The dynamic opposition between Blanche and Stanley in A Streetcar Named Desire is one of the most important forces in the play. Williams creates and maintains an antipathy and tension between them so that, despite the audience’s horror at what Stanley does to Blanche in scene 10, the fact that there is a final clash between the two characters comes as no surprise to us. Stanley’s gruesome boast to Blanche before the rape, ‘we’ve had this date with each other from the beginning’, whilst shocking, is also a neat comment on the way Williams has structured the play.…
In the commencement of the play, Blanche is quickly described as a damsel in distress. She is portrayed as a wealthy woman “in a white suit with a fluffy bodice, necklace and earing of pearl, white gloves and hat…” (5). She resembles an embellished white moth. The fact that she is forced to live with her younger sister Stella and her domineering husband truly shows that Blanche is in a truly desperate situation. Her overall character is depicted as a traumatized woman that is in complete desolation. Experiences such as witnessing her family on a “...Long parade to the graveyard” (21). Being forced to live with your family until their tragic demise would emotionally and mentally torment anyone. She lives inside of her own world in which she…
Blanche DuBois is one of the central characters in Tennessee Williams’: “A Streetcar Named Desire”. She is the sister of Stella Kowalski, she is in her thirties and works as a school English teacher. Blanche can be described as many things; a “slut”, because of her relations with soldiers and numerous men in a hotel, a “predator”, because of her affair with a young school boy. However, a “victim” because of her gender would not be one that many would first think of or even agree with.…
In A Streetcar Named Desire, Blanche refuses to accept reality and tries to resuscitate her idealized past through memory. She allows desire to conduct the way she lives and as a matter of fact is ultimately destroyed by the pursuit of her sexual desires. The correlation between death and desire is a prominent aspect that Williams explores in A Streetcar Named Desire. Throughout the play, death and desire are frequently and consistently entwined on many levels, particularly in the connotation of sexual desire inevitably leading to death or extreme wreckage of some kind and vice versa.…
Throughout the play, Blanche is living a lie and existing in a fantasy. Blanche DuBois, who is lost and confused, lies to herself through the entire play. At the beginning, Blanche lies to her sister, Stella, about taking a break from her school teaching job, when in reality, she has…
Thesis: In the play A Streetcar Named Desire Tennessee Williams ultimately portrays the struggles of a woman in the 1920s. Through the demonstration of the main character, Blanche, we depict the struggles between alcoholism, the conflicts in social classes and the indifferences in sexuality.…
Dubois shows a mixed array of actions that confuses the audience into whether she is to be sympathized or not. At the beginning of the play, the author Tennessee Williams shows us the arrogant and demanding side of Blanche, provoking the audience to dislike her, but as the play goes on, Williams gradually reveals more about Blanche’s troublesome past, making the audience sympathize her more. Blanche arrives at the Kowalski household— Elysian Fields, dressed fancily. “She is daintily dressed in a white suit with a fluffy bodice, necklace and ear-rings of pearl, white gloves and hat, looking as if she were arriving at a summer tea or cocktail party in the garden district.”…
Reality can be a horrible thing for some people; reality can say that you’re broke, that your old, that you are an undignified whore. Some of us try to deny reality and live in a fantasy world. We see a lot of this denial in Blanche DuBois, the protagonist in Tennessee William’s play, A Streetcar Named Desire. Blanche fabricates her whole identity, creating a self-image as a woman who has never known indignity; she denies her past as a prostitute. This is why I say that Blanche DuBois is the Queen of Denial.…
When do we overlook malicious behavior? Is our emotional appeal to like a person enough for us to look past deliberate cruelty? Bound up in the play A Streetcar Named Desire is the fundamental question of how the characters are dialectically cruel and the ways they justify their desires. By means of a theme of cruelty when whiteness is evoked, author Tennessee Williams displays when we justify the actions of others to reinforce gender identities, and the emotions which act as a vehicle for judgments.…
