In the memoir, The Horizontal World written by Debra Marquart, she describes growing up in the Midwest region. By using literary devices, she tells the readers about her profound love for the area, even though it may seem to the blind eye as a boring and lonely place to visit. Literary devices such as allusions and charged diction suggest that the Midwest has a unique beauty that not everyone notices, or bothers to notice. By using these literary devices, Marquart is able to convince her readers of the beauty of the Midwest.…
Ernest Hemingway’s writing choices are famously in favor of clear and concise language, sharply contrasting those of William Faulkner, an author who is known to use many fluid descriptions, metaphors, and similes in order to emphasize certain ideas. Although both Faulkner and Hemingway choose to describe more than just what is plainly written, they differ immensely in presentation. Faulkner adheres strictly to his own tradition of using powerful language to give his stories a strong tone, as if spoken by a descriptive storyteller. Hemingway on the other hand describes his stories impartially, avoiding bias towards one character or another, and instead telling things the way they are (or rather, the way he creates them to be). Hemingway’s tone, style, and diction in “A Clean, Well-Lighted Place” is presented in a plain and unbiased fashion that allows its reader to capture exactly what Hemingway intends to say.…
Author Debra Marquart in her memoir “The Horizontal World”, writes about North Dakota and how she confesses her love for it in a very indirect way. There were very many considerable amounts of situations in her hometown and visitors would think that the land is plain and unimpressive. Debra includes many strategies to characterize the upper Midwest. Some of these strategies include imagery, tone, and syntax, also, diction, personification, and pathos, and lastly, ethos, logos, and audience.…
In Rising Tide: The great Mississippi Fold of 1927 and how it Changed America, John M. Barry writes to communicate his fascination with the Mississippi river to his readers. He does this through the use of rhetorical and literary devices.…
In Cormac McCarthy’s novel All the Pretty Horses, the setting is used to represent the main characters transformation over time from one terrain to another. The limitedness of the Texan terrain scattered with barbed wire restrictions identifies the restlessness that motivates John Grady’s brevity in the region at the beginning of the novel. Meanwhile, the Mexican wilderness that John Grady Cole’s sets out for comes to epitomize how the vast territory of fenceless space shapes his experiences as they outline his true character. The result is recognition of the parallel between open terrain and his character, each one exemplifying one another and in the end explains the enlightenment he struggles for.…
Lawson’s “Ballad of the Drover” and Wright’s “South Of My Days” are both narrative poems that tell contrasting stories of outback workers working differently on the land. Lawson employs the 3rd person and utilizes formal language by using powerful adjectives and imagery to represent the solitary personality of the drover. The drover has time to contemplate and take in the beauty of the landscape as he “hums a song of someone”. Personification of the land “thirsty pastures” illustrates the Drover’s intimacy with the land. Wright also utilizes the 3rd person but she uses colloquial language to engage intimately with her audience. Wright talks of multiple workers “Dan”, “Fred” and the “troopers. “Dan” is an older man with “seventy years of stories” and his “seventy years” are further enforced through the use of simile “seventy years are hived in him like old honey.” Wright further discusses the work; “Charleville to the Hunter” and “sixty head left at McIntyre” examine the work of moving cattle. “Fred” is “driving for Cobb’s” and simile “He went like a luny …… on his big black horse” because the “troopers are just behind” highlight the importance of work. Through their respective use of figurative language and their choice in language Lawson and Wright both convey stories of outback workers.…
Humankind’s threat to the earth and the natural world has been a common theme of writing since the industrial revolution and underpins The Crest. Kinsella’s forboding poem presents a powerful analogy with man’s pastoral development and it’s intrusion into the natural world.…
In the passage “Rising Tide: The Great Mississippi Flood of 1927” the author John M. Barry describes elaborately the functions and complexity of the Mississippi River. The author wants the reader to enjoy and know the fascinating characteristic the Mississippi River offers through and informative passage. Barry's fascination of this river goes beyond our imagination due to the simple, solid facts that are stated. Throughout the passage the reader can see the many rhetorical devices the author uses to amplify his message such as vivid imagery, asyndeton, and simile.…
