Opera Essays & Research Papers

Best Opera Essays

  • Opera - 521 Words
    On Sunday April 7 , 2013 I attended the Junior Recital for Michelle Ellison (soprano) and Rachel Stanton (piano) at Oberlin College & Conservatory. Coming to my second show at Oberlin College I really didn’t know what to expect this time around. On this nice day at Oberlin College I observed many students outside playing their instruments and various groups outside singing in circles enjoying the weather. I could tell that these students were very passionate about music. Inside of the...
    521 Words | 2 Pages
  • Opera - 920 Words
    Brittany Pacheco Writing 3: Opera Opera, starting out the Baroque period, stemmed from Humanism in the Renaissance era. Opera went back to wanting to make people have a emotional response to the music they were listening to through the musical devices that they used to write the music. They were becoming obsessed again with the Greek style of music however, they wanted to make it better and so they came up with some of their own new developments for example, one device they used was the...
    920 Words | 3 Pages
  • the Grand Opera - 558 Words
    Name: 曹奕玲 Student No: 410116174 the Grand Opera──Faust There’s a strict definition of grand opera. According to my research, the theme or event of grand opera usually base on dramatic historical events. That’s the reason why I choose this opera──Faust. The introduction of Faust Faust is a grand opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Micheal Carré from Carré's play Faust et Marguerite, which is loosely based on Goethe’s Faust, Part 1. Its first...
    558 Words | 2 Pages
  • Italian Opera vs. French Opera
    According to R. Wagner opera does not mean so much a musical work, as a musical, poetical, and spectacular work all at once; opera is the work par excellence, to the production of which all the arts are necessary (Sutherland, 1). " Opera starts not with music but with its literary source (story or plot), whether it be history, biography, fiction, or mythology in the form of poem, play, drama, novel, or original libretto"(Knapp 6). Opera is a combination of mangled drama, the singers, the...
    975 Words | 3 Pages
  • All Opera Essays

  • Opera Music - 853 Words
    Listening to an opera is one of the most interesting classical music performances you could see live. This 90 minute opera I seen was played on Tuesday, November 13, 2012 and performed at 8 p.m. The name play was Wozzeck by Alben Burg and performed by the Philharmonic Ocrhestra. At the opera the person who was suppose to be the doctor was ill so Kevin Beurdette took Tijil Faveyls place. The people that attended the concert varied, some people were older and other people were young. The type of...
    853 Words | 2 Pages
  • Opera Turandot - 1016 Words
    Opera: Turandot Giacomo Puccini, an Italian composer, created a unfinished masterpiece opera titled, ‘Turandot.’ The first show was staged 2 years after his death in 1926. This opera is a classic and a popular form of musical culture. The Turandot opera is about an ice cold Princess that requires her would be suitor to answer three riddles. It is set up as a Chinese fairy tale, divided into three (III) acts. Lotfi Mansouri serves as the Director and Italian native, Edoardo Muller is the...
    1,016 Words | 3 Pages
  • Opera History - 344 Words
    MUS HIST 3300/5300 Opera History Spring 2013 Terms and concepts for Midterm For the following terms and concepts from lectures and the assigned chapters in Grout & Williams: please be able to: 1) give a brief definition of each term, and 2) relate each term to the repertoire that we have studied Terms, by Week/Grout & Williams Chapter: Week 1/Chapter 3-4 Court opera Intermedio Monody (accompanied monody) Giulio Caccini. Le nuove musiche; “recitar cantando, cantar...
    344 Words | 4 Pages
  • Opera Carmen - 1300 Words
    OPERA CARMEN The Story of Georges Bizet's Famous Opera The scene of Carmen takes place in Seville, Spain during the mid 19th century. Main Characters of Carmen Carmen (soprano) Don Jose (tenor) El Dancairo (baritone) El Remendado (tenor) Escamillo (baritone) Frasquita (mezzo-soprano) Mercedes (mezzo-soprano) Micaela (soprano) Morales (bass) Zuniga (bass) Carmen - is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri...
    1,300 Words | 4 Pages
  • Classical Opera - 3653 Words
    Classical Opera THE question of what sort of music should be employed in opera is a fundamental one, and has given rise to more controversies, heart-burnings, and recriminations than any other matter, since it lies at the root of all differences between schools or individuals. In the earliest times, we find a declamatory style; in the works of the Venetians, melody asserts itself; with Scarlatti, musical learning is pressed into service; in the epoch of Handel, a conventional form dominates the...
