Bob Fosse
Bob Fosse was born in Chicago, Illinois, United States on September 23, 1987. Fosse began his unusual career as a dancer in the late 1940s, touring with companies of Call Me Mister and Make Mine Manhattan. After playing the lead in a summer-stock production of Pal Joey, then choreographing a showcase called Talent 52, Fosse was given a screen test by M-G-M and went on to appear in the film Kiss Me Kate. This appearance, in a highly original dance number, led to Fosse's first job as a choreographer, the Jerome Robbins-directed Broadway hit The Pajama Game. Soon after, he met the talented dancer Gwen Verdon, and the two proceeded to collaborate on several hit shows, including Damn Yankees, New Girl in Town , and Redhead. He was also frequently sought out as the "doctor" on shows in trouble, especially How to Succeed in Business Without Really Trying and Little Me.
Fosse's best collaboration with Verdon, Sweet Charity, demonstrated their perfect compatibility as a creative team and also flaunted his trademark style as a choreographer. Strongly influenced by choreographer Jack Cole, Fosse staged dance numbers that were highly stylized, using staccato movements and erotic suggestion. The "Steam Heat" number from The Pajama Game and "Hey Big Spender" from Sweet Charity were trademark Fosse numbers--jazzy, machinelike motion and cocky, angular, even grotesque poses. He favored style over substance (his patented knee slides and spread-finger hands), and minimalistic costuming (all black, accentuated by hats and gloves). A perfectionist, Fosse liked detail in his choreography and would position his dancers down to the angles of their feet or their little fingers. As his career progressed, Fosse became increasingly fascinated with expressing sexuality and decadence through dance.
Fosse's peak year was 1973. In addition to his Cabaret Oscar, he nabbed Tonys for his direction and choreography of the Broadway musical Pippin, the eerily magical and sexually decadent story of
Fosse's best collaboration with Verdon, Sweet Charity, demonstrated their perfect compatibility as a creative team and also flaunted his trademark style as a choreographer. Strongly influenced by choreographer Jack Cole, Fosse staged dance numbers that were highly stylized, using staccato movements and erotic suggestion. The "Steam Heat" number from The Pajama Game and "Hey Big Spender" from Sweet Charity were trademark Fosse numbers--jazzy, machinelike motion and cocky, angular, even grotesque poses. He favored style over substance (his patented knee slides and spread-finger hands), and minimalistic costuming (all black, accentuated by hats and gloves). A perfectionist, Fosse liked detail in his choreography and would position his dancers down to the angles of their feet or their little fingers. As his career progressed, Fosse became increasingly fascinated with expressing sexuality and decadence through dance.
Fosse's peak year was 1973. In addition to his Cabaret Oscar, he nabbed Tonys for his direction and choreography of the Broadway musical Pippin, the eerily magical and sexually decadent story of