• About Mahesh Dattani
    From Wikipedia, the free encyclopedia Jump to: navigation, search Mahesh Dattani Born 7 August 1958 (age 54) Bangalore, India Awards Sahitya Akademi award Website http://www.maheshdattani.com/ Mahesh Dattani (7 August 1958) is an Indian director, actor and writer. He wrote such plays
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  • The portrayal of women characters in Mahesh Dattani
    Sayanti Sen English 201 14 October 2013 A Portrayal Of Women Characters By Mahesh Dattani While thinking about writing a research paper...
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  • Final Solution by Mahesh Dattani
    India gained Independence, people were jubilant; however, the moment of jubilation was associated with a horrible and ghastly experience of bloodshed that history has rarely witnessed. People, who had been living together for centuries, became blood thirsty and bitter enemies of one another, in the
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  • Social Issues and its Effects in Mahesh Dattani's "Tara"
    K.S.EUNICE II M.A.ENGLISH J.JOYS I M.A.ENGLISH GONZAGA COLLEGE OF ARTS AND SCIENCE FOR WOMEN kseunice777@gmail.com SOCIAL ISSUES AND ITS EFFECTS IN MAHESH DATTANI’S “TARA” Mahesh Dattani, the writer of the play Tara is an actor, playwright, dancer, director, teacher and screenplay...
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  • Tara
    Andharia Darshangi's Assignments Friday, 6 April 2012 Gender Discrimination in Mahesh Dattani’s “Tara”                                          Name: Darshangi Andharia                     Paper: E-c-202: Indian Writing in English        Topic: Gender
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  • Mahesh Duttani
    Asmitatheatre | ------------------------------------------------- Top of FormBottom of Form | | Mahesh Dattani's Final Solutions   Final Solutionsby Mahesh Dattani    Direction Arvind Gaur  Translation Shahid Anwar MusicDr.Sangeeta Gaur  Kavita Nagpal Hindustan TimesMahesh Dattani's
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  • Tara
    Tara is a story of a girl who wants to twinkle and shine, just like her name. Dattani using the themes like gender identity, discrimination, middle-class life, revelation etc. He through these themes has beautifully shown the agony of a girl in typical Indian society. Also, in this play we can see h
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