    3,653 Words | 9 Pages
  • opera essay - 3216 Words
    Armide Reflection Kitty Xiao In March of 2012, my class, the beginner band of Mr. Kettle along with the other band classes of Mr. Kettle was informed that we would soon be getting a chance to enrich ourselves in the history, the making and the production of opera “Armide” by Opera Atelier. Marshall Pynkoski as the Director, David Fallis as the Conductor, Jeannette Lajeunesse Zingg as Choreographer, Gerard Gauci as Set Designer, Dora Rust D’Eye as Costume Designer, Bonnie Beecher as...
    3,216 Words | 8 Pages
  • The History of Opera - 1081 Words
    Grade: 10 –1 Subject: Music Teacher: Mrs. D. Williams Words and Meanings ✓ Opus: A creative work, especially a musical composition numbered to designate the order of a composer's works. ✓ March: A piece of music, usually in four beats to the bar, having a strongly accented rhythm. ✓ Overture: An instrumental composition intended especially as an introduction to an extended work, such as an opera or oratorio. ✓ Waltz: A ballroom dance in triple time with a strong...
    1,081 Words | 5 Pages
  • The Building Of The Opera - 838 Words
    The building of the Opera&Ballet Teatre in Odessa is one of the best theatres in our country. Odessites are very proud of their Opera House. It is good symbol of Odessa just as Big Ben for London. It may be interesting to you that at that place of this building was another theatre, the old one. In 1804 when Odessa was only 10 years old, its governor Duke de Richelieu applied for the Royal permission to build a theatre. The permission was granted & by 1809 the construction of the theatre was...
    838 Words | 2 Pages
  • The Phantom of the Opera - 638 Words
    The Phantom of The Opera is the story about triangle love between The Phantom, Christine Daae, and Raoul, Vicomte de Chagny. A man who is called The Phantom of The Opera lives alone beneath the opera house. His frightening face is a torment for him and he does not want people to see his face, so he always wears a mask. He had been living in that opera house for many years and he threatens the manager of the opera to run the opera as what he said. Then, the Phantom is falling in love with...
    638 Words | 2 Pages
  • Opera Buffa - 710 Words
    Huanhuan Ma 12/04/2012 Comic Opera in Classical period The comic opera is a new operatic genre which denotes a dramatic singing of a light natural, and earthy comedy, usually with a happy ending. The form of comic opera first developed in the early of 17th century. It began to distinguished from other operatic form since in the early 18th century in Naples and Venice. It developed by the poets, composers and entrepreneurs that offered social...
    710 Words | 3 Pages
  • The Utah Opera - 3965 Words
    The Utah Opera is an adhocracy culture and is known as a culture that is externally focused, has much value and operates in a flexible manner. This culture is creative, adaptable, and is fast to grow (Kreitner & Kinicki, 2010). These qualities are displayed in Opera culture. Opera has much value on flexibility and allow their business for adjustment in both fundraising project and size of the Opera. This helps them in adjusting their products to be able to meet with their goals. Since Opera is...
    3,965 Words | 12 Pages
  • Phantom of the Opera - 770 Words
    The Phantom of the Opera Book vs Movie In the Book | In the Movie | A character known as the Persian, who knows the Phantom from his youth, accompanies Raoul into the Phantom's lair to confront him. | No such character exists. | The Phantom is really a man named Erik who comes from the middle east and had a chaotic youth, being born with a hideously ugly face, being part of a show for a tribe of gypsies, designing palaces filled with torture devices for royals in Iran and...
    770 Words | 2 Pages
  • Opera Music - 496 Words
    The foundations of opera are often traced to the late Renaissance era, to a group called the Florentine Camerata. This group of humanists, musicians, poets and intellectuals gathered in Florence under the patronage of Count Giovanni Bardi to discuss and guide trends in the arts, especially music and drama. Several of the members of the group were composers, and these gatherings eventually led Jacopo Peri to compose Dafne, widely considered to be the first opera. Like other operas composed...
    496 Words | 2 Pages
  • The Phantom of the Opera - 767 Words
    The phantom of the opera is e novel by a French writer Gaston Lecroux. It was first published us a serialization in a French daily newspaper named “Le Gaulois” from September 1909 to January 1910. This story sold very poorly upon publication In book form and it was even out of print several times during the twentieth century . But the book is overshadowed by the success of its various film and stage adaptations The most notable of these were the 1925 American silent horror film...
    767 Words | 3 Pages
  • Opera and Wozzeck - 1625 Words
    Summary for Wozzeck by Alban Berg Title: Wozzeck Composer: Alban Maria Johannes Berg (1885-1935) Librettist: George Buchner (1813-1837) Circumstances of composition and place of the work in the composer’s output The roots of Berg's opera stretch back a century before its creation to 1824, when Johann Christian Woyzeck, soldier, barber and drifter, was publicly beheaded for murder, despite a then-novel defence of insanity stemming from the oppressive turns of his failed life....
