Preview

Alfred Hitchcock King of Suspense

Powerful Essays
Open Document
Open Document
2107 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Alfred Hitchcock King of Suspense
Gangster Auteurs

In order to be a great author, you have to be able to show your originality from the other creators. Here, in the cinema field, more specifically in the Gangster genre you have to be able to impress the viewers, you have to make them entering a world that they never seen before and they have to believe that world. The atmosphere in a Gangster genre film is really interesting to analyze due to the author capacity to place an environment of fear, excitation, violence and inhumanity. The filmmaker’s goal is to make the viewers think about what they see, and how to interpret it. The violence of the images has the purpose to shock the viewers, to make them even more humans instead of identifying themselves to those characters. Here, we are going to wonder how we can appreciate an author’s way of writing and how the viewers perceive it. We will see the great work of Alfred Hitchcock in Rear Window and North by Northwest and try to understand the meaning of his images.

Alfred Hitchcock is considered as the king of suspense. Indeed, critics have often said that Hitchcock is the least intellectual of filmmakers. The latter, however, reflected on his work and gave us an art of suspense that could prove as his cinematic art. The Mac Guffin is an original concept in Hitchcock’s movies. The origin of this word comes from an anecdote told by him. He used this story to mock those who demand a rational explanation and perfect consistency for all elements of a film. As a child, Alfred Hitchcock was a lonely boy full of imagination. What interests him is to manipulate the viewer and to make him as worried as the hero or heroine of his film. Hitchcock saw the movies for what they are, that is a spectacle and not a carbon copy of reality. So in order to keep in suspense the spectator, he explains “ you must establish the basic situation – with the characters, their personality in order to make these personages sympathetic to the public and informing the

You May Also Find These Documents Helpful

  • Good Essays

    He uses his analysis of the two media, the book and the film, to make his final argument that filmic novels are not good for screening. While the influence of film in these books, whether fiction or non-fiction novels, justifies in their story telling and development, the vice versa is not true for film (Murray 132-137). Filmic novels are no easier to adopt for film than the traditional novels of the past times. While non-filmic novels give the filmmakers room for interpretation and creativity in their redesign, filmic novels give a framework for the redesign. Creating a film adaptation of such books requires the filmmaker to either create an exact translation of the original or to conceive a new piece of artworks, none which is a hard job as Murray shows in Brooks’ failure to create a great film adaptation of a great book. He ends the article by explaining that filmic novels are not easy for film redesigns due to their complexity (Murray 132-137). Sub-literary novels, he writes, whether filmic or not, make better film redesigns than distinguishable…

    • 857 Words
    • 4 Pages
    Good Essays
  • Powerful Essays

    In recent years, it has become popular for many of America's great literary masterpieces to be adapted into film versions. As easy a task as it may sound, there are many problems that can arise from trying to adapt a book into a movie, being that the written word is what makes the novel a literary work of art. Many times, it is hard to express the written word on camera because the words that express so much action and feeling can not always be expressed the same way through pictures and acting. One example of this can be found in the comparison of Ken Kesey's novel, "One Flew Over the Cuckoo's Nest, and the film version directed in 1975 by Milos Forman.…

    • 1933 Words
    • 8 Pages
    Powerful Essays
  • Good Essays

    Discuss the ways in which Hitchcock sets the scene for the audience in the opening minutes of his film 'Rear Window'(1954) - 500 words…

    • 962 Words
    • 4 Pages
    Good Essays
  • Better Essays

    Debate rages over the definition of what constitutes a Film Noir. The consensus seems to center on the time period in which noir films were created which is early 1940’s through late 1950’s. It was an era of film making that used low budget sets, light and dark elements of lighting, altered space (sparse), and sharp photographic focus shot at odd angles. Scripts were often based on pulp novels from the 1930’s. The protagonist, generally were of questionable moral character and were in some desperate emotional frame of mind usually due to their own bad choices. Throughout the movie the lead character seems trapped in a web of intrigue and bad luck from which they are unable to extricate themselves. Noir films were created to cause a sense of anxiety or discomfort. They are meant to disturb, to show the darker side of humanity. These films sprang from a shift in the social values of a changing American culture due to World War I and II and prohibition. Their impetus also lay in the constraints placed on the film industry by new censorship laws which began in the 1930’s prohibiting taboo subjects. These factors as well as limited budgets during WW II led to this phenomenon known as Film Noir or Black Film.…