While reading this poem I had to reread several lines over and over again simply because I liked them so much. A few lines that stood out to me were, “The skeleton of a calf's been wrapped around a pipe”, “A yolk slides down the drain”, and “You drive into the Wyoming part of you where it's obvious there have been some sacrifices” – all of these lines throughout this poem are vivid and give off a sense of loss. A dead baby animal represents something nipped in the bud, a yolk sliding down a drain is a fast and hopeless loss that can’t be recovered (without being messy anyway), and seeing sacrifices on a drive represents the loss of something important during the course of life. All of the images throughout this poem pulled on my heartstrings and were pieced together into a relatable format with pictures of food, animals, and rustic imagery, i.e. a plastic jug of milk, an egg yolk, flamingos, white dogs, horses, Wyoming, missile silos, tornados, bottoms of lakes, etc. And my favorite part of this poem that really caught me off guard, sealed the deal, and made me want to write this response, was the way the poem ended. The lines, “Everyone who ever knew you gently roams the town at the bottom of a lake - They flash to the surface,…
Our trip to Texas Southern was overall very interesting. We briefly visited with Dr. Thomas Freeman and learned about his long, incredible life, but before that, we walked some of the halls containing mural after mural. Many are elaborate paintings of various elements of the black lives matter movement. Others, like the police brutality mural, have connotations to today’s world and the injustices African American people face on a day to day basis. The mural that caught my eye, though, was the one depicting one mule on a vast stretch of land which, Mr. Ford said, is a symbol of the ‘one mule and forty acres’ the enslaved families were meant to receive after being emancipated. Even though the painting may seem bare, the history of the origin of “forty acres and a mule” is displayed by what is included and excluded because, the mural’s location on an otherwise bare portion of wall represents the hope from an otherwise hopeless position, the mural itself represents the metaphorical promise of forty acres and a mule, and the bareness of the tree and…
A vast range of literary techniques is employed in the text, all of which contribute to exploring the negative outcome of journeys. Imagery is a predominant throughout the entire text, appealing to the auditory, olfactory, tactile and visual senses. This is highly effective in depicting the wild beauty and the horror of nature. Quotes such as “…the clouds brewing above and the dirt swirling around his feet” and “skyline rushing down to drown his brittle form” conjure up images of the uncontrollable force of nature and the insignificance of humans in comparison. Fudge also encompasses more harsh imagery to further reinforce the harshness of life. This is evident in the quotes, “…spluttered mucus and blood” and “…covered in crusted blood, jaws ripped from his skull”. All these descriptions are then directly linked to nature’s ferocity. Fudge has characterised “The Land” as nature’s representation in the text. He emphasises and reinforces The Land by encompassing heavy use of personification. “the Land was speaking”, “the Land throbbing” and “the Land had suffocated his family” all use personification. The repeated use of ‘the’ before the subject, ‘Land’, combined with the effect of personification, emphasises and reinforces the authority and dominance of nature.…
3. "Miller owns this field, Locke that, and Manning the woodland behind.” Unlike everyday humans eyes sees the world, Poets see the world with other eyes beyond the physical of an…
The Okefenokee Swamp can be described in many ways. Each writer uses tone and diction to express their style and feelings toward their piece. In the Okefenokee Swamp passages, the writer’s style reveals his/her purpose for the piece. With the use of style and tone, the writer’s feelings of the swamplands are revealed to his/her audience. Surprisingly, these two passages portray the Okefenokee Swamp as two opposite lands.…
Sherman Alexie was born in 1966 and raised on the Spokane Indian Reservation in Washington. Although born with a severe case of hydrocephalus, he astonishingly recovered and learned to read at an early age. Alexie used his social rejection to concentrate on his studies. In 1985, he was awarded a scholarship to Gonzaga University where he regrettably began abusing alcohol. His college years can be described as depressing and inspiring. His alcoholism compelled him to convey his feelings on paper. Prompted by Alex Kuo, his poetry professor, Alexie engage in writing using his somber encounters as subject matter. Since his years at Gonzaga, he has published several stories and poems pertaining to Indian culture and life on the reservation. He has been presented with prestigious awards for his screenplays and novels and was named one of the twenty best young American novelists by The New Yorker. Using melancholy tones and woeful themes, Alexie broadcasts his people’s despair and brings light to the ignored feelings of a lost generation. Perpetual alcoholism, fragmented families, and racial alienation are major issues present in Sherman Alexie’s three short stories.…
Many state and local history sites and museums offer antiquated interpretations of local and state histories, their specificity mirrors early twentieth century Southern historical analysis, like that of the Twelve Agrarians, focused on an identity outside of the nation and based in romantic, nostalgic notions of regional, state, and local histories. However, key texts in the history and historiography of the twentieth century South, show that understanding the local and regional experiences requires an appreciation of individualism and broader national contexts. The Southern historiography of the twentieth century exemplifies the opportunity for expanding contextual narratives at historic sites and museums. Newer Southern histories place the…