Children’s Fiction Award. Anita Desai is an Indian novelist and short story writer. She is known for her sensitive portrayal of the inner feelings of her female characters. Many of Anita Desai’s novels explore tensions between family members and the alienation of middle-class women. In her later novels‚ Anita Desai wrote on varied themes such as German anti-Semitism‚ the demise of traditions‚ and Western stereotypical views of India. Anita Desai was born as Anita Mazumdar on June 24‚ 1937 in
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Anita Desai: Biography Anita Desai (born 1937) has been touted by "British Writers’" A. Michael Matin as "one of the preeminent contemporary Indian novelists‚" even referred to by many as the Mother of the Indian psychological novel genre. Her meticulous depictions of modern Indian life‚ combined with an elevated level of linguistic skill that frequently enters the poetic realm‚ have secured her a place of honor in the pantheon of Indian authors. Early Life Anita Desai was born on June 24‚ 1937
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III *ISSUE-32 RESEARCH ANALYSIS AND EVALUATION Among the post- independence Indo- English writers Anita Desai holds a prominent place because of the immense popularity she commands as a novelist of human predicament of anxiety‚ frustration and loneliness in the insensitive and inconsiderate contemporary world. This paper aims at tracing the theme of alienation in the novels of Anita Desai. Alienation refers to estrangement that occurs in the relation between an individual and that to which
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In this novel‚ as in so many others by Anita Desai‚ the key themes of identity and language are explored and developed. This is vital considering the context in which Desai sets so many of her novels‚ which is post-Partition and the massive upheaval that occurred as Pakistan was created as a separate nation and many Muslims and Hindus had to relocate and an imaginary border was created in a nation. The focus on language is shown in Deven‚ who focuses on Hindi poetry because he has no choice but to
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org/ijel ISSN 2141-2626 ©2011 Academic Journals Review Anita Desai’s ‘in custody’: Unlocking the web of time and space Bhasha Shukla Sharma Department of Humanities‚ University Institute of Technology‚ Rajiv Gandhi Proudyogiki Vishwavidyalaya‚ Bhopal. (M.P)‚ India. E-mail: Bhasha.shukla@gmail.com. Tel: 9826090200. Accepted 6 August‚ 2011 This paper attempts to semiotically interpret the use of time and place as narrative device in Anita Desai’s ‘In Custody’. Space and time have aroused the curiosity
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A conversation with Anita Desai‚ and some notes on her work [Statutory warning: long‚ bifurcated post – some thoughts on Anita Desai’s writing followed by a Q&A. Apologies in case there’s some overlapping between the two elements. I wrote it as a flowing piece - a profile-cum-interview - for Business Standard Weekend but since there isn’t a word-constraint here I prefer to spread it out and play with the format.] Long before the publication of Midnight’s Children brought alive new possibilities
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Interview with Anita Desai Magda Costa interviewed Anita Desai in Barcelona‚ 30 Jan 2001. Desai was in Spain to launch the Spanish and Catalan translations of Fasting‚ Feasting. -How was it to grow up in a family like yours‚ with a German mother and a Bengali father‚ in India? -When you are a child you take for granted what your family is; you don’t question it. The fact is that my mother adapted so completely to the Indian way of life that nobody thought of her as a foreigner anymore. It’s true
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She is less concerned with the outer undertakings she had as with the inward climate. Anita considers external reality to be the slightest in examination with the inside clashes. One of her written work named Holler the Peacock in which Maya is the character who conceived of an upper white collar class Brahmin crew. Having become motherless
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"This is a novel about a small-town man‚ Deven‚ who gets the opportunity to go interview his hero‚ the great poet Nur‚ the greatest living Urdu poet. Having always loved Urdu poetry and missed the chance to be an Urdu language professor‚ he is charmed into going to Delhi the big city. Even though he shrinks at the idea of possibly being exploited by his sharp and selfish friend Murad‚ the dream of meeting Nur draws him on. So he sets off on a number of adventures on Sundays‚ the one free
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situations or rather to position their reader to respond into certain ways. Anita Desai and Nasra in the short stories ‘surface textures’ and ‘ANDBWAND’ appear to raise a similar concept nonetheless in varied ways. Nonetheless they both use characterization and style to build up on epiphany. Anita Desai’s stories are set in present
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