    • 1302 Words
    • 6 Pages
    Better Essays
  • Good Essays

    Movies are much more than just a picture on a screen. They are not linear, they are complex and have depth beyond our imagination. One of the most critically acclaimed master of this art is Alfred Hitchcock. The movie describes the events that occur when a small town is attacked by vicious birds. The movie “The Birds” by Alfred Hitchcock has a deeper emotional weight with its audience than the book “The Birds” by Daphne du Maurier because of Hitchcock’s deliberate use of setting, imagery, and mood in the cinematic experience.…

    • 1468 Words
    • 6 Pages
    Good Essays
  • Good Essays

    In the 1950’s film Rear Window, director Alfred Hitchcock sets his entire work looking through a man, L.B. Jeffries’ rear window. Because of his broken leg, Jeffries is confined to his apartment, and even to his wheelchair. It is here, in his apartment, that the protagonist watches, or even spies on his neighbors. He draws conclusions on these people, but from a distance: across the apartment-building courtyard. In addition to this physical distance separating Jeffries from his neighbors, his perspective, too, distances him from his conclusions. Only seen through the glass of a window and the lens of a camera, Jeffries’ point of view is confined to only a single vision. We see that this single vision, however, provides Jeffries with an ample amount of information. The avant-garde cinematography combined with the original plot creates a new mean to film. Alfred Hitchcock’s innovative Rear Window allows the audience to bring their own experiences to the film: just as Jeffries draws conclusions on his neighbors from a distance, man too establishes his own perspective in the real world, and brings this experience to the film to understand its meaning.…

    • 662 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    Film noir’s darker themes and stylistic features enable it to address and explore the crux of the existential angst that humanity endures. Thus, the fifties are revived in Bryan Singer’s film, ‘The Usual Suspects’ by its translation of The Classic Questions into a modern context. In certain scenes of this film- ‘Redfoot-LA’, ‘Meeting Kobayashi’ and the ‘The greatest trick the devil ever pulled...’ most notably- the work’s central preoccupation is expressed with remarkable vividness. Through the investigation of how the downward spiral which permeates the criminal world isolates those within it, how the futile attempt to escape one’s past can lead to entrapment and how the exploration of truth highlights the ambiguous nature between reality and illusion in these scenes, Singer concludes with a refreshing perspective on human existence and society.…

    • 1310 Words
    • 6 Pages
    Powerful Essays
  • Good Essays

    Namely in its characters; these are smartly dressed people who use foul language to divulge a violent undertone; all of these things are what you would expect in a gangster film.…

    • 165 Words
    • 1 Page
    Good Essays
  • Better Essays

    Masculinity In Goodfellas

    • 1168 Words
    • 5 Pages

    Martin Scorsese’s film GoodFellas (1990) not only provides an unparalleled glimpse into the gangster lifestyle of New York’s Italian mafia. Scorsese separates his classic gangster film from other works by following the character progression from teenagers to middle-aged men. The film constantly reinforces the image of masculinity from domestic affairs down the each character’s clothing. Each aspect of the gangsters’ lives centers around asserting their masculinity. Scorsese helps GoodFellas secure its place as a classic film without romanticizing the violence, but by using masculinity as the driving force behind each main character.…

    • 1168 Words
    • 5 Pages
    Better Essays
  • Satisfactory Essays

    In conclusion, Alfred Hitchcock is the master of suspense and remember suspense does not always have to be horror, in fact as we now know one of Hitchcock’s greatest secrets was incorporating humor into his works. He, of course he also has a specialty in mounting tension, and his success as a director shows in many of his movies including but not limited to north by northwest, vertigo, and…

