Vito Corleone Essays & Research Papers

Best Vito Corleone Essays

  • Michael Corleone - 684 Words
    Michael Corleone is a fictional character that appears in Mario Puzo's novels and film adaptations The Godfather. In the films, the famous actor Al Pacino plays the character of Michael Corleone, and this character is one of the most famous and widely recognized characters in the world. Michael Corleone is the youngest son of Don Vito Corleone, the head of the Corleone family in New York. He has two older brothers, Sonny and Fredo, and a younger sister Connie. Corleone was introduced into the...
    684 Words | 2 Pages
  • Michael Corleone Leadership - 1521 Words
    The Leadership of Michael Corleone Biographical Sketch Michael Corleone, played by Al Pacino, is the main character in the Godfather movie trilogy. He is the youngest son of Vito Corleone, and brother of Sonny, Fredo, and Connie Corleone. In the first Godfather, Michael is introduced in his 20’s. He was enrolled in Dartmouth college, but to the chagrin of his family, he dropped out to join the Marines during WW II. He was awarded for his military service in the Pacific, and re-enlisted at...
    1,521 Words | 4 Pages
  • The Legacy of Michael Corleone - 886 Words
    Matthew Grange Miss Bohanon Comp 1 March 21, 2013 The Legacy of Michael Corleone Have you ever heard someone say that the book is always better than the movie? Most avid readers hold this belief to be indubitably true. In most cases, the differences between the book and the movie are minute. However, one movie series based on a book has three astronomical differences that change the entire message conveyed by the writer. Even though said franchise is considered a cult classic and has...
    886 Words | 3 Pages
  • The Godfather Book Review - 371 Words
    Over the past term I read Mario Puzo’s The Godfather. The book itself is an action packed crime novel that revolves around the Corleone crime family. The main character in this book is Michael Corleone, the Godfather’s son. Michael was introduced in the novel as a young man in his twenties who did not want to be involved with the family business. The book reveals that Michael enrolled in college to become a lawyer in order to escape the family. Michael ends up dropping out of...
    371 Words | 1 Page
  • All Vito Corleone Essays

  • Does Family Matter - 960 Words
    Does family matter? Yes family always matters. It is necessary to have some sort of family structure in order to have a stable foundation. This need for stability and structure is how the family survives and the children find safety. In the movies The Godfather and Scarface we will discover how the two differ when it comes to family and family business. These two patriarchs have different views on family and how the family is involved in the business. In this discovery one struggles to gain and...
    960 Words | 3 Pages
  • The Godfather and the Meaning of Family - 1055 Words
    The Godfather A family is a basic social unit consisting of parents and their children, and is considered a group, whether they reside together or not; the traditional family, which usually consists of family values and beliefs. In American literature family serves as a base in our society which can be shaped and molded into many different forms. Mario Puzo’s The Godfather demonstrates family as a successful business, with strict and traditional Italian roots. The story is focuses on the...
    1,055 Words | 3 Pages
  • The Godfather Book Review - 654 Words
    SUMMARY AND CRITICAL ANALYSIS PART 1: Vito is portrayed as a man who is looking for friendship in return for his services, a man who is happy on the day of his daughter’s wedding and is also hearing to people’s requests. He is shown as a loving and caring father and a husband to his family. Vito's youngest son, Michael is a celebrated war hero who comes to the wedding with his girlfriend. Vito's godson Johnny Fontane, a popular singer, pleads for help to secure a coveted movie role, so Vito...
    654 Words | 2 Pages
  • Godfather - 1531 Words
    Ziliang Xu 404028871 FILM TV 122b The Godfather Don Vito’s Dark and Brightness In 1972,The Godfather is an American epic crime filmdirected by Francis Ford Coppola, based on the 1969 novel by Mario Puzo. The success of The Godfather indicates that the genre is because a powerful vigor. It is a rhythmically ponderous domestic epic about the consequences of American capitalism on family life; however, it is not analogous to a soap opera. In the movie, the godfather Don Vito Corleone is...
    1,531 Words | 4 Pages
  • Conflicts in the Godfather - 497 Words
    The Godfather is an insightful sociological study of violence, power, honor and obligation, corruption, justice and crime in America. Part I of The Godfather Trilogy centers on the Corleone crime "family" in the boroughs of New York City in the mid 1940s, dominated at first by the aging godfather/patriarch "Don" Vito Corleone. As a turn-of-the-century Silician immigrant, he is the head of one of the five Italian-American "families" that operates a crime syndicate. The 'honorable' crime "family,"...
