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1. Does the horse think, or is the writer using this to postpone his thoughts…
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The poem is formed of eight stanzas, each one is six lines long except for the fifth stanza which is an octet. The stanzas are formed of sets of three rhyming couplets in the form AABBCC DDEEFF, the metre is Iambic Tetrameter but each stanza includes a trailing last line which is in Iambic Trimeter. This form of rhyme and pattern of language adds to the effect of the poem in several ways. Normally a poem written in tetrameter, or lines of eight syllables, is lent a briskness or upbeat tempo, poems written in the more formal pentameter seem to carry a more deliberate and precise tone. However the language and the missing foot from the metre of the last line of each stanza helps to give the poem a more measured pace.…
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In Robert Frosts’ poem “Stopping by woods on a snowy evening”, Frost uses symbolism and personification to tell a story about a man’s battle with responsibility and society versus straying from the accepted path of life. Throughout the poem, Frosts’ use of detail helps push the story along and get the reader into that field. The reader starts to feel the cool, brisk breeze and hear the silence of the nothingness. With as short as this poem is, the reader really feels a sense of a story here rather than just a four stanza poem.…
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Frost applies a structure and an aspect of imagery to the poem that allows it flow nicely while distinguishing each separate occurrence that the speaker mentions as he/she tells the story. Frost uses assonance as he rhymes "night" with "light," "lane" with "explain," "feet" with "street," "good-bye" with "sky," and "right" with "night" in an ABA rhyming pattern for each three line stanza and an AA pattern for the final two line…
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Written by Frost, “Stopping by the woods on a Snowy Evening,” tells of the travels of a man who stops briefly to watch the snow; however, there is much more to this poem than a literal journey. Robert Frost uses imagery to allow his readers to imagine the scene before them: snow falling gently on dark woods just before the sunset. The senses are engaged as the horse shakes his bell, the snow falls softly against the narrator's skin, and the light grows ever more dim in the distant. The narrator undergoes the scene in silence, tempted to stay longer, but recognizes that obligations and a long distance yet to be traveled before he can stop and rest for the night.…
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Another one of his poems, “Meeting and Passing”, doesn’t have such a perfect order to the rhyme scheme (Frost, 1993, p. 13).On line one, you may notice the last word “wall” doesn’t rhyme…
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This poem is written in iambic pentameter structure. This means that each line consists of five individual feet, each following the pattern of an unstressed then a stressed syllable. Each of these feet is called an iamb. This means that every line ends with a stressed syllable, one that will rhyme with the following line, creating a series of couplets. Thus, the end rhyme of this poem follows the pattern of “a, a, b, b, c, c, …” and so on. This pattern of unstressed and stressed syllables and couplet end rhymes is what gives this poem its musical feel and rhythm, and makes it as fun and interesting as it is.…
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The poem talks about a man wondering around in the woods with his horse on a snowy evening, for a moment he stops and contemplates the scenery.…
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The poem tells of a man who is walking somewhere with his horse one night, and stops to ponder the sight of the woods for some time. Then, he is reminded of his duties, and continues on his way. The man in this poem is depressed, much like the man in "Dust of Snow". When he looks into the woods, it serves as a metaphor for the man contemplating his own suicide. Frost describes the woods as "lovely, dark and deep". This description makes the woods seem very appealing, to the point where one would want to step into the them and walk through them. Frost is likening these woods to embracing one's depression and committing suicide. This is because the thought of ending one's life might seem appealing to one stricken with deep depression. But, the man does not embrace his depression. Instead, he carries on and continues with his life, saying to himself, twice, that he has "miles to go before [he] sleeps". The repetition in this line seems to be a mantra for the man, which he repeats in order to convince himself that he must go through with his life. But what ultimately brings this man out of his depressed state? It is the "promises" mentioned in line 10, which the man feels he needs to uphold. So, it is society and other people who save the…
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This poem has eight, four line stanzas. Its meter is iambic pentameter. Randall’s rhyme scheme in this poem consists of the last word in the second and fourth line, in each stanza, rhyming with each other. For example, “…Instead of out to play… In a Freedom March today?” or “…For the dogs and fierce and wild… Aren’t good for a little child”…
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For this poem he uses a near perfect iambic pentameter. This means each line has 10 syllables, which are arranged so that one unstressed syllable is followed by a stresses syllable. For example, the stressed syllables in this line are bold and in italic “I have been one ac-quaint-ed with the night.” The way Frost writes this is very difficult and could account for some of the strange sounding ways that he phrases his lines. Although it is strange, it actually plays a key part in the structure of this poem.…
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This poem is very unique in many ways, but none as much as in the style it is written. Frost had a dream of becoming America’s most influential and prominent poet. He accomplished this throughout his career by breaking molds that had been set by pervious writers. In “Mowing,” Frost combines the elements of a Shakespearean and Petrarchan sonnets along with his own unique rhyme scheme to increase the reader’s ability to feel the poem. It is Petrarchan in that it has two distinct halves: “an octave of eight lines followed by a sestet of six.” (DiYanni, 670) The poem also contains a very strong “concluding couplet more characteristic of the Shakespearean sonnet.” (DiYanni, 670) This is combined with a unique rhyme scheme indicative of a Frost sonnet. Instead of using the strict Petrarchan rhyme scheme (ABBAABBA CDECDE) or the Shakespearean rhyme scheme (ABAB CDCD EFEF GG), Frost creates a hybrid of both: ABC ABDEC DFEG FG. Keeping in tradition with other poems he had written, Frost employs very common and easy to understand language so that his poems could be enjoyed by all.…
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In the first stanza, Frost is telling of how he sees two roads, but he cannot possibly take both. The first road he looks at can only be seen as far as a near curve with undergrowth. The second road he sees has a grassy path and “want[s] wear.” In the third stanza Frost debates which path to take and decides to leave the first road for another day, if he decides to ever come back. The fourth and final stanza of the poem tells how Frost is telling the tale with a sigh and because he took the road less traveled by, it has made all the difference in his life.…
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In terms of form, the poem does not have a traditional rhyme scheme and the lines vary in length. Frost uses many different literary devices throughout the poem such as imagery which appeals to our sight, touch and hearing senses. Frost has used Imagery such as “In clomping there, he scared it once again” which appeals to our touch because you can almost feel how he has stomped the floor to try and frighten off the unknown. He has appealed to our hearing senses by using personification, “like the roar of trees” lets you almost hear how the trees were thrashing around on the cold winter night. “That brought him to that creaking room was age. He stood with barrels round…
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In the first stanza, the man driving the horse describes stopping near another man 's woods whose house is in the village. The man is watching the woods fill up with snow. In the first line he first mentions the wood which immediately gives the reader an outdoor and a rural feeling. This is followed in the next line by the narrator saying he knows the man who lives in the village that owns these woods. This mention of the village leads the reader away from the peacefulness of the woods filling up with snow and back into the village. I think that the purpose of frost mentioning that the man who owns the woods is to illustrate the irony of how something so peaceful and natural can be owned by someone who lives away in a bustling city. Line three, "He will not see me stopping here," implies that the narrator knows that…
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