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In its literal translation, “Quoniam tu solus sanctus” means “For thou alone art holy, thou alone art God, thou alone art most high: Jesus Christ.” The bass voice is commonly used in Bach’s Passions as the voice of Jesus; hence, in reflection, it is as if the meaning of this movement is coming from the words of God as He is declaring His holy nature. The soloist in this movement is paired with a low woodwind. “Quoniam tu solus sanctus” is a piece with diverse rhythms which shares characteristics of the upcoming and final chorus movement of the Gloria, “Cum Sancto Spiritu.” Similarly to “Gratias agimus tibi,” this movement is highly ornamented and gives off a dignified and majestic quality with trills which somewhat reflect the nature of bells giving stress to the words “sanctus” and “Dominus,” meaning holy and Lord, as found in measures 16 and 19. This movement gives off more of a Baroque feel as it is seems to have the music reflect the text more than “Gratias agimus tibi” as it focuses less on textures like polyphony to give voice to the “most high.” Though it is an upbeat movement, its collaborative balance of text and music makes it more of a beautiful solemn reflection of Christ’s divinity, allowing its listeners to focus on God’s supreme nature rather than just the complexity of the