    497 Words | 2 Pages
  • The Godfather: Movie Review - 1881 Words
    Rafael Aziz English 112 Professor Julian 8 March 2014 The Godfather The Godfather was regarded as the second best films of all time after the Shaw-shank Redemption. The Godfather employs a classic Italian-American mafia crime family in New York and Nevada. Vito Corleone as the founder of the Corleone crime family. An immigrant from Sicily who witnessed both his parents shot by a different don. He has four children and a step son whom he had adopted. Michael Corleone as the second...
    1,881 Words | 5 Pages
  • The Godfather - 1 - 3 Act Structure
    GODFATHER – RESTORATIVE 3-ACT STRUCTURE Ameya Gore ACT – 1 Act-1 begins with the exposition of all the main characters, during the wedding of Connie Corleone. We are introduced to the Don, Sonny, Mama, Johnny Fontane, Luca Brasi, the Consegliere etc. as Michael talks to his love interest about his family. At this time, Michael is detached from the family and all its interests. He is a war hero, and is happy being that. The power of the Corleone...
    465 Words | 2 Pages
  • Godfather - 1634 Words
    The Godfather Mario Puzo Biography! Mario Puzo was born in New York City, on October 15th, 1920. He was a famous Italian author and screenwriter, who wrote a number of popular novels about The Mafia. Throughout Puzo’s career/lifetime, he is best known and recognized for his publishing of the popular novel, The Godfather. Puzo was born into a poor family from Pietradefusi, Province of Avellino, Campania, Italy living in the Hell’s Kitchen neighborhood of New York. He...
    1,634 Words | 5 Pages
  • The Godfather Analysis - 2567 Words
    Characters: Vito(protagonist): The Godfather presents Vito as the paradigmatic Mafia don. He is wise and intelligent, an excellent reader of others’ intentions, and a smooth, subtle talker, able to convince with words, not only bullets. Though a ruthless, violent criminal, Vito is also a warm, loving father and husband. In his later years, Vito comes across as relaxed and playful, even mellow. He has lived a rich, full life and earned a quiet retirement. Vito is both the perfect father and...
    2,567 Words | 7 Pages
  • Negotiation Analysis - 10043 Words
    Negotiation with the Families Contents Introduction 2 Summary 2 Analysis 4 Business Case 6 Appendix 1: Literary Piece 8 Introduction We have chosen an excerpt from The Godfather by Mario Puzo as our literary piece of choice to examine the conflict portrayed in it. The way Don Corleone convinced the heads of mafia families to allow his son to live safely on American soil in exchange for his permission to carry out drug trading is a masterpiece in negotiation. We have...
    10,043 Words | 27 Pages
  • The Godfather 2 - 646 Words
    The Godfather Part: II The Godfather Part: II was released in 1974 to great critical acclaim, some even deeming it superior to the original. It was building on the already brilliant original to create a tragedy of colossal proportions. Similar to its prequel, the sequel remains a highly influential film in the gangster genre. It was ranked 32nd greatest film in American film history in 1997, and kept its rank ten years later. The Godfather Part: II stands out because the film does an excellent...
    646 Words | 2 Pages
  • The Godfather: A Synopsis - 2105 Words
    Synopsis (Summary) When the book, The Godfather came out, there were three parts to the story. Book one got released in 1972, book two got released in 1974, and book three got released in 1990. The book starts off in late summer of 1945, people were gathered for Don Vito Corleone’s daughter, Connie and her fiancé Carlo Rizzi’s, wedding reception. Don Vito Corleone, known as Vito, was the head of the Corleone Mafia family who has friends and associates who knows him as “godfather.” During the...
    2,105 Words | 5 Pages
  • Macbeth vs. the Godfather
    macMacbeth vs. the Godfather Changing from good to evil The change from good to evil can happen to anyone. It can happen to the best of people, just like Macbeth in William Shakespeare’s Macbeth and Michael Corleone in Francis Ford Copalla’s the Godfather. In these two completely different stories, the protagonists Macbeth and Michael Corleone, start off good and transition into evil and gain too much power for them to handle. Changing isn’t a choice for either of them and evil just...
