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Abo Hatem

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Abo Hatem
T. S. Eliot …
His theory of Poetic Drama
&
His role in the revival of Poetic Drama

1) Critical review on Eliot's theory of Poetic Drama:

Eliot is one of the greatest writers and poets in the history of the English literature. He has made great contributions in the favor of لصالح the development and flourishment إزدهار of literature as a whole. He wants to be unique فريد and to have his own style that distinguishes him from other writers, so he breaks the rules and decides to pay a keen interest to the art of poetic drama. He is very interested in the problems that face a verse dramatist in the modern age. So, he decides to put his theory on poetic drama to convey his point of view about this art to the readers and other critics. His dramatic criticism has a both negative and positive aspect. Negatively, he seeks to demolish يهدم the concept of prose drama, and positively, he asserts أكد على the need and possibility إمكانية of poetic drama in the modern age.

Mixture of Poetry and Drama:

In Eliot's point of view, the real opposition تعارض is not between poetic drama and prose drama, but it is between poetic drama and realistic drama. It's error to separate poetry and drama. Poetry and drama are one thing; they can't be separated because poetry is the natural language of men in the moments of highest emotional excitement الإثارة العاطفية العليا, therefore, at his highest emotional moments, dramatist becomes poetic.

Eliot has identified certain characteristics that must be existed within the poetry used in drama:

1- It must be dramatically inevitable حتمى. 2- It must flow out يتدفق of character and action. 3- It must be justified مُبرر. 4- It must not be a mere embellishment زخرفة, or more superfluity زائد عن الحد.

Eliot has determined that the main goal of poetic drama is to mix poetry with drama to produce a natural thing.

The Language of Poetic Drama:

For a long period of time, it was commonly accepted among generations of

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