Brandy Ball Blake Research Paper
Brooks, Peter. “Virtue and Terror: The Monk.” ELH, vol. 40, no. 2, 1973, pp. 249–263. www.jstor.org/stable/2872659.
Carter, Angela. “The Company of Wolves.” Monsters, Edited by Brandy Ball Blake and L. Andrew Cooper. Fountainhead Press, 2012, pp 101-111.
Cooper, L. Andrew, Brandy Ball Blake. “Serial Killers: From Jack the Ripper to Aileen Wuornos.” Monster, Edited by Brandy Ball Blake and L. Andrew Cooper. Fountainhead Press, 2012, pp 203-209.
Cooper, L. Andrew, Brandy Ball Blake. “Strange Transformations: John Landis’s An American Werewolf in London.” Monsters, Edited by Brandy Ball Blake and L. Andrew Cooper. Fountainhead Press, 2012, pp 95-98.
Dean, Carolyn J. “Writing and Crime.” The Self and Its Pleasures: Bataille, Lacan, and the History of the Decentered Subject, Cornell University Press, Ithaca; London, 1992, …show more content…
205–220, www.jstor.org/stable/10.7591/j.ctt1g69xct.13.
Gamer, Michael. “Genres for the Prosecution: Pornography and the Gothic.” PMLA, vol. 114, no. 5, 1999, pp. 1043–1054. www.jstor.org/stable/463463.
Jones, Wendy. “Stories of Desire in the Monk.” ELH, vol. 57, no. 1, 1990, pp. 129–150. www.jstor.org/stable/2873248.
Nietzsche, Friedrich Wilhelm, Beyond Good and Evil: Prelude to a Philosophy of the Future. Edited by Rolf-Peter Horstmann, Judith Norman; translated by Judith Norman. Cambridge University Press, 2002.
Sedgwick, Eve Kosofsky. “The Character in the Veil: Imagery of the Surface in the Gothic Novel.” PMLA, vol. 96, no. 2, 1981, pp. 255–270. www.jstor.org/stable/461992.
Shelley, Mary. “Excerpts from Frankenstein.” Monsters, Edited by Brandy Ball Blake and L. Andrew Cooper. Fountainhead Press, 2012, pp
Carter, Angela. “The Company of Wolves.” Monsters, Edited by Brandy Ball Blake and L. Andrew Cooper. Fountainhead Press, 2012, pp 101-111.
Cooper, L. Andrew, Brandy Ball Blake. “Serial Killers: From Jack the Ripper to Aileen Wuornos.” Monster, Edited by Brandy Ball Blake and L. Andrew Cooper. Fountainhead Press, 2012, pp 203-209.
Cooper, L. Andrew, Brandy Ball Blake. “Strange Transformations: John Landis’s An American Werewolf in London.” Monsters, Edited by Brandy Ball Blake and L. Andrew Cooper. Fountainhead Press, 2012, pp 95-98.
Dean, Carolyn J. “Writing and Crime.” The Self and Its Pleasures: Bataille, Lacan, and the History of the Decentered Subject, Cornell University Press, Ithaca; London, 1992, …show more content…
205–220, www.jstor.org/stable/10.7591/j.ctt1g69xct.13.
Gamer, Michael. “Genres for the Prosecution: Pornography and the Gothic.” PMLA, vol. 114, no. 5, 1999, pp. 1043–1054. www.jstor.org/stable/463463.
Jones, Wendy. “Stories of Desire in the Monk.” ELH, vol. 57, no. 1, 1990, pp. 129–150. www.jstor.org/stable/2873248.
Nietzsche, Friedrich Wilhelm, Beyond Good and Evil: Prelude to a Philosophy of the Future. Edited by Rolf-Peter Horstmann, Judith Norman; translated by Judith Norman. Cambridge University Press, 2002.
Sedgwick, Eve Kosofsky. “The Character in the Veil: Imagery of the Surface in the Gothic Novel.” PMLA, vol. 96, no. 2, 1981, pp. 255–270. www.jstor.org/stable/461992.
Shelley, Mary. “Excerpts from Frankenstein.” Monsters, Edited by Brandy Ball Blake and L. Andrew Cooper. Fountainhead Press, 2012, pp