    464 Words | 2 Pages
  • The Godfather - 5536 Words
    Book 1: 1. - New York. Starts off in case, trial against two young boys that hurt Amerigo Bonasera’s daughter. Get sentenced to 3 years in confinement to the penitentiary and suspended the sentence. They went free. 2. - The two boys parents are more “American” in their dress. - Amerigo is upset this is all they got, he yells out to the parents of the two boys as they walk by “You will weep as I have wept – I will make you weep as your children make me weep.” - Although he has...
    5,536 Words | 14 Pages
  • The Godfather - 1184 Words
    The Godfather “The Godfather”, a name that stands for authority, is the title of the fictional novel and feature films written by Mario Puzo and directed by Frank Coppola. Don Vito Corleone, also known as the Godfather, is the patriarch of the Corleone crime family. The Godfather is a wise intelligent man who's authoritative code rests on respect, loyalty and fear. He is loyal to his crime family and he demands the same loyalty and respect from them. There are three characters throughout...
    1,184 Words | 3 Pages
  • compare and contrast - 1793 Words
    ENG 135 At first glance, the The Godfather and We Own the Night appear to be quite different, but open closer examination, they do possess some similarities. Although they are different in the areas of the time period, the plot, and the characters, they are similar in the areas of having violence, having family problems, drug issues in the movie. The time period of the two films is obviously different. The Godfather is a 1972 American crime film directed by Francis Ford Coppola and...
    1,793 Words | 5 Pages
  • God Father Analysis - 946 Words
    Mark Holmes THE116 6.15.13 The Godfather The movie 'The Godfather', is about the Corleone family and its rise to power. The film starts off with Vito Corleone, Don (leader) of the New York City crime family, accepting requests on the day of his daughters' wedding. He get a request from a man who wants the Godfather to murder two boys who attempted to rape and ultimately beat his daughter. Another request came from Johnny Fontane, a popular singer (made popular by the Godfather), who wants...
    946 Words | 3 Pages
  • Two Men’s World ----an Analyses of Godfather and Apocalypse Now
    Wen 1 Hang Wen Dr. Nirmal Trivedi English 1102 January 30th, 2010 Two Men’s World ----An Analyses of Godfather and Apocalypse Now Godfather and Apocalypse Now, both are great movies, and both are the first windows, through which I first saw America. At the first sight, these two movies seem to have a lot of similarities: both are one of the best hits in history, both starred by Marlon Brando and directed by Francis Ford Coppola, both slow-paced and 3-hour long, and both had a...
    2,092 Words | 7 Pages
  • The Godfather by: Mario Puzo Review
    1. Puzo, Mario. The Godfather. New York, New York, USA: Signet, 1969. 2. The title of the book, The Godfather, is a reference to one of the main characters, Don Vito Corleone. The position of Godfather in the Italian Community is one of great respect, admiration, and affection. Don Vito Corleone is given this title by many as a sign of respect for the favors that he does as well for his cunning, power, and influence. 3. The major conflict of the novel concerns Don Vito Corleone and his...
    3,172 Words | 8 Pages
  • Comparison Between the Movie and Novel "The Godfather"
    Italian writer Mario Puzo wrote The Godfather in 1920. In 1972, the book was made into a movie. Part two followed in 1974, and part three in 1990. The plot follows the feuds between five big New York mafia families. Compared to the movie, the book had many more side stories featuring supporting characters. Of note is how the novel version had an epilogue that the movie completely ignored. Although there are some changes and flaws, the 1974 film adaptation of the book has a similar plot and is a...
    575 Words | 2 Pages
  • The Godfather - 594 Words
    Assignment - 3 Movie Assignment To Mahmood Karim Faculty, MGT 321. By The Godfather Theoretical Relevance Vito Corleone (Marlon Brando): According to Ohio State Studies, Vito Corleone (Marlon Brando) portrays the “Initiating Structure” theory. As we come to learn that he has very strong principles about his business and the family. Don Corleone, as the movie progresses, is seen to make difficult decisions and doesn’t care or think about what others or the subordinates...
