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Analysis of The Doors' Music

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Analysis of The Doors' Music
During the late 1960's bands sang of love and peace while drugs were passed out at every moment. But for The Doors it was different, because they could get a person high by just listening to songs of mystery and intenseness. The nights belonged to the gods of revelry and rebirth, and the songs invoked their potent passions, the Oedipal nightmare of "The End," the breathless gallop of "Not to Touch the Earth," the doom of "Hyacinth House," the ecstasy of "Light My Fire," the dark uneasy undertones of "Can't See Your Face in My Mind," and the alluring loss of consciousness in "Crystal Ship." And like rituals, The Doors willingly offered themselves as a sacrifice to be torn apart, to bleed, to die, to be reborn for people to listen to their music.
In 1965 m Morrison had met Ray Manzarek at the UCLA Graduate School of Film. They were on the beach in Southern California where Morrison recited his poem, Moonlight Drive, to Manzarek. At which point Manzarek insisted on collaborating to make songs. His brothers, Rick and Jim, were the original guitarists for a brief amount of time until Ray met Robby Krieger and John Densmore through yoga and meditation class.
Ray Manzarek, a classically trained pianist, with a deep love for the blues and jazz, wrote the themes for many of the songs and played not only the keyboard parts but simultaneously propelled the band with melodic driving bass lines. John Densmore, a jazz drummer known for shamanism rhythm and theatrical timing, which was heard in many songs created powerful background rhythms. Robby Krieger, a songwriter who could play any guitar, from classic flamenco to bottleneck blues, to create music never even thought of. And Jim Morrison, the baritone, American poet with a remarkable compositional gift and the mysterious image that made people grow silent. Together these men equally brought The Doors' songs to life. Morrison decided to call the band "The Doors" based off of a book by Aldous Huxley called The Doors of

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