    1,625 Words | 5 Pages
  • Baroque Opera - 578 Words
    | Development of the Baroque Italian Opera | Vanessa Phillips | | ID # 100114020 | 11/1/2012 | | Development of the Baroque Italian Opera The word "baroque" comes from the Italian word "barocco" which means bizarre. This word was first used to describe the style of architecture mainly in Italy during the 17th and 18th century. Later on the word baroque was used to describe the music styles of the 1600s to the 1700s. The Baroque period was a time when composers experimented...
    578 Words | 2 Pages
  • Opera Concert Report: An Evening of Art Song and Opera
     I went to the concert on Monday November 19th, 2012 titled “An Evening of Art Song and Opera”. The concert overall I felt was put together well and the singers Lori Hultgren, and Kyle Engler did a very good job singing each opera song. The pianist Daniel Lau was very eccentric and moved with with the music very well making it fun to watch as he played each song. The concert lasted a little over an hour as it had played more than 13 different opera songs. The first half of the concert had...
    469 Words | 2 Pages
  • The Experience of Peking Opera - 366 Words
    The experience of Peking Opera Art affect our life. It appears in anytime and everywhere that make our life become more colorful and hopeful. For me, art is a part of my life. I remembered I had a special experience in an opera that made me felt art is so important and so meaningful for me. When I was 12 years old, my grandmother and I went to see Peking Opera. My grandmother told me that Peking Opera was adapted from Chinese history, folklore and novels. It could take days...
    366 Words | 1 Page
  • Storytelling Through Opera - 522 Words
    Storytelling Through Opera In the following, three operas will be compared by their ability to effectively tell stories through music. The three operas that will be discussed are: “Don Giovanni” by Mozart, “La Boheme” by Puccini, and “Wozzeck” by Berg. All of them represent a different era in classical music, and have similarities and differences. The music will be analyzed both instrumentally and vocally, to show how each is able to communicate to the audience, and tell a story. The...
    522 Words | 2 Pages
  • Sydney Opera House - 791 Words
    You're not the first to say this (that "we hadn't noticed" thing was a bit of Australian facetiousness. Sorry). Since QEII first opened the thing in 1973, in fact, it's been a pretty dependable discussion starter over house bubbly at openings and on the pages of newspapers like ours. (Editor to lowly arts writer: Got a story? Arts editor to editor: Oh, yeah, someone said something about the House. Editor: To the printers!). Most recently, acclaimed Opera director David McVicar had a dig...
    791 Words | 3 Pages
  • The Opera Carmen and Gender Roles
    Carmen Carmen is a depictive work that represents the social and gender issues that were present in nineteenth century France and Spain. It introduces readers to numerous aspects of life including treatment of women, prejudices towards individuals and groups, social structures, and accepted social behavior. Carmen, as both a novel and opera, is a literary work that was written not only to entertain but also to reflect nineteenth century society. Carmen, as a literary work, has experienced...
    2,466 Words | 7 Pages
  • Opera for a Small Room - 1036 Words
    Ishita Kapur Professor Melissa Ragona Contemporary Art History, 60206 15 April, 2009 Opera for a Small Room “Opera for a Small Room” is a time-based mixed-media installation by Canadian artists, Janet Cardiff and George Bures Miller. The mixed media includes sound, record players, records and synchronized lighting. It is exhibited in “a small room”, 2.6 x 3 x 4.5m, and plays in a 20-minute loop. This piece constructs a hyper realistic narrative centered on the character R. Dennehy....
    1,036 Words | 3 Pages
  • Phantom of the Opera Compare and Contrast
    Americans are always looking for fun and new entertainment which broadens the horizons of their thinking and gives them a whole new experience. Theatre and movies allow the audience to escape from everyday anxieties and stress, to imagine what life would be like if viewed or taken from another perspective. The Phantom of the Opera is a classic, musical romance film popular because of its emphasis on love, constant entertainment, and powerfully touching music. The Phantom of the Opera is a...
    310 Words | 1 Page
  • Phantom of the Opera Review Notes
    Introduction to the musical drama notes Auction house scene selling Hannibal poster, wooden pistol and 3 skulls, monkey musical box, Breaks out into song when monkey collectors piece is won. Auction 666 the phantom of the opera, majestic music production, Phantom organist wearing half mask. Opera performance interrupted by director during singing, after performance owner announces retirement and introduces new owners. New owner Andre requests performance from lead singer and then during...
    614 Words | 2 Pages
  • Narrative: Manila Grand Opera
    Laguna State Polytechnic University College of Hospitality, Management and Tourism A Narrative Report Presented to the Faculty of the College of Hospitality, Management and Tourism San Pablo City In partial fulfillment of the requirements of the subject: PRACTICUM 200 DIPLOMA IN HOTEL AND RESTAURANT MANAGEMENT By: Sel Carmen K. Padua Mabel L. Ramos Richard Caagbay Acknowledgement Acknowledgement First of all we would like to thank God Almighty for giving us the...