    594 Words | 3 Pages
  • Role of Women in the Godfather - 549 Words
    Role of Women in The Godfather The role of women has changed tremendously over the years. Currently, it is normal for women to have a successful job and a family; however, it wasn’t always like that. For example, in The Godfather the role of women is a lot different than it is today. In The Godfather the role of women is limited to being the caretakers of the family. The women in this film were also seen as the least important part of a man’s life; this idea is conveyed through the treatment of...
    549 Words | 2 Pages
  • Scene Analysis Paper: The Godfather
    Scene Analysis Paper The Godfather The Godfather, filmed in 1972, is known as one of America’s number one classics! This film holds many scenes where violence and control is portrayed. The Godfather is my favorite old movie! This movie holds everything from exciting action scenes, to world famous actors like, Marlon Brando, Al Pacino, James Cann, and many others. The Godfather holds many different themes, but the one theme that is most noticeable throughout the movie is...
    1,771 Words | 10 Pages
  • The Godfather Part Ii - 9931 Words
    G Character List Analysis of Major Characters Vito Corleone The Godfather trilogy presents Vito as the paradigmatic Mafia don. When placed beside him, Barzini lacks class, Don Ciccio looks cruel and petty, and Don Fanucci is smalltime and brutish. Even Michael, despite his tremendous successes, loses in such a comparison, as he appears lacking in warmth and joie de vivre. It is unclear whether we are to believe Sollozzo’s words about Vito, that “the old man [is] slipping,” but even if he...
    9,931 Words | 26 Pages
  • Evolution of the Gangster Genre - 1053 Words
    The generally accepted idea of a classic gangster was generated by Hollywood. Before the Kafauver hearings, with the exception of Scarface (1932), the majority of gangster films featured mobsters that were removed from any Mafia and did not tend to contain Italian characters. After the hearings, the genra has become narrower; mainly associating with Italian Mafiosos. Hollywood represents gangsters a dressed in tailored suits, violent, and traditional Italian. Before the enforcement of the...
    1,053 Words | 3 Pages
  • The Godfather - 790 Words
    Narrative Structure Essay: How To Make a Mobster Lovable In his film The Godfather, Francis Ford Coppola creates a narrative structure, very similar to that seen in Classic Hollywood cinema. Events in the film unfold chronologically, and cause and effect ultimately help shape the narrative. The Godfather’s long narrative span, covers a very significant time in American history, and centers around the idiosyncrasy of family. The film is told entirely within the closed world of the Corleone...
    790 Words | 3 Pages
  • Michael Corleone's Transformation - 3759 Words
    In this paper I will argue that in his film, The Godfather, Francis Ford Coppola orchestrates the filmic elements (especially: editing and mise-en-scéne) to give the audience an intimate view of the complex world of a Mafia Don: Coppola's techniques sensitively portray the life and transformation of Michael Corleone; he leaves his status as a family outsider to become king of the underworld. Michael is the son of Vito Corleone, Don of the Corleone Crime Family1. The story of The Godfather is...
    3,759 Words | 12 Pages
  • The God Father - 1458 Words
    Puzo, Mario. The Godfather. New York City: G.P. Putnam’s Sons, 1969 Characters Don Vito Corleone: The Don of the most powerful Mafia family in New York City, Vito is a self made legend created with his wisdom and leadership skills. His only price to pay for favors is the return of people’s unwavering friendship. Although Vito is a violent man in the mob business he isn’t corrupt. His family morals are strong and his actions aren’t motivated by money but rather by what he thinks is right....
    1,458 Words | 4 Pages
  • Task Archetype Essay - 615 Words
    Every man is born with a task which he must fulfill and if he is successful, the world recognizes him for it. Fate is unarguably the main factor that pushes a man towards his task; he is nothing but fate's puppet. Task can be as simple as finishing homework which will get you good marks, to complex things such as deciding your family's fate through your actions. The situational archetype of The Task is precisely analyzed and adapted in Mario Puzo's novel The Godfather, Francis Ford Coppola's The...
    615 Words | 2 Pages
  • The Godfather - 863 Words
    Good or Bad? In the eyes of Suzanne Wong, Vito Corleone is a man who deserves to be admired. He is a man who does well and expects nothing less in return. In Wong’s essay, she constantly brings up the deeds he does for everyone. Her reasons about why Don Vito Corleone is such a great role model were very well explained and detailed. She builds up Vito’s character so others can view him as a god like figure, hence why his nickname is The Godfather. I do agree with her on some topics, but at...
