An essential element of belonging is one’s identity as it provides an understanding of the group to which one belongs. However, it is often difficult to retain one’s individuality while belonging to a particular community. This difficulty is evident in Sara Gavron’s film “Brick Lane” and Shaun Tan’s “Stick Figures” (Tales From Outer Suburbia), where both composer’s highlight the loss of individuality as a result of group conformation. In contrast, William Shakespeare’s play “As You Like It” demonstrates the converse as it highlights that it is possible to balance belonging to group while keeping one’s unique identity. As a result, by comparing the exploration of all three composers, a responder can enhance their understanding of the influences that affect one’s sense of belonging and identity.
As one becomes part of a group an understanding of their own unique identity can often be enriched. This is evident in William Shakespeare’s play “As You like It” through Orlando, whose development of a sense of familial belonging empowers his own self-understanding. This is evident through the contrast between Orlando’s initial dejected state and final sense of status. This is evident through Orlando’s early despondence in the play in “in this world I fill up a place, which may be better supplied when I have made it empty.” The impersonal tone associated with ‘a place’ alludes to Orlando’s own feeling of alienation and isolation as a result of a lack of connection with others. This is reinforced through the hollow connotations of ‘empty’ which accentuate Orlando’s lack of understanding of himself. However, this is contrasted with the conclusion of the play, as Orlando develops his sense of familial belonging with his brother Oliver.