Canterbury Tales
Though the characters in the Canterbury Tales are described vividly and often comically, it is not necessarily true that these characters are therefore stereotypes of The Middle ages. The intricate visual descriptions and the tales the characters tell help to direct the reader in finding a more accurate and realistic picture of the pilgrims, bringing into question the theory that
Chaucer was just collating stereotypes from his time. The fact that there is one representative for each of the chief classes (under the higher nobility) would suggest that this work is an attempt to provide a catalogue of characters from the middle ages, and it can be assumed from this that this denotes a collection of stereotypes, although this is not necessarily true. The format of The
Canterbury Tales suggests a simplistic approach, a prologue and epilogue and in between a collection of tales, The Miler's Tale, The Clerk's Tale and so on[1].
This simplicity in structure may also suggest a simplicity in content and thus, convincing and challenging characters are unlikely to be expected in a work of seemingly simple design. But, when looked at in more detail, the tales are found to hold many details that contradict the bland stereotype expected, and when the structure of the work is looked at in its context of 14th century literature, the Canterbury Tales is found to be a work pioneering the form of the epic poem.
The style in which Chaucer writes may also initially seem to suggest that his characters are under-developed stereotypes, he uses the language of his time vividly, although this does not therefore mean that his characters are two dimensional, almost 'cartoon' characters. J.R. Hulbert in his essay Chaucer's
Pilgrims explains, "In many instances there are exuberant lines which sharpen the effect desired." The Canterbury Tales may, at first seem to be obtuse and unfocused through the use of lucid imagery and language, although this language, when studied
Chaucer was just collating stereotypes from his time. The fact that there is one representative for each of the chief classes (under the higher nobility) would suggest that this work is an attempt to provide a catalogue of characters from the middle ages, and it can be assumed from this that this denotes a collection of stereotypes, although this is not necessarily true. The format of The
Canterbury Tales suggests a simplistic approach, a prologue and epilogue and in between a collection of tales, The Miler's Tale, The Clerk's Tale and so on[1].
This simplicity in structure may also suggest a simplicity in content and thus, convincing and challenging characters are unlikely to be expected in a work of seemingly simple design. But, when looked at in more detail, the tales are found to hold many details that contradict the bland stereotype expected, and when the structure of the work is looked at in its context of 14th century literature, the Canterbury Tales is found to be a work pioneering the form of the epic poem.
The style in which Chaucer writes may also initially seem to suggest that his characters are under-developed stereotypes, he uses the language of his time vividly, although this does not therefore mean that his characters are two dimensional, almost 'cartoon' characters. J.R. Hulbert in his essay Chaucer's
Pilgrims explains, "In many instances there are exuberant lines which sharpen the effect desired." The Canterbury Tales may, at first seem to be obtuse and unfocused through the use of lucid imagery and language, although this language, when studied