    863 Words | 3 Pages
  • The Godfather: Tom Hagen's Linearity
    A highly praised performance was that of Robert Duvall who played the role of Tom Hagen. Just like Pacino and Caan, he was also nominated at the Oscars for best actor in a supporting role. Although he has a rich career and a solid reputation in Hollywood, this was by far his greatest performance on the big screen. Never again did he enjoy such a huge success as he did with The Godfather. He plays a secondary role, but his character is of big importance in the film, only All Pacino has more...
    1,083 Words | 3 Pages
  • The Godfather - 271 Words
    Kayleigh Shoemaker 14 April 2012 Pro. Deaton ENG 1123 RD The Godfather: A Literary Analysis The Godfather is a movie about the life lived in a world of gangsters. Michael Corleone is the son of Vito Corleone who plays “the godfather”. Michael is a successful and level-headed man who went to college and enlisted in the marines to avoid falling into the entrapments of the family business. However, throughout the film Michael not only gets involved in the mafia but takes the negatives of this...
    271 Words | 1 Page
  • God Father - 1352 Words
    The review on God Father Rather than concentrating on everything that is great about The Godfather, a much easier way for me to judge its quality is on what is bad about it. Almost every film has something that I don't like about it, but I can honestly say that I wouldn't change anything about The Godfather. There is nothing weak about it and nothing that stands out as bad. That's why it gets ten out of ten. This is one of those films that made me wonder why I hadn't seen it...
    1,352 Words | 4 Pages
  • The film Godfather 1 and 2 directed by Francis ford copolla
    The film Godfather 1 and 2 directed by Francis ford Coppola, some characteristics of his directional style are; cinematography with specific use of close up, cross-cutting, lighting and sound through a variety of different camera angles to enhance the audiences way of thinking and having a clear understanding of the key idea “Duality of man” of the characters in the film. Francis ford copolla incorporates cinematography within the scenes of the film as it represents different perspectives...
    1,118 Words | 3 Pages
  • Book Review on the Godfather by Mario Puzo
    Submitted by Md. Jane Alam Sufian Assistant Director 29th BCS (Ansar) Ansar & VDP Academy Shafipur, Gazipur Book Review On The Godfather By Mario Puzo Submitted To: Hira Miah Course OIC Director (Training) Ansar & VDP Academy Shafipur, Gazipur Submitted by Md. Jane Alam Sufian Assistant Director 29th BCS (Ansar) Ansar & VDP Academy Shafipur, Gazipur Acknowledgement Book review is an important assignment...
    4,726 Words | 15 Pages
  • Corruption of Power in texts The Godfather, The Crucible, Akira, Animal Farm
    The corruption of power, or the power of corruption is a common theme found in texts of many different types of media and in many societies and cultures around the world. In the texts I have selected, I have come to the conclusion that, all characters in the pursuit of power are corrupt. In the texts I have selected, which include, The Crucible, The Godfather, Animal Farm and Akira, the portrayal of corruption is closely linked to that of power. How is corruption of power shown/represented in...
    2,142 Words | 6 Pages
  • the godfather - 1286 Words
    The Godfather I just finished reading a book called The Godfather which is written in 1969 by Mario Puzo. It is one of the best in all-time literature history. And I am definitely agreed with it. Because it has everything inside, much a great novel. If you read once then you might think that it is about crime life or how to murder other without notice. It is true but it isn’t main stuff. The main thing is how to be a man. A real responsible. Because a real take cares for his family and people...
    1,286 Words | 3 Pages
  • The Godfather - 516 Words
    ‘ The Godfather Ruz, Julianne Marie A. III-Oxygen Ma’am Ramos I. Title The Godfather II. Author Mario Puzo III. Setting New York in the 1930s, the town of Corleone, Sicily, Long Beach, and Las Vegas, Nevada. IV. Plot Vito Corleone is known as The Godfather in the criminal underworld. His father was killed by the local Mafia chieftain, and ever since he was twelve years old, strange men have come to kill him. His empire has known peace for ten...
