Critical Analysis of Ozymandias
Ozymandias
I met a traveller from an antique land
Who said: Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shatter'd visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamp'd on these lifeless things,
The hand that mock'd them and the heart that fed.
And on the pedestal these words appear:
"My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!"
Nothing beside remains: round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away. Introduction:
It is a sonnet by Percy Bysshe Shelley, published in 1818 in the 11 January issue of The Examiner in London. It is frequently anthologised and is probably Shelley's most famous short poem.
Theme:
Pride: in the inscription on the pedestal Ozymandias calls himself the "king of kings" while also implying that his "works" – works of art like the statue, pyramids, that sort of thing – are the best around (10). Ozymandias thinks pretty highly of himself and of what he's achieved, both politically and artistically. The fact that he commissions this "colossal" statue with "vast legs" points to his sense of pride, while the statue's fragmentary state indicates the emptiness (at least in the long term) of Ozymandias's boast.
Art and Culture:
"Ozymandias" was inspired by a statue, and it's no surprise that art is one of this poem's themes. The traveler makes a point of telling us that the statue was made by a really skilled sculptor, and the poem as a whole explores the question of art's longevity. The statue is in part a stand-in or substitute for all kinds of art (painting, poetry, etc.), and the poem asks us to think not just about sculpture, but about the fate of other arts as well.
Man and the Natural World:
"Ozymandias" describes a statue, and statues are made from rocks and stones found in nature. While the
I met a traveller from an antique land
Who said: Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shatter'd visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamp'd on these lifeless things,
The hand that mock'd them and the heart that fed.
And on the pedestal these words appear:
"My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!"
Nothing beside remains: round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away. Introduction:
It is a sonnet by Percy Bysshe Shelley, published in 1818 in the 11 January issue of The Examiner in London. It is frequently anthologised and is probably Shelley's most famous short poem.
Theme:
Pride: in the inscription on the pedestal Ozymandias calls himself the "king of kings" while also implying that his "works" – works of art like the statue, pyramids, that sort of thing – are the best around (10). Ozymandias thinks pretty highly of himself and of what he's achieved, both politically and artistically. The fact that he commissions this "colossal" statue with "vast legs" points to his sense of pride, while the statue's fragmentary state indicates the emptiness (at least in the long term) of Ozymandias's boast.
Art and Culture:
"Ozymandias" was inspired by a statue, and it's no surprise that art is one of this poem's themes. The traveler makes a point of telling us that the statue was made by a really skilled sculptor, and the poem as a whole explores the question of art's longevity. The statue is in part a stand-in or substitute for all kinds of art (painting, poetry, etc.), and the poem asks us to think not just about sculpture, but about the fate of other arts as well.
Man and the Natural World:
"Ozymandias" describes a statue, and statues are made from rocks and stones found in nature. While the