship is very rigid and tense. Tiffany claims that her and her mother may be of the same blood but they are anything but alike, by declaring "We were kin, but less than kind". This quote can also reflect April’s view on her and her mother’s relationship. We all believe that our similarities brings us close and our difference separates us without knowing that the only thing still holding our ties is the love we have for each other. That love is what makes us forget the conflicts and disagreements we may have and reminds us that no matter how different we are, we learn to accept and love each other. Bobby, April’s boyfriend, also illustrates how love can give people unbelievable strength and make them overlook the concept of possible. He claims his mother lifted the car to save his life after they had been in an accident. He carries his belief and shows what a person can accomplish if they carry love within themselves, “When you have love you do things you never thought you could. She had a moment of unbelievable strength because she had love”. The power…
green affected me in certain ways. When we were blind folded and caught of guard…
Sir Gawain blamed Lady Bercilak for his failure after he gave in to temptation and told, “And convey my wishes to your gracious wife, and that other honored lady, who's cleverly tricked their knight. No wonder: there’s nothing remarkable in their making a man foolish, in women winning men… The best, the very best, who walked the world in those days—,” (biblical time), “and women tied them in knots, whirled them in circles. I’ve been beguiled, as they were: this excuse should be heard.” (2411-2428). At the beginning of the poem, Queen Guenevere was described as, “watching with shining grey eyes, seemed as beautiful a lady as a man could ever have seen” (81-85). Later on in the poem, Sir Gawain notices Lady Bercilak and an old lady and described them, “her face the fairest white, and in all things the softest women on earth— lovelier than Queen Guenevere, in Sir Gawain’s eyes… Another lady led her by the left hand, older than her, ancient and old and honored by a host of good knights. And how unlike they were, that pair, the round one faded yellow; rich red cheeks on the one, rough and wrinkled jowls on the other, loose and dangling; coverings hung with pearls on the young one’s throat and breast, showing skin whiter than snow on the hillsides, while the old one wrapped a kerchief on her neck and hid her black chin in white…
This highlights the importance of Lady Bertilak's influence on Sir Gawain's transformation into femininity. Lady Bertilak with her words and actions pushes Sir Gawain further into this homosexual possibility that he can be used by men just like her. The bedroom scene exposes the potential of homoerotic relations in the poem as it feminizes Sir Gawain.…
The two texts similarly present ideas about women’s independence and show that regardless of marital status, women face gender prejudice. Albert, Celie’s husband, states that ‘wives is like children. You let ‘em know who got the upper hand.’ By likening a married woman to a child, Walker removes adult qualities from Celie such as patience, intelligence and respect. In doing this Walker demonstrates that empowerment was harder for Celie to achieve, as she is considered powerless and childlike by men. Furthermore, we identify with Celie’s marital struggles and inability to persevere, as Celie is constantly made to feel disempowered. This is evident when Celie suggests Harpo should ‘beat [Sofia]’ even though ‘… three years pass and he still whistle and sing’. By discounting relevant facts such as Sofia and Harpo maintaining their happiness for three years, we are shown that Celie is jealous of functional marriages that allow partners to act independently. Through this Walker highlights that women knowingly reinforce gender prejudice by encouraging men to exercise control using physical force. Golden also takes a similar stance to Walker on women’s independence through his depiction of a self-sufficient Geisha. Mameha informs Sayuri that ‘following [her] debut… [she’ll] need a danna if [she’s] to…
In these lines, we are introduced to Baptista, a father who wants to find a husband for his oldest daughter, Katharina. The conflict of the play is also introduced as Baptista has decided that his youngest daughter cannot marry until Katharina does. These lines provide readers with some background information on Baptista and his daughters, as well as their familial relationship. They also reveal that while Baptista loves both of his daughter’s, he is at a loss for how to manage his oldest daughter, Katharina.…
Gillam and Shannor talked about princess and how society has affected them by Emasculation of the alpha male; Homosociality, Intimacy, and emotion; and…