    516 Words | 3 Pages
  • The Godfather - 1057 Words
    The Godfather Rarely can it be said that a film has defined a genre, but never is that more true than in the case of The Godfather. Since the release of the 1972 epic (which garnered ten Academy Award nominations and was named Best Picture), all "gangster movies" have been judged by the standards of this one (unfair as the comparison may be). If a film is about Jewish mobsters, it's a "Jewish Godfather"; if it's about the Chinese underworld, it's an "Oriental Godfather"; if it takes place in...
    1,057 Words | 3 Pages
  • Analytical Critique of the Godfather - 940 Words
    Analytical Critique of The Godfather I believe the reason that, "The Godfather", is such a great film is because it lets audiences decide whether they like the characters or not. Too many movies made about organized crime begin with some seemingly random act of violence. "The Godfather", however, lets it be known from the start to judge the characters in the film based on what type of person they are instead of the criminal activities they may engage in. The film begins with a wedding, and...
    940 Words | 3 Pages
  • Godfather - 575 Words
    The Godfather The segment of ‘The Godfather’ portrays many ideas of belonging. The scene involves the climax of the movie, where Michael Corleone is revealed as the next “godfather”, by shows another side of Corleone. There are many signs that suggest that Michael Corleone fits in and belongs in the mafia just like his father. The double life of the mafia shows the sense of belonging. The scene shows a montage of many plots of murders. The double life of Michael Corleone, the mafia and his...
    575 Words | 2 Pages
  • Godfather - 400 Words
    In the movie The Godfather, the baptism scene happens after Vito dies and Michael realizes what kind of situation he is in. He knows that he is going to take the lead role of the Corleone family but also realizes that there is something bigger. He realizes a war is near with the Barzini family. This particular scene seems like a montage and has a lot of formalism throughout it with multiple jump cuts. The jumps are between Michael at his nephew’s baptism and his men murdering a...
    400 Words | 1 Page
  • Essays on Different Topics - 2019 Words
    1. My Favourite monument- TAJ MAHAL Everyone has their own favorite time to see the Taj Mahal. Crowds will distract you from the cool, serene presence of this flawless monument. The best way is to try arriving just as it opens or as it is about to close. A few minutes alone in the perpetually echoing inner sanctum will reward you far more than several hours spent on a guided tour. The sensuously curving lines of the temple of love demand to be savored without interruption, then the presence...
    2,019 Words | 6 Pages
  • Obtuse Meaning in the Godfather - 1692 Words
    Notes on the performances of Marlon Brando and Al Pacino in the Godfather in the light of Roland Barthes ‘The Third Meaning’. In Roland Barthes’ essay, “The Third Meaning,” he posits two levels of meaning in a film or photographic image: the first is the simple or informational level which simply tells you everything you can learn from the setting, the costumes, the characters, their relations and so forth; and the second is the symbolic level, which shows you the connotations inside an...
    1,692 Words | 5 Pages
  • Organized Crime - 380 Words
    “The Godfather”, written by Mario Puzo, starring Al Pacino, is the first thought that comes to mind when hearing the term Organized Crime. The Godfather is about a Sicilian Mafia family in New York, ran by Don Vito Corleone. Don Vito Corleone is an Italian mob leader of extreme hierarchy. Italian families and Al Pacino is what I perceive Organized Crimes to be. These personal perceptions of organized crime are common with the definitions provided as follows. According to the readings...
    380 Words | 2 Pages
  • Godfather Moral Downfall - 1249 Words
    Critics agree that in The Godfather, the protagonist, Michael Corleone (Mikey) changes from a person with moral principles and a legitimate role in society to a cold-blooded mobster. In the beginning of the movie, Mikey shows his reluctance to involve himself in the Mafia when he tells his girlfriend, Kaye, about his father's (Vito Corleone) business methods of coercion and says he will never be like his family. However, as Mikey's involvement with the family business increases his violent...
    1,249 Words | 3 Pages
  • The Godfather: Power - 417 Words
    Power People have many different dreams, and many different ingredients for happiness. Some people relay on love, others lean towards money, it may be achieved through money, relationships, or even the misfortune of others, but why does power have the persuasion to change a person and what drives them to gain more? Mario Puzo, the author of "The Godfather" does an excellent job of showing the many outcomes that power has on people. He writes about Don Corleone, the head of the Corleone...
