In this report we will examine a couple of Australian movies which offer representations of Australian masculinities and discuss how men are represented and the relationship between this and questions of Australian identity. These movies are namely Crocodile Dundee (character Mick Dundee) and The Adventures of Barry McKenzie.
One point becomes evident that that the characters type symbolized in Australian movies is predominantly male centered. Australian films are inclined to show a gender intolerance towards masculinity which they consider as a representative to the culture of Australian type. All through the 20th century the image of a typical Australian as a tall, rugged man made it hard for other people to perceive about them in a different way.
According to 1 Christine Boman in his article masculinities and sexual violence in contemporary Australian drama and its film adaptations, has observed that the presence of bias in masculinity is a major characteristic in the history of Australian films and dramas and the issue with respect to concerning men and masculinity have gained a high profile on the public agenda and the decade which spanned from 1991 to 2001 in his view can be seen to engage with recent debates in their thematic treatment of masculinities `under pressure'."
The above discussion focused on the more conceptual and theme structure of Australian movies that is basically trying to explain the relation of Australian ideals and values trough an analysis of the films narrative structure. In my view films are more than a narrative structure and it should also be discussed in terms of their images meaning that all searches for images depend upon some assumed background in any film.
In general, we look for visual images because they are related to some conceptual theme or topic. Our reasons for wanting specific images relate to our uses for the images in the film.
The escalating domination of masculine type films in Australia in the late twentieth century was part of a larger process in conventional popular culture in which feminine stories and genres were appropriated for and by men.
Now moving to the two chosen films in relation to the premise of this report, I would first like to narrate the basic idea behind the above mentioned films. With respect to Crocodile Dundee starring the indomitable Paul Hogan classified the Australian perspective of masculinity as a typical man, working class and anti-authoritarian this film was huge hit world wide.
Crocodile Dundee theme is basically revolving around Mick Dundee and American reporter Sue Charlton's adventures from her discovery of him in the Northern Territory for a newspaper story to her bringing him to the United States. In due course they fall in love and come together in the end.
To be sure Australian film and cultural critics had the propensity to interpret the Crocodile Dundee phenomenon with regards to its social intertexts. There was the cultural critic employed in understanding popular texts as so a lot of indication of a favored set of cultural. As a result the Dundee films came to be seen as simply substantiating impoverishing cultural and social stereotypes about say masculinity and Australians in general.
The film provokes comments of masculinity. Mick Dundee falls into the gender stereotype of being the rugged, smooth bloke always ready for a fight, like many Australian heroes before him. He also shows an inability to show his feelings.
The significance of the personality of Paul Hogan as a public figure and thinker to the Dundee filmmaking approach propose something of the film's ambience and the broader Australian cultural explanation that it taps into.
In his book 2 Gender Trouble Down Under: Australian Masculinities, David Coad emphasize on the fact on "the male of the Australian outback -- the tradition of convicts and the Kelly gang, of bushmen and the Bulletin legend, and in more recent times the outback of...
Bibliography: 1. Masculinities and sexual violence in contemporary Australian drama and its film adaptations: Christine Boman: From the World Wide Web
2. David Coad, Gender Trouble Down Under: Australian Masculinities, Presses Universitaires de Valenciennes, Valenciennes, 2002.
3. Australian Film: From the World Wide Web 2002-2004
4. Australian film in the 1970s: the ocker and the quality film: Tom O Regan
From the World Wide Web 2000http://wwwmcc.murdoch.edu.au/ReadingRoom/film/1970s.html
5. Mainstreaming Australia: Leigh Dale: From the World Wide Web
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