The text uses the occurrence of sex as an act of aggression, erotic brutality, and dominance in which the male partner is seen as sadistic and the female partner is seen as oppressed. This is portrayed by The Marquis’ wives, both past and present, as he objectifies them by placing them on display, enabling him to manipulate and mold them to satisfy his perverse erotic tastes. Additionally, all of the female roles are unnamed, only referred to by jobs for example the Mother, the Opera Singer, the Evening Star Walking on the Rim of Night, and the Romanian Countess (Carter 1990: 4), drawing attention to the idea of gender inequity as the women are not worth of a name (Barry 1995: 126). The act of sexual objectification by The Marquis lends itself to interpretation as The Bloody Chamber depicts the darker side of sexual relationships, exploring the essentialist idea that men and women are different beings. The text symbolizes the inequality between men and women in the ‘[m]ost pornographic of all confrontations’ (Carter 1990: 8), through the satirical images by Felicien Rops, where a fully clothes man is sizing up a naked women as though she is “a lamb chop” (Carter 1990: 8). From the…
April Morning is a story about a boy's extremely rapid transformation from boyhood to manhood. There are a few significant events that can sum up the whole of his metamorphosis. These include the death of Adam's father, Adam's time with Solomon Chandler, and his experience during the battle against the Recoat soldiers.…
Dr. DoHarris articulates how ‘Gatha is heartbroken from the loss of a child and the love of her life, Eustace, with whom she has two sons. After the desertion of Eustace she will meet and marry Leon, though not in…
The conversational form is a self-conscious debate about their roles as fiancés, wives and mothers, as well as their relationships with each other. Critics would notice that the novel projects two compelling arguments: the plot of women corruption and seduction: a parallel plot revolving around the fate of the powerful female circle, bounded by an ideology of "sisterhood" - which makes the story possible in the most concrete way.…
The novel contains many stories on how females were portrayed during medieval times. A tale in the novel called The Wife Of Bath's Tale, gives a common situation in which a man must pursue a women, but not for marriage. The Knight must find what women desire most in order to not be executed for rape. He finally finds the answer from an old woman, who tells him that all women desire to be in charge of their husbands/lovers. For example, Chaucer writes, “A women wants the self-same sovereignty, over her husband as over her lover, and master him he mustn't be above her (p. 282). “ This statement is more or less true, and is showing how women want to be their own person, but at the same time be viewed as equally powerful to their male counterparts. Women aren't the problem, the problem is what society expects them to be. Although the conflict concerns a man trying to get out of being killed for a crime, the women in this story serve a greater, and thoughtful purpose. Ultimately, the knight marries the old woman, but isn't satisfied because of her appearance. In contrast, the woman doesn't take offense to his behavior, instead…
Marie begins her collection of lais with the story of Guigemar, a noble knight who is cursed with the task of finding true love to heal a physical injury. This lay introduces two types of love: selfish and selfless. Selfish love is not courtly love. It lacks devotion and true loyalty. It lacks suffering and self-denial. Marie de France portrays this kind of love in the old husband of the woman whom Guigemar loves. The man locks his wife away in an enclosure guarded by a castrated man. By doing this, the husband shows a mean, limited devotion to his wife; perhaps even worse, he limits her ability to experience true love. This kind of love does not last; in fact, the husband is cuckolded when his wife has a year-long affair with Guigemar. He is made a fool, the dupe of love.…
The world of Sir Gawain and the Green Knight, never intends to present women as powerful but rather, women are clear examples of the dark forces and dangers lurking beneath feudalism and chivalry. In the medieval world of the poet, women and their doings were to be mistrusted. Thus, HE provides a set of biblical and classical models to depict the female gender as a subversive force that causes doom to all men on earth. The game of courtly love was breaking social bonds which hold feudalism together. In this game, men were forced outside of the traditional male hierarchies, placed on equal footing with a woman, and not subject to the feudal loyalty system. Throughout the poem, the warning is clear cut: this dichotomy between chivalric and Christian values will inevitably end in destruction of Feudalism and its set of values: Christianity.…