    417 Words | 2 Pages
  • Godfather Notes - 576 Words
    Film: The Godfather Date | Prompts/Essential Questions 1. What is the effect of color/lighting in the film? 2. Where do you notice juxtaposition? What is the effect? 3. How does The Godfather adhere to the conventions of the mob/gangster genre? (remember to note connections to film noir). 4. How do the characters in The Godfather resemble other characters/archetypes in some of the other films we’ve watched? | Summary of Day’s Vi-ewing | My Contribution to Discussion | 11/1311/15...
    576 Words | 2 Pages
  • Analysis of the Use of Lighting in the Godfather
    I am writing about the use of lighting in the opening scene of The Godfather, (1). The photography of The Godfather as an entire film is very planned and used specifically to generate moods, and have great psychological affect. This is just as true for the very first series of shots for the film, and perhaps more important since these first shots will give the audience the initial feeling of the film, and set a tone for the picture. The first shot is highly dramatic in its...
    969 Words | 3 Pages
  • Discuss the dominant, alternative and absent discourses of femininity in a film of your choice.
    Discuss the dominant, alternative and absent discourses of femininity in a film of your choice. Cinema as a genre has always been a man's world. From the early breakthrough auteur to the most celebrated directors of all time, movies as an industry and as a discourse have long been male orientated. Because of this, McCabe argues that for the female image, cinema has done nothing but "reduced women to a limited range of stereotypes." In other words, in the most dominant discourse of women on...
    972 Words | 3 Pages
  • Godfather Rhetorical Analysis - 1724 Words
    Respect Over Business One of the most inspiring movies of all time in terms of cinema, The Godfather directed by Francis Ford Coppola, uses a style of cinema that was unheard of until the creation of this movie. Coppola, a master of tone, uses many different forms of cinematography in order to make the audience feel the emotions in which he wants them to feel. Through different forms of cinematography, along with different styles of rhetorical elements in dialogue, Coppola was able to...
    1,724 Words | 5 Pages
  • Identifying Heroes: the Godfather and Pulp Fiction
    Identifying Heroes: The Godfather and Pulp Fiction The form of Classical Hollywood films is, first and foremost, invisible. In a Classical Hollywood film, the narrative is foremost, and style serves the narrative. Camera angles, lighting and editing patterns such as the shot/reverse-shot pattern aim to give us the best possible perspective on the unfolding events(1). These events are arranged in a strongly causality-oriented linear narrative, with one event causing the next. This narrative is...
    3,396 Words | 9 Pages
  • Critical Thinking Essay: the Godfather
    Vu Tuong Vo Professor: Frank Morris Date: November 20, 2012 Critical essay review: The God Father The Godfather, a story about a multigenerational crime family by the Italian American author Mario Puzo, was one of the best-selling books since it was published in 1969. Not only the book was a phenomenon, its movie under the direction of director Francis Ford Coppola had also become a landmark in American movie since it was released in 1972. The Godfather detailed impressively the...
    1,384 Words | 4 Pages
  • Film And Mafia: Comparing the Godfather and The Untouchables
    Exploring Good vs Evil: The Godfather vs The Untouchables Good vs. Evil, a universal theme seen throughout the history of story telling, can find itself to be especially malleable and suprising in the modern gangster movie. In the classic depiction of this struggle, the Gangster was looked upon as the criminal, the bad guy, while today this is not always the case. In this paper I will be explaining the early gangster films restrictions on who could be good or evil, and then introduce...
    2,137 Words | 6 Pages
  • The Godfather (movie) Response - 333 Words
    The Godfather is a 1972 American epic mafia, political crime film directed by Francis Ford Coppola, which was based on the novel written by Mario Puzo. The movie was shot in the five boroughs of NY. I think that the opening credits were connected to the first scene where the camera shows us the first characters face who comes out to be Amerigo. He had very sad expressions on his face and they did not seem to be too sad or too low. The emotions were somewhere in between plus he’s telling a...
    333 Words | 1 Page
  • Godfather Goodfellas Essay - 791 Words
    The Godfather and Goodfellas are both considered “mafia movies.” Both of these films portray some form of organized crime committed by Italians. They mutually romanticize the mob lifestyle and depict it with pure clarity. Although both of these movies portray the lives of the same kind of people, they are more than just a simple characterization. Violence plays a major role in each of these films. The Godfather and Goodfellas are obviously very similar. However, they also have several aspects...
    791 Words | 2 Pages
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