Batman: The Dark Knight
Batman: The Dark Knight directed by Christopher Nolan is non-stop action thriller that continually did the unexpected. The film is based off of the original Batman comic book but additionally changes the perception of the everyday world as good to naturally bad. Throughout the movie, Batman stands for honesty and goodness while the Joker is a symbolism of chaos and evil. Both sides are forced to make quick-witted decisions in order to stop the opposing vigilante from doing his desired work. The citizens of Gotham are put in the heart of this circumstance and feel obligated to go against their values to stop the chaos. Numerous people habitually pursue their dreams and values but often become blinded from their true intentions by the world they exist in.
To understand the circumstance the citizens of Gotham are placed in we must first understand each side they are being pulled from. First is the good side, represented by Batman/Bruce Wayne and played by Christian Bale. He stands for everything good and has one personal rule as a superhero that prevents him from killing any person. Batman believes the law must punish the immoral so he stays in the shadows of the night. The law depends on Batman to do the work they legally cannot do. So Batman makes it possible for the law to easily come across these criminals even when they run beyond national borders. These unlawful acts committed by Batman are easily looked past due to bright light always surrounding him. There are many scenes in which the lighting shows the goodness of Mr. Wayne. His underground office wear all his superhero work is done has a ceiling purely of bright white lights. No other part in the movie has this much lighting. Also, the bright Batman light on top of the building is a symbol of good around the city. When the light is shinning many criminals second guess crimes they have always committed. Furthermore, Bruce Wayne is always looking through the windows in his home that radiate with natural light. Batman’s suit may be completely black but this is in order to be a stealth hero through the night. When looking closer at these night time scenes each one consists of Batman standing in the darkness but always with a very bright light somewhere nearby. Secondly is the bad side, represented by the Joker and played by Heath Ledger. From first sight of the Joker you know he is wicked. He wears a purple suit coat, green vest, green tie, and a patterned gray shirt. His hair is always a mess and black make-up surrounds his eyes. These are all dark colors but they are not to hide in the darkness of the night such as Batman’s outfit. He is not trying to hide; he wants to prove people how evil he really is. The Joker also has a piercing voice that is not forgotten combined with an evil laugh that shows his true ecstasy. He has no limits and thrives to do the unexpected just to see how people will react.
Christopher Nolan begins this movie with ordinary people wearing a Joker mask while they are robbing a bank. Each member of this mob is shot after they do their part of their job until the real Joker becomes the last one standing. This first scene in the film is pure evil and captivates the audience quickly although I believe the director is trying to create early signs of symbolism. These ordinary men believe if they wear this Joker mask they are some how something they never could be on their own. The next scene also symbolizes something similar to the robbery scene but on the opposite side of the spectrum. The mob is meeting when all of a sudden multiple want-to-be batmen try to engage in the action to stop the wickedness. They too are wearing costumes and masks just like Batman’s creating a clear relation between the outfit and super human power. The real Batman even states at the end of this scene when asked what is the difference between him and the other phony batmen, “I am not wearing hockey pads!” Early in the film it is evident...
Bibliography: Nolan, Christopher, Dir. Batman: The Dark Knight. Dir. Christopher Nolan." Warner
Bros: 2008, Film.
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