The influential power of the media is not an issue to be taken lightly. This influence can harbor tremendous benefits, or catastrophic consequences. Hotel Rwanda begins with a black screen, where the only thing we are exposed to is a radio broadcast, consisting of negative propaganda concerning Tutsi rebels in Rwanda. This is important, in that the black screen represents our minds, with the only input being what we hear over the broadcast. This gives us a sense of what the refugees are doing throughout a large portion of the film. The intensity of the situation before anything happens, as well as during, is amplified by a specific radio station: RTLM. RTLM fuels the hate harbored by the Hutu extremists. "Do not shake …show more content…
This is not limited to only what's broadcasted on RTLM. Shortly after the massacre begins they realize they're child is missing. When he's found, his body's covered in blood. They discover that it's not the child's blood, and begin rejoicing with overwhelming comfort to calm the child. As this is happening, someone asks whose blood is on the child. Paul quickly responds with "Please. Please!" to silence the question from being answered. Paul is later confronted with a disturbing vision of horror, when he believes his lazy co-worker has driven off of the road on a trip for supplies. As he returns to his van after absorbing the sight of blood filled streets, and the realization that the rough terrain' was actually bodies, the first thing he does is tell his co-worker not to tell anybody what they saw. These scenes show how important word of mouth is as a source of media. Although RTLM isn't the only media Paul is struggling against throughout the film, it is the most prominent. A prime example of this is the scene when Paul walks in to the hotel kitchen to find all of his employees standing around a radio absorbing the hate filled propaganda. Paul tosses the stack of plates he's carrying and orders them to get back to …show more content…
When the reporter returns from his risky venture of filming the murders, Paul thanks him for doing so. He says it is the only way the rest of the world will be influenced to intervene. The reporter responds to this with the idea that people will see the footage on TV, say "that's horrible", and continue eating their dinners. Sadly, this proves to be true. Telephones, on the other hand, are a very helpful source of media in the film. Telephones save, or at least prolong, many lives. For instance, when Paul is first confronted by the Hutu army at the hotel he calls the hotel president, who in turn calls the French president, who immediately contacts the Hutu army commanding them to leave the hotel alone for the time being. Another example of this occurs when Paul delivers the worst news of all to the refugees; which is that absolutely nobody will help them. He then tells them to call every influential person they know. He tells them to "reach through the phone" so that they can hold their hand. He tells them they need to let them know that if they let go of their hand, they will die. He says they need to shame them in to helping. These calls pay off' when several of the refugees are handed exit visas by the UN. However on they're trip out of the danger zone' they are stopped by Hutu extremists. This happens because Paul's lazy co-worker ratted' them out, and the important part is how quickly