Quiz 4
Quiz 4 F10 - Editing, Acting & Sound
Question 1 of 20 Score: 5 (of possible 5 points)
What is the imaginary, invisible wall that separates the audience from the stage called? | A. | the first wall | | B. | the imagination wall | | C. | the fourth wall | | D. | the aesthetic distance | Answer Key: C Feedback
The correct answer is "C" , the fourth wall.
Question 2 of 20 Score: 0 (of possible 5 points)
Narration, unlike dialogue: | A. | is from a character in the story | | B. | is synchronous | | C. | usually involves one speaker | | D. | is hard to understand | | E. | is always non-diegetic | Answer Key: C Feedback
The correct answer is "C" : usually involves one speaker. Narration usually involves one speaker, dialogue is spoken by a number of characters in a film.
Question 3 of 20 Score: 5 (of possible 5 points)
The Kuleshov Effect | A. | is an editing experiment created by Russian filmmaker Lev Kuleshov. | | B. | involved the editing of a closeup shot of an expressionless actor with three different images - a bowl of soup, a dead woman in a coffin and a little girl. | | C. | proved that the editing of disparate shots can create new meaning not contained in each individual shot by itself. | | D. | all of the above | Answer Key: D Feedback
The correct answer is "D", all of the above.
Question 4 of 20 Score: 5 (of possible 5 points)
In terms of film history, the transition to sound began in what year? | A. | 1897 | | B. | 1907 | | C. | 1927 | | D. | 1917 | Answer Key: C Feedback
The correct answer is "C": 1927.
Question 5 of 20 Score: 5 (of possible 5 points)
This director believed that the power of film editing lie in the cut, which he saw as a collision of elements (shots). | A. | D.W. Griffith | | B. | Sergei Eisenstein | | C. | Louis Lumiere | | D. | V.I. Pudovkin | | E. | Dziga Vertov | Answer Key: B Feedback
The
Question 1 of 20 Score: 5 (of possible 5 points)
What is the imaginary, invisible wall that separates the audience from the stage called? | A. | the first wall | | B. | the imagination wall | | C. | the fourth wall | | D. | the aesthetic distance | Answer Key: C Feedback
The correct answer is "C" , the fourth wall.
Question 2 of 20 Score: 0 (of possible 5 points)
Narration, unlike dialogue: | A. | is from a character in the story | | B. | is synchronous | | C. | usually involves one speaker | | D. | is hard to understand | | E. | is always non-diegetic | Answer Key: C Feedback
The correct answer is "C" : usually involves one speaker. Narration usually involves one speaker, dialogue is spoken by a number of characters in a film.
Question 3 of 20 Score: 5 (of possible 5 points)
The Kuleshov Effect | A. | is an editing experiment created by Russian filmmaker Lev Kuleshov. | | B. | involved the editing of a closeup shot of an expressionless actor with three different images - a bowl of soup, a dead woman in a coffin and a little girl. | | C. | proved that the editing of disparate shots can create new meaning not contained in each individual shot by itself. | | D. | all of the above | Answer Key: D Feedback
The correct answer is "D", all of the above.
Question 4 of 20 Score: 5 (of possible 5 points)
In terms of film history, the transition to sound began in what year? | A. | 1897 | | B. | 1907 | | C. | 1927 | | D. | 1917 | Answer Key: C Feedback
The correct answer is "C": 1927.
Question 5 of 20 Score: 5 (of possible 5 points)
This director believed that the power of film editing lie in the cut, which he saw as a collision of elements (shots). | A. | D.W. Griffith | | B. | Sergei Eisenstein | | C. | Louis Lumiere | | D. | V.I. Pudovkin | | E. | Dziga Vertov | Answer Key: B Feedback
The