    • 70 Words
    • 1 Page
    Satisfactory Essays
  • Better Essays

    After watching Rear Window for a second time I’ve come to realize that not only is Alfred Hitchcock a great director, but also a great movie watcher. What I’m trying to say is that he knows exactly what people want to see in certain movies. Voyeurism captures the attention of anyone, viewers want to “spy” on the characters without being seen, and they want to be in positions that reality doesn’t allow them to be in. Hitchcock knows this feeling all too well, making one of the greatest movies of all time around that one obsession viewers have. This is why Rear Window is a great movie for ENC 1102, along with the romantic tension and multiple subplots.…

    • 2002 Words
    • 8 Pages
    Better Essays
  • Good Essays

    Alfred Hitchcock’s Rear Window is a mystery and thriller that leaves audiences in a constant state of suspense. Rear Window opens by showing photographs of high risk environments hanging on a wall of an apartment. This leads one to believe that whoever owns the apartment lives a high risk and adventurous life. However, once the broken camera is shown, it is understood that the main character, L.B Jefferies, is a photographer before it is stated through dialogue in the film.…

    • 589 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    This is a quote from the famous essay "The Gangster as Tragic Hero", a "classic example of film criticism and cultural analysis". The essay was published for the first time in 1962 in Robert Warshow's book "The Immediate Experience". In it the author examines some of the generally accepted conventions that most gangster movies follow and draws conclusions from them about the reasons and the way this genre appeals to the audience.…

    • 1567 Words
    • 5 Pages
    Powerful Essays
  • Better Essays

    Rear Window

    • 1610 Words
    • 7 Pages

    The classic Hitchcock film, “Rear Window”, is an intelligent and engaging analysis of human perception, voyeurism and what it means to see, to be perceptive. Set in 1950’s New York, a boisterous free-lance photographer finds himself confined to a wheelchair in his tiny apartment recuperating from a broken leg. With only the occasional distraction of a visiting nurse and his frustrated love interest - a beautiful fashion consultant - his attention is naturally drawn to the courtyard outside his "Rear Window" and the occupants of the apartment buildings which surround it. Soon he is absorbed by the private dramas of his neighbour’s lives which play themselves out before his very eyes. There is "Miss Lonely-hearts," so desperately awaiting her imaginary lover that she sits him a plate at the dinner table and enacts their ensuing chat. There is the frustrated composer banging on his piano, the sunbathing sculptress, the shapely dancer, the newlyweds who are concealed from their neighbours by a window shade and an awkward middle-aged couple with an annoying barking dog who sleep on the fire escape to avoid the sweltering heat of their apartment. And then there is the mysterious salesman, whose nagging, invalid wife 's sudden absence from the scene ominously coincides with his middle-of-the-night ventures into the dark, sleeping city with his sample case. Where did she go? What 's the salesman shipping away in the boot of his car? What 's he been doing with the knives and the saw that he cleans at the kitchen sink?…

    • 1610 Words
    • 7 Pages
    Better Essays
  • Satisfactory Essays

    Ideology Genre Auteur

    • 552 Words
    • 2 Pages

    In Robin Wood’s essay: Ideology, Genre, Auteur, Wood revisits Hitchcock’s films and analyses the different characteristics in the films. Wood focuses mostly on Shadow of a Doubt and It’s a Wonderful Life in which he compares and describes the different values of Hollywood cinema. One of Wood’s major points to hear two opposing views. Wood stresses that a critics job should be to look at a piece as a whole rather than at the particular aspects of one of the theories or too superficially, like a genre. Wood, however, then demonstrates what a proper critic should be like, by analyzing and comparing every single aspect, characteristic, and plot details in Shadow of a Doubt and It’s a Wonderful Life.…

    • 552 Words
    • 2 Pages
    Satisfactory Essays

Related Topics