The lottery ticket: An Analysis
Anton Chekhov was a Russian short-story writer, playwright and physician, considered to be one of the greatest short-story writers in the history of world literature. His career as a dramatist produced four classics and his best short stories are held in high esteem by writers and critics. Chekhov practised as a doctor throughout most of his literary career: "Medicine is my lawful wife", he once said, "and literature is my mistress."
Chekhov renounced the theater after the disastrous reception of The Seagull in 1896; but the play was revived to acclaim in 1898 by Constantin Stanislavski's Moscow Art Theater, which subsequently also produced Uncle Vanya and premiered Chekhov’s last two plays, Three Sisters and The Cherry Orchard. These four works present a challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text."
Chekhov had at first written stories only for the money, but as his artistic ambition grew, he made formal innovations which have influenced the evolution of the modern short story. His originality consists in an early use of the stream-of-consciousness technique, later adopted by James Joyce and other modernists, combined with a disavowal of the moral finality of traditional story structure. He made no apologies for the difficulties this posed to readers, insisting that the role of an artist was to ask questions, not to answer them.
Who are in the story?
The only characters in the story are Ivan Dmitrich and Masha, his wife. Ivan was barely done a characterization, neither by the narrator nor the other character. His persona in the beginning was revealed limitedly in the description:
“…he was a middle class man who lived with his family on an income of twelve hundred a year and was very well satisfied with his lot…”
But as you read on with the story, through the so-many...
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