in the Twentieth Century: Leni Riefenstahl a) Describe the major influences that led to the rise to prominence of your chosen personality in her nation’s history. The major influences that led to Leni Riefenstahl’s rise to prominence includes a fateful event that kindles her fascination with film‚ the continual influence of mountain (Berg) films and acclaimed director Dr Arnold Fanck as well as her first début as a director and producer. In 1925 Leni Riefenstahl injured her knee whilst dancing
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Leni Riefenstahl Leni Riefenstahl‚ a dazzling individual that has lived through and experienced many things that no other person may have. She has lived through the World War One‚ Great Depression‚ Nazi Germany‚ World War Two‚ the Cold war and September 11. However‚ what fascinates historians and people all over was her involvement and relationship with Hitler and the Nazis party. This report will look over Leni’s early to role as director of her Infamous films Triumph of the Will and Olympia
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Leni Riefenstahl was a German dancer‚ actor and filmmaker between the 1920s and 1940s. She became well known for her career as a filmmaker‚ which had flourished during the years of the Nazi regime. It was during these years that she made her famous films Olympia (1938) and triumph of the will (1935). As a child‚ leni loved dancing‚ gymnastics and theatre and above all she dreamed of dancing as a child on stage‚ her mother was supportive of her desires‚ but her father was unsympathetic. In 1918 when
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Describe the personal background and the historical context of the personality you have studied. Leni Riefenstahl was regarded as having led five separate lives‚ but the life of Leni Riefenstahl is one that is characterised by remorseless passion and incessant desire to convey herself artistically in any way‚ shape or form. Leni demonstrated a certain single-minded fervour in the search of artistic brilliance until the day of her death at 101 years of age‚ and the greater excellence of a number
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The controversy surrounding Leni Riefenstahl’s films has been an ongoing historical debate since the outbreak of World War II. Labelled as ‘purely and simply Nazi propaganda’ Riefenstahl’s work was the cornerstone of Nazi Germany’s media regime. Riefenstahl argues however that her intent was simply to produce art. Whilst the films’ value as promoting the Nazi regime is undeniable it can be questioned whether or not they are entirely propaganda or if they hold more‚ artistic value. Born in Berlin
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Three most significant events in Leni Riefenstahl’s professional life Leni had many changes within her career throughout her life time. Three of these events that have been the most significant in Riefenstahl’s professional life have been her films which include "The Blue Light"‚ "Triumph Of The Will" and "Olympia". For Riefenstahl her film The Blue Light is one of the most significant events in her life. This was a film that Riefenstahl produced without the Nazi Party or Hitler’s personal help
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Leni Riefenstahl was one of the most controversial female figures in history‚ and maintains a reputation as the most famous female film director of all time. With all her fame‚ she had endured much critique upon her artistic work‚ in which mainly revolved around the Nazi party‚ being led by Adolf Hitler. People often question whether she was an “honorable witness”‚ however‚ evidence suggests that she was a propagandist for the Nazi’s. The relationship between Riefenstahl and Hitler was seen as controversial
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Source) Riefenstahl‚ Leni. Olympia: Festival of the People. 1938. 112 minutes 2. (Primary Source) Riefenstahl‚ Leni. Olympia: Festival of Beauty. 1938. 91 minutes. When assessing the film Olympia from a seemingly naïve glance‚ it can easily be perceived as a film successful in capturing the beauty and spirit of the 1936 Berlin Olympic Games. Without taking into consideration the political context of the time‚ it is easy to assume that Leni Riefenstahl’s film Olympia is merely a work of art focused
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Leni Riefenstahl: Documentary Film-Maker or Propaganda? 1. Her directorial debut‚ “Blue Light”‚ caught Hitler’s attention. 2. Whether “Triumph of the Will” and “Olympia” should be considered ‘documentaries’ or ‘propaganda films’. 3. She says that TOW doesn’t contain a single reconstructed scene‚ or tendentious commentary. Everything is true and purely historical. She believes that propaganda is recreating events in order to illustrate a thesis. 4. Many forms ranging from attempts
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In modern film‚ many critics focus on the special effects and the science of realism. However‚ in Triumph of the Will‚ directed by Leni Riefenstahl‚ the film contrasts the idea that film are made for profits‚ philosophies instead of filming for the main purpose of entertainment and money‚ this film focused more on politics (propaganda). Riefenstahl’s works revolutionized the entertainment world. This essay will describe how Riefenstahl’s technique were used. I.e. Riefenstahl’s techniques implicate
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