    4,598 Words | 14 Pages
  • compare essay - opera and musical
    Opera and Musicals Opera and musicals are popular performing arts of the world. Since a majority of people think that musicals are a lighter and an easier genre of performing art than opera, musicals are more widely appreciated than opera in this century. Opera and musicals both consist of music, stage, story, performer and audience, however, there are numerous differences among these elements. Opera’s history begins in Italy in late 16th century with a group called Camerata. Camerata...
    1,268 Words | 4 Pages
  • Book Report (the Phantom of the Opera)
    SBA Journal 1. Title: The Phantom of the opera 2. Author: Gaston Leroux 3. Publisher: Random House 4. Text-type: Print-fiction 5. Genre: Mystery/thriller 6. Summary of the book: This book is about a boy who has a face like a skull, nose is sunk in, eyes are small and yellow and the body is a skeleton with skin. Moreover, he has a lovely voice and smart. His father and mother never love him. One day, he ran away from home and he leaned many things in the trip, but when...
    571 Words | 2 Pages
  • Rationalistic Distaste For Opera - 501 Words
    Music 101 MWW Study Questions MWW 54: Rationalistic Distaste for Opera 1. Italianate Opera did not conquer every European center without resistance, especially in countries (like France and England) with strong traditions of spoken drama. What exactly does St.-Evremond (p. 201-3) object to about opera, and why? Exactly what parts of a drama does he say should NOT be set to music, and why? People observe the justness if the cincirds; and amidst all the varieties that unite to make the...
    501 Words | 2 Pages
  • Summary Of The Phantom Of The Opera - 687 Words
    Summary of The Phantom of the Opera Cristine Daae, a young soprano, has a unconventional relationship with the Phantom of the Opera. Raoul, a childhood friend of Christine, comes back to win over her heart. As the tension between these three heats up, everyone's fate seems to rest in Christine’s hands. Who will she choose? Her childhood sweetheart? Or her deepest desire? Begins when an opera ghost terrorizes the cast and crew of the French Opera House while tutoring a chorus girl. He finally...
    687 Words | 3 Pages
  • Manila Grand Opera Hotel
    History Manila Grand Opera Hotel The Manila Grand Opera House was built in the mid-19th century as the H.T. Hashim’s National Cycle Track, a circular wooden structure with a nipa roof. 1890, the name was changed to the Teatro Nacional (National Theater), where the Russian Circus and some American theater companies performed. The name was subsequently changed to the Manila Grand Opera House after an extensive expansion of the original theater and its conversion to an opera house in time for...
    1,049 Words | 4 Pages
  • The Opera Case Negotiation - 2292 Words
    Business Negotiations Summary of My negotiation from the Opera-case and how I think it was different from other cases The Opera case was a case about relationship and reputation, it made the negotiation a little bit different. We discussed the case in a more open way and were really honest to each other, we also applied many of the things we had learnt from the book and classes. When I compared with other cases I could see how we negotiated in a less stressful way and did focus on the problem...
    2,292 Words | 5 Pages
  • Phantom of the Opera (book report)
    Book Report in English Part I: Title: The Phantom of the Opera Author: Gaston Leroux -was born in Paris in 1868, was a French journalist, playwright, and detective/thriller writer. Beginning his career as crime reporter and war—correspondent, he lived an adventurous life that took him to Scandinavia, Eastern Europe, and even into North Africa disguised as an Arab. His high-spirited, often dangerous, escapades and questioning nature provided much of his sensational...
    1,200 Words | 4 Pages
  • Music: Opera Terminology - 616 Words
    Opera in the Classical Era What is Opera? 1. A dramatic work. This usually contains one or more acts, set to music for singers and instrumentalists. 2. Opera falls under the genre of Classical music 3. Opera is like a play where rather than speaking lines, they are sang. It contains music, costumes and a story. History - Opera first began in the 1600's (The Baroque Era) -Nobles, poets and composers began to meet together in Florence, Italy around 1575. This group was called the...
    616 Words | 2 Pages
  • Opera Critique Rigoletto - 498 Words
    Monica Follieri Italian 1000C Opera Critique Rigoletto The Metropolitan Opera House at Lincoln Center is home for the world’s most creative and talented artists working in opera. Upon entering the building, the vicinity at Lincoln Center is unique and elegant. Approaching the Metropolitan Opera, a stylish and well-structured water fountain full of water is gushing while the off-white marble floor allures the visitor to the building. Entering the building, the...
