Assyrian Relief Essay

While visiting the Los Angeles County Museum of Art I was struck by a piece by the title of Fragment of a Painted Assyrian Relief. This piece, made by the Akkadian culture during the Mesopotamia Era, is approximately 10 3/8 x 5. 1 ¾ inch in size. This fine, yet very ancient, work is crafted out of limestone. Fine, durable, brown stone and red pigment, it is especially found in Northern Iraq. Having a short written record, this relief sculpture once formed part of a much larger composition, and it depicts the head of an Assyrian sovereign, probably Sargon. In fact, the stone head of Sargon contains certain cultural elements that represent royalty and authority like the patterned beard and braided long hair. Although this sculpture is only mere fragment of the actual sculpture, the head of the Akkadian ruler presents the viewer with great meaning in elements, content, and cultural significance. The fragment of the sculpture illustrates the head of the Assyrian leader Sargon. This piece is approximately 10 3/8 x 5. 1 ¾ inch in size and still contained some of the red pigments from the 7th century. This particular piece is one of Phil Berg’s collection and was founded in the Northern region of Iraq in 1971. In fact, during my observation of the Assyrian piece, connection between this 4- 5000 year old figure and some of the lecture materials learned from
There are two types of rhythm forms- dynamic and controlled- and the sculpture clearly demonstrates a controlled form. For example, the face structure of the sculpture is facing in a horizontal posture. The elements like the patterned beard and braided hair are organized. In particular, the patterned beard is in the form of squares that are in a registered style. In fact, other elements like the nose, eye, ear, and mouth are structured in an equivalent form to a normal human