Bibliography: 1. Bhabha‚ Homi. “The Renaissance Society.” http://www.shahziasikander.com/essay03.html (accessed February 1‚ 2012). 2. Coomaraswamy‚ A.K.. The Bugbear of Literacy‚ 80. Quoted in Harry Oldmeadow‚ Journeys East: 20th Century Encounters with Eastern Religious Traditions
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Press‚ 1997) 2.Rushdie: Picador‚ Rupa‚ 1983 5.(Rushdie: Shame Picader‚ Rupa‚ 1983‚ p.283). 6.(An Area of Darkness London: Andse Dentseh‚ 1964‚p 11.(Mehta‚ Suketu‚ Maximum City Viking‚ Penguin‚ 2004‚ p. 13) 12.(Amitava Ghosh‚ The Ghost of Mrs 13.(Bhabha‚ Homi‚ The Location of Culture‚ Lodon‚ 1994‚) 14.(Ghosh‚ Amitav‚The Hungry Tide Delhi:Ravi Dayal Pub.2004)
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Cited: Bachhtin‚ Michail M. Literatur und Karneval. Zu Romantheorie und Lachkultur. Frankfurt/M.: Fischer‚ 1990. Barker‚ Chris. Making Sense of Cultural Studies. Central Problems and Critical Debates. London et. al.: Sage‚ 2002. Bhabha‚ Homi K. “Unsatisfied: Notes on Vernacular Cosmopotilitism.” Colonial Discourses. An Anthology. Ed. Gregory Castle. Oxford‚ UK: Blackwell Publishers‚ 2001. pp. 38-52. Butler‚ Judith. Bodies that Matter. On the Discursive Limits of “Sex.” New York: Routledge
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According to Bhabha‚ hybridity is the straddling of two cultures and the consequent ability to negotiate the difference. Bhabha developed his concept of hybridity from literary and cultural theory to describe the construction of culture and identity within conditions of colonial antagonism and inequality. For Bhabha‚ hybridity is the process by which the colonial governing authority tries to convert the identity of the colonized within a singular universal framework. The colonizers would look at
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Cited: Bhabha‚Homi‚ ‘The Location of Culture’ New York: Routledge 1995.Print Brutus‚Dennis‚ ‘Criyical Essays on Nadine Gordimer’ Boston: G. K. Hall& Co.1990.Print Gordimer‚Nadine‚ ‘Crimes of Conscience-Selected Short Stories’ Oxford: Heinemann.1991.Print Haugh
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D.R. Kaperkar Part II An Exploration of Indian Scientific Saga Part II 3 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. 38. 39. 40. 41. 42. E.C.G. Sudarshan G.N. Ramachandran Homi J. Bhabha J.B.S. Haldane J.C. Bose Kanada J.V. Narlikar K.S. Krishnan M.N. Saha Har Gobind Khorana M.K. Vainu Babpu M.S. Swaminathan M. Viswesaraya Nagarjuna Patanjali N. Karmakar P. Maheswari Salim Ali P.C. Mahalanobis S.K. Mitra S.N. Bose S.N
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Subrahmanyan Chandrasekhar Subrahmanyan Chandrasekhar‚ a ‘Nobel Laureate’ in physics and one of the greatest astrophysicists of modern times was born on October 19‚ 1910 in Lahore‚ Punjab‚ British India (now in Pakistan). He was the son of Mr. C.S. Ayer and Sita Balkrishnan. His father was a civil servant‚ attaining a high position with the Indian railways. The Ayer had three sons and five daughters of whom Chandra was the oldest son. In 1916‚ the family moved to Madras where Chandra grew up. Chandrasekhar
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Northern Territory News p.1. Retrieved from: Http://www.ntnews.com.au Ranzijn‚ R.‚ McConnochie‚ K.‚ & Nolan‚ W.‚ (2009) Psychology and Indigenous Australians Foundations of Culture Competence South Yarra‚ Australia: Palgrave Macmillan. Sardar‚ Z.‚ & Bhabha‚ H.K.‚ (2008) Fanon black skin White Mask (ed.) London‚ UK: Pluto Press. The Australian Bureau of Statistics. Retrieved from: Http://www.abs.gov.au Wilson‚ L.‚ (2011 August‚ 26) Gillard holds hope for change on indigenous disadvantages The
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Duncan‚ ed. Memory‚ Trauma and World Politics. New York: Palgrave Macmillan‚ 2006. Ben-Ze ’ev‚ Aaron. The Subtlety of Emotions. Cambridge: MIT‚ 2001. Berlant‚ Lauren. The Female Complaint. London: Duke University Press‚ 2008. Bhabha‚ Homi. The Third Space: Interview with Homi Bhabha Jonathan Rutherford. 1990. Eyerman‚ Ron. Cultural Trauma: Slavery and the Formation of African-American Identity. Connecticut: Cambridge University Press‚ 2001. Grefalda‚ Reme-Antonia‚ Nadine Sarreal and Geejay Arriola. Our
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University of Texas Press Society for Cinema & Media Studies Visible Difference and Flex Appeal: The Body‚ Sex‚ Sexuality‚ and Race in the "Pumping Iron" Films Author(s): Christine Anne Holmlund Reviewed work(s): Source: Cinema Journal‚ Vol. 28‚ No. 4 (Summer‚ 1989)‚ pp. 38-51 Published by: University of Texas Press on behalf of the Society for Cinema & Media Studies Stable URL: http://www.jstor.org/stable/1225394 . Accessed: 09/11/2011 22:43 Your use of the JSTOR archive indicates your acceptance
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