Bonheur De Vivre Vs D Avignon

In an essay, discuss how both Matisse’s Bonheur de Vivre (Joy of Life) and Picasso’s Les Demoiselles d’Avignon can be simultaneously seen as inspired by and breaking free of Paul Cézanne’s, The Large Bathers. Refer to specific visual references in your discussion Everything has a starting point that is used as reference, and although the date and the name of the precursor of the art movement called Cubism differs from one source to another, in this case Paul Cézanne’s, The Large Bathers was taken as the cornerstone of this art movement.
Indeed, Cubism conveyed interest because “is different from other art forms that came before it, mainly because it is less concerned with telling a story and more interested in showing multiple viewpoints in one painting, just as Einstein's relativity had shown the existence of multiple dimensions, including time.” (Keefe)

The Large Bathers was the Cezanne braking point with the nineteenth century paintings because through the representation of these nude women which are very attracted of their surrounding in a lake where is captured a harmonious scene given for the contrast between the trees that form a triangle with a central view and the buildings in the distance as a background of the scene.
Cezanne usually started painting from the right side to the left side for that reason the
To achieve this painting Matisse “used a landscape that he had painted in Collioure to provide the setting for the idyll, but it is also influenced by ideas drawn from Watteau, Poussin, Japanese woodcuts, Persian miniatures, and 19th century Orientalist images of harems. The scene is made up of independent motifs arranged to form a complete composition.”