    498 Words | 4 Pages
  • Utah Opera & Symphony 2
    In order to develop an action plan for Anne Ewers we need to analyze and understand the financial and leadership strengths and weaknesses of the Utah Symphony Organization (USO) and the Utah Opera Company (UOC). In order for the merger to be successful, Anne will need to create some successful strategies for managing each of these concepts. Utah Symphony Strengths The most impressive financial strength that USO has is their endowment. By the end of 2002, their endowment was considered...
    3,342 Words | 11 Pages
  • Opera vs Musical Theater
    Opera VS Musical Theater Ever since I could remember I’ve dreamed about be a singer and when I was able, I started taking classes to accomplish that goal. Since working and studying in the entertainment industry I have found that there are many different career paths in this one field but I have chosen to discuss two that are similar...
    674 Words | 2 Pages
  • Sally: Opera and Negotiation - 872 Words
    Sally Soparno The fundamental assumption is that learning and practicing negotiation skills can be learned. Others, however, assume that diplomacy and negotiation are things that can never be learned or taught. They believe that you are either born a negotiator or you are not. Unfortunately, this is a very shortsighted assumption. The approach to this will be to use all the information that was provided in the analysis to determine the best position of strategy to save the Opera on opening...
    872 Words | 2 Pages
  • 17th Century Venetian Opera
    |[Type the company name] | |Seventeenth Century Venetian Opera | |Cultural and Economic Factors | |...
    2,781 Words | 8 Pages
  • The Ring of the Nibelung Opera - 714 Words
    Music200- Homework 2 The Ring of the Nibelung (The Ring of the cycle) is a cycle of four epic operas by the German composer Wagner. Wagner wrote the libretto, which is the text used in an extended musical work such as opera, and the music in 26 years, from 1848 to 1874. The Ring of the cycle has 4 different operas in it, which are The Rhine Gold, The Valkyrie, Siegfried and The Twilight of the Gods. Wagner intended to create an allegory criticizing the moral, political, social and economic...
    714 Words | 2 Pages
  • Welcome to Peking Opera - 1269 Words
    WELCOME TO PEKING OPERA Min Doh I organized basic facts and simple information mainly related to my presentation, however the actual contents might be different because I did not want to add any spoiler. :-) Brief Introduction & History Peking opera of China is a national treasure with a history of 200 years. Through a period of more than half a century of combination and integration of various kinds of opera there evolved the present Peking opera, the biggest kind of opera in China,...
    1,269 Words | 4 Pages
  • Opera and Art Song - 443 Words
    Art Song and Opera The art song and the opera are two very different genres of music. Franz Schubert wrote the art song The Erlking in 1815. Giacomo Puccini wrote his opera, La Boheme, in 1896. Richard Wagner wrote the opera The Valkyrie in 1856. Schubert is known best for his art songs, which are over 600 in number. Puccini and Wagner are known for their operas. These genres have several important differences. The singing in these pieces is quite different. The Erlking involves just a...
    443 Words | 2 Pages
  • Metropolitan Opera Analysis - 476 Words
    The goal of the Metropolitan Opera is to educate society about culture and the performing arts, in particular, opera. The Met aims to present operas of the highest quality featuring the world's most talented performers and the broadest range of works. It tries not to repeat any operas and puts on from twenty-five operas a season, not to mention the tours and the recordings that they undergo. The Met also attempts to advance operas by producing new ones that are risky productions, which attracts...
    476 Words | 2 Pages
  • Italian & French Opera - 521 Words
    Italian and French Opera Opera, a drama consisting primarily by singing, was slow to develop in its beginnings, but once it had established itself in Italy, opera slowly gained interest in France. Comparisons between French and Italian culture in all its parts, including music, were common in the 17th and 18th century, and France soon started to develop its own traditions of sung drama, which set it apart from Italian opera that would dominate through most of the 18th century. Opera...
    521 Words | 2 Pages
  • Phantom of the Opera - Obsession; the Mask of Love
    Obsession; the Mask of Love In examining the libretto The Phantom of the Opera, the interactions and attitudes of the characters, and the language used, I will show how the Phantom’s obsession over Christine, although at times destructive, leads to his change from an evil and selfish villain, to a remorseful and compassionate hero. To understand the psyche of the Phantom, one must first have a brief overview of the play. In 1984 Andrew Lloyd Webber, transformed the original The Phantom of...
    2,548 Words | 7 Pages
  • Swot Analysis of the English National Opera
    SWOT analysis of the English National Opera STRENGTHS The product is definite. Although there are many different titles of shows and ways of performing Opera, on the whole the customer knows, when attending a performance, what to expect. Accessibility is improving. Through recent more widespread distribution of Videos/DVDs and CDs – in well known music stores. Also through Touring and Open-air Opera and to some extent educational workshops and talks, the English National Opera (ENO)...
