Art History Europe
Art History Europe
CHAPTER 19 – Italy and Spain, 1600 to 1700
In the Catholic countries of Europe, the style which started to emerge around 1580 and prevailed to the mid 18th century is known as Baroque.
The baroque style is characterized by a return to naturalism accompanied by a theatrical presentation involving intense emotion and an expansion of scale and complexity. Art works often capture a moment in time. Paintings and sculptures break into the space of the viewer.
This occurs partly in response to the demands of the Counter-Reformation, the Catholic Church's attempt to stem the impact of the Protestant Reformation. Catholic religious images aimed to ignite the fervor of the people for the Church and its beliefs.
Some artists during this period, however, retain a more classical style.
Works to identify and know in depth:
Artist Title Date
Bernini David 1600s (19-7)
[pic]
Bernini Ecstasy of Saint Theresa 1600s (19-1, 19-8)
[pic]
Bernini Saint Peter's, Vatican City, Rome 1600s (19-4, 19-5)
Caravaggio Conversion of Saint Paul 1600s (19-17)
[pic]
Artemisia Gentileschi Judith Slaying Holofernes 1600s (19-20)
[pic]
Velázquez Surrender of Breda 1600s (19-29)
[pic]
Velázquez Las Meninas (The Maids of Honor) 1600s (19-30)
[pic]
Questions to prepare for Exam 2 (as well as the 5 numbered questions on study sheet for Ch 14):
Which city was the major center for artistic development in the 1600s? Why?
Why was the Council of Trent convened? What impact did it have on Catholic art?
How does the Ecstasy of Saint Theresa exemplify Baroque art in its iconography and style?
Discuss the innovations Caravaggio introduced into painting to make it look more dramatic. Why was drama desired at this time? Name an artist who was much influenced by Caravaggio.
Compare Michelangelo's David to Bernini's. How does each reflect the ideas of their periods and/or patrons?
Why did Bramante and Michelangelo design Saint Peter's Basilica as a symmetrical building? Why
CHAPTER 19 – Italy and Spain, 1600 to 1700
In the Catholic countries of Europe, the style which started to emerge around 1580 and prevailed to the mid 18th century is known as Baroque.
The baroque style is characterized by a return to naturalism accompanied by a theatrical presentation involving intense emotion and an expansion of scale and complexity. Art works often capture a moment in time. Paintings and sculptures break into the space of the viewer.
This occurs partly in response to the demands of the Counter-Reformation, the Catholic Church's attempt to stem the impact of the Protestant Reformation. Catholic religious images aimed to ignite the fervor of the people for the Church and its beliefs.
Some artists during this period, however, retain a more classical style.
Works to identify and know in depth:
Artist Title Date
Bernini David 1600s (19-7)
[pic]
Bernini Ecstasy of Saint Theresa 1600s (19-1, 19-8)
[pic]
Bernini Saint Peter's, Vatican City, Rome 1600s (19-4, 19-5)
Caravaggio Conversion of Saint Paul 1600s (19-17)
[pic]
Artemisia Gentileschi Judith Slaying Holofernes 1600s (19-20)
[pic]
Velázquez Surrender of Breda 1600s (19-29)
[pic]
Velázquez Las Meninas (The Maids of Honor) 1600s (19-30)
[pic]
Questions to prepare for Exam 2 (as well as the 5 numbered questions on study sheet for Ch 14):
Which city was the major center for artistic development in the 1600s? Why?
Why was the Council of Trent convened? What impact did it have on Catholic art?
How does the Ecstasy of Saint Theresa exemplify Baroque art in its iconography and style?
Discuss the innovations Caravaggio introduced into painting to make it look more dramatic. Why was drama desired at this time? Name an artist who was much influenced by Caravaggio.
Compare Michelangelo's David to Bernini's. How does each reflect the ideas of their periods and/or patrons?
Why did Bramante and Michelangelo design Saint Peter's Basilica as a symmetrical building? Why