Interviewer: Hi‚ is this Stephanie? Stephanie: Yeah‚ hi. Interviewer: Thanks for letting me talk to you this afternoon. How much do you know what Alan is working on at Divvee? Stephanie: Jake Headlock is the one I know. Interviewer: Sorry‚ what has Jake told you that he is working on? Stephanie: Nothing. I didn’t know he was with Divvee. Interviewer: Okay. There is a new way of shopping that Divvee wants to bring to market‚ that allows people to earn points when they buy things online that
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Plato’s dialogue: The Gorgias‚ 482e-484e: The Speech of Callicles When I first began to read this passage I was a little confused at the message Callicles was sending to reader and to the philosophers of that time. As I continue to study philosophy I get the sense that most philosophers question the same thing for reason of being. The question of “why” and “what makes…” is the common theme with most things I’ve come across in this course. To read a passage that was written which portrays the
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MERDEKA Merdeka is a word in the Indonesian and Malay language meaning Independence or freedom. It is derived from the Sanskrit Maharddhika meaning "rich‚ prosperous and powerful". In the Malay archipelago‚ this term had acquired the meaning of a freed slave. The term Mardijker is a Dutch corruption of the Portuguese version of the original Sanskrit words and was used to designate former Portuguese and Dutch slaves from India in the East Indies‚ known as Mardijkers‚ whence the Malay meaning of "free(dom)"
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Dialogue is the conversations and words spoken aloud by characters in a novel‚ a film‚ or a play. Dialogue in a play is not just words put together to form a sentence; but they are words that promote feelings to the audience whether it be direct or indirect. William Shakespeare is famous for the way he wrote his plays‚ he wrote his plays in iambic pentameter‚ which is having five pairs of syllables on a line of dialogue that do not rhyme. He also wrote lines of dialogue that rhymed but were not in
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statements‚ strategies‚ and—of critical importance to me—internal communication strategy‚ in so much detail. Gerard & Ellinor (2001) stress that authentic leaders need to practise and execute dialogue‚ and to me‚ this was what Brad and Simon were doing: showing their authentic leadership through dialogue. I thought this may have been purely for our benefit‚ but after four hours‚ beginning with introductory meetings and followed by interviews and a shop floor tour‚ it became apparent that management
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In a continuous essay of not more than 1‚000 words‚ analyse this passage‚ discussing how narrative voice and dialogue are important elements in the creation of meaning in the passage. Throughout the passage from Jane Austen’s Pride and Prejudice‚ the author provides many ways to establish the creation of meaning through the use of dialogue and narrative voice. Austen allows the reader insight into the nature of the characters by us of dialogue‚ in which we see how the characters interact with
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it give you really bad sicknesses?” “Yes and no. Yes in the way that there are bacteria that can cause harm to you but that’s only 5% and there are 10‚000!” “Wow! Wait so if only 5% cause harm‚ what do the rest do?” “ All kinds of things! Like for example did you know that you have millions and billions of bacteria on you and in you right now? The only time your really ‘Germ Free’ is when your in your mommas belly. But don’t worry these bacteria are good. At least if they stay where they’re supposed
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L – Travel agent O– Fiancé S – Fiancée O – Hello. L – Good afternoon. Welcome to our travel agency. How can I help you? S – Hi! Oh! I’m so excited! We have our wedding in four weeks. I can’t help thinking of our living together. I assure you John‚ you’ll have the best wife in the world. O – Honey‚ I have no doubts about it‚ but let’s proceed to the main question. Mrs..? L – Not Mrs.‚ Miss. Miss Andrews. So I guess you are here because of your forthcoming honeymoon. Am I right? O – Yes‚ Miss Andrews
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In basic terms‚ dialogue tags attribute written dialogue to characters. Dialogue tags don’t need to be fancy‚ splashy‚ or self-conscious. Their purpose is to show which characters speak and when. The greater the number of characters involved in a scene‚ the more important the frequency and positioning of tags becomes. Many people do not know the proper rules of using dialogue tags‚ they ’remember’ what they have read in novels and rely on grammar suggestions from microsoft word and end up making
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“How are you?” “Honestly? I feel like I’m dying.” “That’s never good.” “Tell me about it.” “I doubt I could if I tried.” “Do you think that—?” “Hold up! You have an ant on your cheek.” “Get it off!” “Alright‚ alright‚ relax!” “I can’t believe I didn’t feel it…” “Shit!” “What?” “I killed it.” “Kain!” “Sorry!” “It only wanted to be on my cheek!” “Why would it want to be there? I probably put it out of its misery.” “That’s not funny! It liked me because I smell good.” “Apparently died
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