    1,774 Words | 7 Pages
  • utah opera and utah symphony merger
    Proposed Merger between Utah Opera & Utah Symphony 1. Illustrate how Bill Bailey, chairman of the board of the Utah Opera Organization, might use one theory of motivation to oppose or support the merger. The word “motivation” represents a psychological stimulus that causes one to voluntarily act, the direction has to be goal oriented and attainable for the behavior to be successful. The theory that Mr. Bailey could use to oppose this merger would be the process theory “equity” component....
    1,871 Words | 5 Pages
  • Cases 11 Boston Lyric Opera
    Case xx - Boston Lyric Opera Depended on digh donations from board members Opera is very expensive to produce Founded in 1976 Mission statement BLO BLO has 46 doard of directors and 51 board of overseers 1998 expanded moved theatre. From 890 -> 1500 seats BLO is the fastest growning firm BLO challenges: More subcribers to doners Attact more funding Contemplate a 2200 seat facility Participants of the BSC process Janice (general director, driving force) Sue (introduced the BSC...
    373 Words | 3 Pages
  • Difference Between Oratorio, Cantata and Opera
    Oratorio and cantata were two genres that re-emerged in the first half of the eighteenth century. They were already important musical alternatives to opera by the mid-seventeenth century, but differed in nearly every respect from the genres of the same names found in the early eighteenth century. As genres late in the period, they both bespoke the traditions from which they originally sprang and permitted new recombination of the musical elements of these same traditions. The oratorio and...
    1,632 Words | 4 Pages
  • “Utah Symphony and Utah Opera: a Merger Proposal”
    “Utah Symphony and Utah Opera: a Merger Proposal” Financial Strengths and Weaknesses of the Utah Symphony Before the Merger The financial state of the Utah Symphony before the merger was grim. It was understood by the symphony’s chairman of the board, Scott Parker, that the situation was getting worse. This was aggravated by the downturn of the economy and the event of 9/11. However, even before the economic downturn and 9/11, the symphony was very close to a deficit situation (Delong & Ager,...
    14,821 Words | 39 Pages
  • Why I Will Always Remember a Trip to the Opera
    -It is likely that most people's favourite concert experience will be from seeing a classic band. Someone like The Rolling Stones, or Billy Joel, or maybe even the Beatles. The concert experience I had the most memorable time at was something which is more classic than even rock and roll itself: an opera performance at the Metropolitan Opera in New York City. I had never planned on attending the opera. It just never seemed like "my thing." I grew up on a steady musical diet of electronic...
    477 Words | 2 Pages
  • Utah Symphony and Utah Opera: a Merger Proposal
    Utah Symphony and Utah Opera: A Merger Proposal The Utah Symphony (USO) and the Utah Opera (UOC) Merger was a union that was brought forth by the leadership committee at the USO in Salt Lake City. The proposal was an opportunity to strengthen a struggling symphony with a financially sound opera company. Although mergers between opera and symphony companies in the United States had been successfully in the past, the merging of a two major companies had yet to materialize (Delong & Ager, 2005,...
    1,053 Words | 3 Pages
  • An Essay on the Similarities and Differences Between Musical and Opera.
    DIFFERENCES: 1. A musical have more dancing than opera. Opera rarely needs to dance. 2. A musical is almost always performed in the language of its audience, while opera is no words to be speak in the performance of an opera. 3. An opera is drama set to music. In an opera, the moods, emotions and feelings are heightened. It combined vocal music which includes solos, ensembles and chorus and instrumental music which is played by the orchestra with costumes, stage action and scenic effects....
    317 Words | 2 Pages
  • Jessye Norman: American Opera Singer and Recitalist
    On September 15, 1945, in Augusta, Georgia, Jessye Mae Norman was born. Her parents were Silas Norman and Janie King-Norman. Silas was her father and Janie was her mother. Her mother was a schoolteacher and her father was an insurance salesman. She had five other siblings who were all musicians but not professional. Her mother, Janie, and her grandmother were both pianist. Her father, Silas, was a singer in a choir. Like all great musicians start, Jessye began playing the piano at age 2!...
    1,132 Words | 4 Pages
  • Utah Symphony and Utah Opera: a Merger Proposal
    A1. Bill Bailey-The candidate appropriately illustrates, with sufficient support, how Bill Bailey, chairman of the board of the Utah Opera Organization, might use 1 theory of motivation to oppose or support the merger. Bill Bailey will support the merger by using the Equity Theory. Bill will be dealing with two different entities who value what they represent. The two entities are both considered forms of art but are distinct. In order for the two entities to come together they will each...
    3,777 Words | 10 Pages
  • Discuss the relationship between words and music in the operas of the seventeenth and early eighteenth centuries.
