9 December 2012
In a world with diverse beliefs and increasing technology, we as people tend to be place in a game of tug of war. Struggling to live a traditionally religious and modest life rather than falling for the life of crime, sin, and all forms of temptations. Bram Stoker’s novel Dracula developed a storyline that expresses the actions and life styles that the people of the 19th century were experiencing. Throughout the chapters we go from grueling crimes, love stories, and characters that give their insights that lead to thrilling unexpected endings.
Stoker begins the novel with a young lawyer, who has arranged to finalize a real estate deal with a man who goes by the name count Dracula. Dracula, whose environment is not only dark but satanic in some ways can relate to the medieval times. He captures Jonathan Harker by impressing him with his intelligence and makes him his prisoner. Stoker shows in some way how Dracula wanting to keep Harker to himself, represents some obsession or homosexuality on his part. Woven within the novel, Dracula uses the women to access the men of the town.
Soon after Harker escapes from the counts kidnapping, a destroyed Russian ship with Dracula’s cargo surfaces ashore in England. Harker’s fiancée Mina finds her friend Lucy Westenra sleepwalking into a cemetery. Hovering over her is some form of evil spirit, which suddenly sends Lucy ill. Dr. Steward does not know what to make of the bite marks found on her neck, and Professor Van Helsing is called in to examine these suspicious behaviors. He has come to the conclusion that she has been attacked by a vampire. The fact that Dr. Stewards pursues to revive Lucy with new science techniques fail to engage into traditional remedies which leads to her death.
Lucy has now turned into a vampire, feeding off of helpless little children, as her soul roams around lost. The only way to put her to peace is to kill her lifeless body by sticking a stake through her heart, and slicing off her head which her chosen lover Arthur Holmwood has volunteered to do. After this they begin to piece their journals together to lead them to the source behind the madness; count Dracula. As the Professor and the crew pursue the hunt to the counts castle; Dracula has found access to them lusting and preying on the pure and innocent Mina. She is not strong enough to fight off his diabolical forces, and is now transforming into Dracula’s collection of vampires. The men destroy the items found in the cargo, kill the three vampires, and also cleanse the castle. Jonathan and Quincey Morris have left no room for Dracula to try to escape and brutally put an end to him.
The main idea of the novel was to not only show how society has changed in the 19th century because of the progress of new developments in technology; but also show how women’s sexuality lured men to more temptations and acts of sin. The two worlds have separated from old and new. In the novel, Dr. Seward expresses how his obsession with modern techniques makes him unaware of Lucy’s real sickness; which brings her to her death. Mina’s pure image contradicted Lucy’s physical appearance; which attracted many lusting men, and exposed the sins. In “A Reflection and Rebuke of the Victorian Society”, Amanda M. Podonsky states: Bram Stoker’s now legendary novel, Dracula, is not just any piece of cult-spawning fiction but rather a time capsule containing the popular thoughts, ideas, and beliefs of the Victorian era that paints an elaborate picture of what society was like for Bram Stoker’s generation.
Count Dracula –is an old vampire and Transylvanian nobleman; living in a castle on Carpathian Mountains. The count has a dark and evil soul, but hides it with his charm. The "rather cruel-looking" Dracula is a compelling creation: a creature, who has no reflection in a mirror, he unleashes his "demoniac fury" (Anita...
Cited: Stoker, Bram, Tudor Humphries, Leonard Wolf, and Jeffrey Meyers. “Dracula”. New York: DK Pub., 1897. Print.
Podonsky, Amanda M. "Bram Stoker 's Dracula: A Reflection and Rebuke of Victorian Society." Student Pulse. Student Pulse, 2 Nov. 2010. Web. 07 Oct. 2012. <http://www.studentpulse.com/articles/184/bram-stokers-dracula-a-reflection-and-rebuke-of-victorian-society>.
Niland, Lauren. "Bram Stoker 's Dracula: A Review from 1897." The Guardian. Guardian News and Media, 18 May 0044. Web. 07 Oct. 2012. <http://www.guardian.co.uk/theguardian/from-the-archive-blog/2012/apr/20/bram-stoker-centenary-dracula-review>.
"Dracula." Enotes.com. Enotes.com, n.d. Web. 07 Oct. 2012. <http://www.enotes.com/dracula-criticism/dracula-bram-stoker>.
Pavlovski, Linda. Twentieth-century Literary Criticism. Detroit, MI: Gale Cengage, 2004. Print.
Hirst, Christopher. "Dracula ,by Bram Stoker." The Independent. Independent Digital News and Media, 18 Feb. 2011. Web. 07 Oct. 2012. <http://www.independent.co.uk/arts-entertainment/books/reviews/dracula-by-bram-stoker-2218073.html>.
Sethi, Anita. "Dracula by Bram Stoker â€“ Review." The Guardian. Guardian News and Media, 23 June 2012. Web. 07 Oct. 2012. <http://www.guardian.co.uk/books/2012/jun/24/dracula-stoker-review-colm-toibin>.
"Obliquity." Dictionary.com. Dictionary.com, n.d. Web. 07 Oct. 2012. <http://dictionary.reference.com/browse/obliquity?s=ts>.
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