Analysis Of Nella Oortman's 'Golden Bend'

On the step of her new husband’s house, Nella Oortman lifts and drops the dolphin knocker, embarrassed by the thud. No one comes, though she is expected. The time was prearranged and letters written, her mother’s paper so thin compared with Brandt’s expensive vellum. No, she thinks, this is not the best of greetings, given the blink of a marriage ceremony the month before – no garlands, no betrothal cup, no wedding bed. Nella places her small trunk and birdcage on the step. She knows she’ll have to embellish this later for home, when she’s found a way upstairs, a room, a desk.

Nella turns to the canal as bargemen’s laughter rises up the opposite brickwork. A puny lad has skittled into a woman and her basket of fish, and a …show more content…
This part of the Herengracht is known as the Golden Bend, but today the wide stretch is brown and workaday. Looming above the sludge-coloured canal, the houses are a phenomenon. Admiring their own symmetry on the water, they are stately and beautiful, jewels set within the city’s pride. Above their rooftops Nature is doing her best to keep up, and clouds in colours of saffron and apricot echo the spoils of the glorious …show more content…
She’s being watched. Come on, Nella Elisabeth, she tells herself, stepping over the threshold. Will her new husband embrace her, kiss her or shake her hand like it’s just business? He didn’t do any of those things at the ceremony, surrounded by her small family and not a single member of his.

To show that country girls have manners too, she bends down and removes her shoes – dainty, leather, of course her best – although what their point has been she can’t now say. Dignity, her mother said, but dignity is so uncomfortable. She slaps the shoes down, hoping the noise will arouse somebody, or maybe scare them off. Her mother calls her over-imaginative, Nella-in-the-Clouds. The inert shoes lie in anti-climax and Nella simply feels a fool.

Outside, two women call to one other. Nella turns, but through the open door she sees only the back of one woman, capless, golden-headed and tall, striding away towards the last of the sun. Nella’s own hair has loosened on the journey from Assendelft, the light breeze letting wisps escape. To tuck them away will make her more nervous than she can bear to seem, so she leaves them tickling her