    2. Discuss the relationship between words and music in the operas of the seventeenth and early eighteenth centuries. Words and music have been playing an important role in the human culture, people express themselves and communicate with each other through words and music. Different styles and techniques in music and the link between words and music are found in operas. Opera was born in Italy around the year 1600, and Italian opera has continued to play a dominant role in music...
    980 Words | 3 Pages
  • A comparison between the Italian and German Opera; Specifically using examples from Guiseppe Verdi and Richard Wagner
    The Italian opera and the German opera are two different fields that both share characteristics, some of which are paralleled, and some of which contrast. Specifically, Giuseppe Verdi and Richard Wagner use motifs such as: redemption through love, patriotism, and sacrifice which run throughout both of their operas. The theme of betrayal also seems to be echoed throughout both operas; yet they are each used to project a different response. The significance of this comparison demonstrates that...
    2,481 Words | 7 Pages
  • The development and contribution Purcell made to the operatic genre through his opera and dramatic works
     The development and contribution Purcell made to the operatic genre through his opera and dramatic works. Henry Purcell (1659-1695) composed music for many different genres. Among these he wrote one true opera, Dido and Aeneas (1689). He also wrote a number of dramatic works. Purcell spent the majority of his last five years composing music for the stage. The majority of Purcell’s dramatic instrumental music or songs were used in spoken plays. Purcell went on to write four semi-operas;...
    1,977 Words | 7 Pages
  • Alessandro Scarlatti - 883 Words
    Alessandro Scarlatti Alessandro Scarlatti earned an important place in musical history for a variety of reasons. He is said to have been the first composer to write a string quartet. Moreover, in developing the "Italian" overture, as distinct from the "French" overture (Ewen). This paper will be discussing some of Scarlatti's most important works. One of Scarlatti's most famous operas is Mitridate Eupatore. It was written in 1707, for Teatro San Giovanni Grisostomo in...
    883 Words | 6 Pages
  • Hello - 809 Words
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  • The Rest is Noise Analysis
    Alex Ross’s The Rest is Noise was a nonfiction book that was impacted by the author’s bias and opinions. Ross omitted the names and information of many composers whom were considered innovative of their time. On the other hand, the controversies of the composers the author did mention were overshadowed by other details which meant they were inconsequential to the book. This argument can be refuted through the use of facts and research. One puissant composer who Alex Ross failed to mention was...
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  • Richard Wagner: Ride of the Valkyries
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  • Concert Review - 1716 Words
    On Sunday, March 24th I attended a Guest Artisit/Faculty Recital at the Florida State Universities Opperman Music Hall. I was accompanied by my sister and daughter. None of us had ever attended a classical concert before so we weren’t really sure what to expect. Given that I am currently enrolled in music history and learning about the Renaissance and Baroque era, I had a little idea. But, I have to say that we were pleasantly surprised at how much we enjoyed the concert. We arrived at...
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  • Joyeux Noel - 1067 Words
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  • Don Giovanni - 2291 Words
    Don Giovanni Don Giovanni is a comical opera, where the protagonists victor, that was written by Wolfgang Amadeus Mozart in 1787 in the midst of the Enlightenment of the 18th century. Per the textbook and class discussions, This was a time where people started questioning the authority of the nobility and clergy, and the middle class wanted more power in the government. People were not depending as much on the church for their social mores at the time and were becoming more...
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  • Creative paper - 1022 Words
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  • Kavya Chebrolu Film Review Amadeus
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  • Hansel and Gretel - 1726 Words
    “Before the year had passed, the work was in the repertory of every German opera house; also abroad its success was extraordinary and lasting”. The opera this quote refers to is, Hänsel und Gretel, written by Engelbert Humperdinck. Humperdinck is responsible for many operas in his lifetime, but the one he is most famous for is Hänsel und Gretel (1893). This paper will analyze Humperdinck’s inspiration for Hänsel und Gretel, and some of the techniques he used in Hänsel und Gretel. Engelbert...
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  • L’amante Segreto: Voglio Morire - Barbara Strozzi
    Barbara Strozzi was an Italian composer and performer during the seventeenth century. Between the years 1644 and 1664 she published eight volumes of vocal music. In these publications Strozzi most frequently wrote for solo soprano and basso continuo. Six of these volumes include only secular vocal music including vocal styles such as madrigals, ariettas, arias, and cantatas for solo voice. One cantata in particular, L’amante Segreto: Voglio Morire, was part of her second collection of secular...
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  • Rjft Organizational Management Task 2
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  • Music as a Mirror of its Time
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  • Rigoletto - 483 Words
    Kicking it Vegas Style In the 2013 Metropolitan Opera’s new production of Rigoletto, directed by Michael Mayer, when the Duke sings the famous aria “La donna è mobile,” the indecisive woman he describes may as well be lady luck. Mayer makes his operatic debut revamping the action of Verdi’s 16th-century setting to 1960s Las Vegas. His directing goal is to make the greed and corruption of the characters urgent. Mayer casts the Duke (Piotr Beczala) as a singer, casino runner and...
