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Bresson and Others
Bresson and Others:
Spiritual Style in the Cinema by Bert Cardullo
Bresson and Others: Spiritual Style in the Cinema, by Bert Cardullo
This book first published 2009
Cambridge Scholars Publishing
12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
Copyright © 2009 by Bert Cardullo
All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner.
ISBN (10): 1-4438-0992-6, ISBN (13): 978-1-4438-0992-4
TABLE OF CONTENTS
Introduction ............................................................................................... vii
Aesthetic Asceticism: The Films of Robert Bresson
Take Comfort, Take Caution: Tragedy and Homily in Day of Wrath ......... 1
Neorealism of the Spirit: On Rossellini’s Europe ’51 ............................... 11
A Passage to Tokyo: The Art of Ozu, Remembered ................................. 15
God Is Love: On Bourguignon’s Sundays and Cybèle and Fellini’s
La strada.................................................................................................... 27
Early Bergman, or Film and Faith: Winter Light Revisited....................... 37
Saint Cinema: On Cavalier’s Thérèse........................................................ 41
Close Encounters of a Devilish Kind: On Pialat’s
Under the Sun of Satan.............................................................................. 47
Miracle Movie: On Jarmusch’s Mystery Train.......................................... 55
Mirabile visu et dictu: On Loach’s Raining Stones and Rohmer’s
A Tale of Winter......................................................................................... 61
Free
Bresson and Others:
Spiritual Style in the Cinema by Bert Cardullo
Bresson and Others: Spiritual Style in the Cinema, by Bert Cardullo
This book first published 2009
Cambridge Scholars Publishing
12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
Copyright © 2009 by Bert Cardullo
All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner.
ISBN (10): 1-4438-0992-6, ISBN (13): 978-1-4438-0992-4
TABLE OF CONTENTS
Introduction ............................................................................................... vii
Aesthetic Asceticism: The Films of Robert Bresson
Take Comfort, Take Caution: Tragedy and Homily in Day of Wrath ......... 1
Neorealism of the Spirit: On Rossellini’s Europe ’51 ............................... 11
A Passage to Tokyo: The Art of Ozu, Remembered ................................. 15
God Is Love: On Bourguignon’s Sundays and Cybèle and Fellini’s
La strada.................................................................................................... 27
Early Bergman, or Film and Faith: Winter Light Revisited....................... 37
Saint Cinema: On Cavalier’s Thérèse........................................................ 41
Close Encounters of a Devilish Kind: On Pialat’s
Under the Sun of Satan.............................................................................. 47
Miracle Movie: On Jarmusch’s Mystery Train.......................................... 55
Mirabile visu et dictu: On Loach’s Raining Stones and Rohmer’s
A Tale of Winter......................................................................................... 61
Free
Bibliography: supposedly was born on September 25, 1907, but, following his death on December 18, 1999, obituaries in the press reported that he was born, in film, a medium-length comedy with nods to René Clair and Jean Vigo, called Les Affaires publiques [Public Affairs, 1934], which was almost two years (1940-1941)—which turned out to be a signal event in