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Arte De Hambre
The Stanislavski method is very confusing to me because it makes the actor think of memories and feelings from the past that can relate to the character being portrayed in the scene/play. I was confused because having a memory of a specific emotion doesn’t really have the same exact emotion that the character is supposed to feel. I can see why in certain situations why using the Stanislavski method would be appropriate (ie. A death that the actor hasn’t ever experienced) but if the emotion was to be ecstatic I don’t see the point in going back to a memory to remember that feeling because it’s an easy emotion to “act” in. During the object analysis activities during class I struggled a lot. First, I couldn’t find a object that fit my monologue perfectly. I started out with a picture frame to symbolize the friendship my character has with the murderer but I didn’t connect with it like the rest of the class did with their object. I scrambled to find another object so I could restart and I came up with a friendship bracelet for the guy that is killed in my monologue. I figured out after our activity that day that it STILL didn’t fit my monologue. I felt like the class periods focusing on the objects slowly was hurting my monologue because I tried to come up with emotions to go with random objects that didn’t make sense to go with my monologue. After the activity when we switched partners and recited our monologues, I felt that this helped me A LOT because I wasn’t focusing on my object I was focusing essentially on “Stephanie” in my monologue. I found that this was so much easier to connect an emotion with because I wasn’t forcing myself to come up with any emotion to go with the objects before, I was actually talking to one person and the emotions came naturally. Honestly Ms. O, the object analysis activities were boring for me because I had nothing to connect with, but I really really enjoyed speaking my monologue to someone that wasn’t my BEST friend, it made raw
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