She would later get run out of her home in Laurel after she became the disgrace of the town, town slut, and she loses her job after she attempts to have intimate relationships with her students. These two events leave her homeless and without a job, so in order to survive she decides to call on her younger sister, Stella, who is living in New Orleans with a war veteran. She believes that if she was to go and live with Stella, both Stella and Stanley would be happy to provide for her as she lives out the rest of her fantasies and possible finds herself a new man. She succeeds in finding a new man, Mitch, however, he later calls her a dirty slut that is not clean enough to bring into the house with his mother. Basically, Blanche got caught in her web of lies after she began attacking Stanley`s authority and out of spite he tipped of Mitch about Blanche`s true self and the Mitch dumps Blanche. This triggers an emotional breakdown, in which Blanches false hopes begin to come crashing down around her and in the end, Stanley decide to exert his dominance over her, which causes for Blanche to completely fall apart at the seams. Blanche is so emotionally distraught about what had happened to her that she gets sent away to a mental asylum so that she would finally be able to get the help she needed or at least live out her illusions away from everyone…
To begin with, I will focus on Blanche Dubois and her secrets, illusions, and gender roles in “A Streetcar Named Desire”. Blanche DuBois seems within the first scene wearing white, the image of purity and innocence. She is visible as a moth-like creature. She is delicate, delicate, and touchy. She is cultured and smart. She could in no way willingly hurt a person. She doesn't want realism; she prefers magic. She doesn't always inform the truth, but she tells "what must be truth." Yet she has lived a lifestyle that would make the most degenerate character seem timid. She is, in popular, one among Williams' characters who do not belong on this…
the two of them were dancing, she told him what she had seen and how he…
The play A Streetcar Named Desire revolves around Blanche DuBois; therefore, the main theme of the drama concerns her directly. In Blanche is seen the tragedy of an individual caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present. The final result is her destruction. This process began long before her clash with Stanley Kowalski. It started with the death of her young husband, a weak and perverted boy who committed suicide when she taunted him with her disgust at the discovery of his perversion. In retrospect, she knows that he was the only man she had ever loved, and from this early catastrophe evolves her promiscuity. She is lonely and frightened, and she attempts to fight this condition with sex. Desire fills the emptiness when there is no love and desire blocks the inexorable movement of death, which has already wasted and decayed Blanche's ancestral home Belle Reve.…
Just as things had started to calm down they went downhill very quickly the night that Stella goes into labor. “Stanley ultimately betrays Stella's trust by raping her sister while Stella is in labor at the hospital, Stella passively accepts Stanley's denial of Blanche's report and even acquiesces to his demand that her sister be institutionalized for her delusions” (Hovis) Not only is Blanche used and abused, but she is punished for it. Everything is turned against her, because Stella “couldn't believe her story and go on living with Stanley” (Williams 133). It would complicate everything to face the truth so they do not even give her a chance to show she is being truthful. She was betrayed by everyone and then sent off and forgotten about as if nothing had ever happened. After the decision is made to send her to an institution Blanche she reveals a quote to the doctor “I have always depended on the kindness of strangers” (Williams 178). The irony here is that she really does, and it is the sad truth. She is constantly depending on the approval and compliments of others. She was taken advantage of by strangers in her old town and it's what is happening now. The truth for blanche is very twisted and depressing. After the falling out of Blanche and her young lover, she was almost destined for a misfortunate…
At the beginning of the play, Blanche is already in a nervous breakdown as she was drinking wine that she found in Stella’s house. She was using it to calm her nerves. When Stanley came home from his bowling game, he had a conversation with her. At the end of the scene, he asks her about her husband. She started to break apart as she says “The boy – the boy died; [She sinks back down] I’m afraid I‘m - going to be sick! [Her head falls on her arms],” (p. 31). This represents that her husband’s death has resulted her to go into a depression. She is unstable whenever she is reminded of her husband. She had some memories with her husband that she cannot forget causing her to be really sad. It is later revealed in the play that her husband was with another man. He killed himself due her revulsion towards him. She states “by coming suddenly into a room that I thought was empty – which wasn’t empty, but had two people in it...the boy I had married and an older man who had been friends for years...” (p. 95) and “I’d suddenly - said I saw you disgust me...” (p. 96). She loved her husband but he was…