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  • Jean Baptiste Lully - 1438 Words
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  • Compare and Conrast Mozart and the Beatles
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  • Book Report Style - 1131 Words
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  • Pintura Ecuatoriana - 892 Words
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  • Organizational behavior - 1578 Words
    Task 1 A1. Bailey Motivation to oppose Bill Bailey could use the Vroom Expectancy Theory to motivate the Utah Opera to oppose the merger with the Utah Symphony. Vroom’s Expectancy Theory assumes that behavior results from conscious choices among alternatives whose purpose it is to maximize pleasure and minimize pain. (Research:University of Cambridge) People are more likely to be motivated to do something when they believe it will be a positive benefit for them. Mr. Bailey must...
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  • George Frederick Handel - 977 Words
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  • Don Giovanni: the Characters and Their Music
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  • The Farinellie Film - 310 Words
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  • Classical Music and Pop Culture
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  • Performing Arts Paper - 970 Words
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  • Carmen - 1123 Words
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  • Baroque: A Music Style In Expression Of Emotions
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  • Jft2 Task 2 - 3487 Words
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  • British Society and Culture - 2105 Words
    The Development and Impact of Opera in the United Kingdom Introduction Opera, is a first class culture and a perfect composition of music, art and drama, and the greatest and most elegant art that British people own(Jefferson, 1976). Because the status of opera is changing, opera is becoming a characteristic of cultural life that opens to public. In recent years, watching opera has become popular entertainment activity for the leisure time of people in the UK(Storey, 2000). According...
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  • Richard Strauss - 872 Words
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  • Traditional Theater - 1229 Words
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  • Music Is a Living Moving Thing
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    605 Words | 2 Pages
  • Music Appreciation Concert Report: Cosi Fan Tutte
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    1,379 Words | 4 Pages
  • Study Questions: The Romantic Era
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  • Verdi, Ghislanzoni, and “Aida”: The Uses of Convention
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    1,510 Words | 4 Pages
  • The Critique of "The Barber of Seville" by G. Rossini
    Critique of “Il Barbiere di Siviglia” by Gioachino Rossini Gioachino Rossini Il Barbiere di Siviglia by Gioachino Rossini (1792-1868) is one of the greatest and most enduring comic operas of all time, which even Beethoven, who was not a great fan of Italian opera, enjoyed. “Give us more Barbers!” (Mordden 31) he told Rossini when the Italian composer visited Beethoven in Vienna. Rossini was a prolific composer who wrote with astounding speed. By the age of 20 he already enjoyed...
    784 Words | 3 Pages
  • Gustav Mahler - 1087 Words
    Mahler was born in Kalischt, Bohemia, on July 7, 1860. At the time, Bohemia (later to form a major component of Czechoslovakia, and later the Czech Republic) was part of the Austro-Hungarian empire, then enduring its final crumbling decades, and the region where Mahler spent his youth was strongly associate with the Czech independence movement. However, Mahler also was a Jew, and Jews in the region were associated by ethnic Czechs with Germans. Mahler famous quote is: "I am thrice homeless, as...
    1,087 Words | 3 Pages
  • Philip Glass - 278 Words
    Philip Glass There are only a few American composers who can be credited with adorning the public with "art music." Out of these select few, Philip Glass – a 20th century composer – is considered one of the most influential. His earliest works are considered minimalist by many critics, however his style has evolved through many years of composing. Glass began as an experimental composer of music, until he penned his first opera in 1975, Einstein on the Beach, which...
    278 Words | 2 Pages
  • Trials and Tribulations of Writing Le Nozze Di Figaro
    A man known for composing brilliant instrumental music for most of his career, made a huge step in the world of opera on 7 May 1783. It was on this date which Mozart wrote a letter to his father with the intentions of his next composition. In the coming years this spectacle would become Mozart's 18th Operatic Work and 11th in Italian, Le Nozze di Figaro. Already having 10 Italian Operas accredited to his name Le Nozze di Figaro seemed to be Mozart's greatest operatic challenge to date. The...
    1,318 Words | 4 Pages
  • Concert Review - 643 Words
    Isaiah Bryant Concert Review November 18, 2012 “P.D.Q. Bach "The Abduction of Figaro” This is a grand opera that begins off initially with laughter. This appears to be a theme that reoccurs throughout the piece suggesting that it is a comic opera. The mood is serious yet comical throughout. It was really impressive how the composer orchestrated the story into the opera with elements of comedy in the piece. I can see how the opera plays into the minds of those of the middle...
    643 Words | 2 Pages


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