I have always had a passion for music and teaching others about it. Playing my clarinet has brought me many awards and personal achievements throughout my career. I have been to over ten honor bands and have attended Southwestern College’s Summer Music Festival three times. I would like to be a music educator‚ either a school teacher or a private instructor. I became interested when I found that I enjoyed teaching others about music. In my research paper I am describing the requirements to get
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Unfortunately‚ we weren’t fortunate enough to pay for lessons or to even purchase a piano. In result‚ I chose to play clarinet. During my sixth grade year‚ I practiced vigorously to earn the spot of being first chair. Throughout my sixth and seventh grade years‚ my band class would have chair tests to see who was the most
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The Music of the classical and Romantic era is a period of time where it shows the development and different styles of music. This can be shown through the manipulation of musical elements‚ (dynamics‚ pitch‚ tempo‚ rhythm‚ texture‚ meter‚ tonality‚ structure‚ melody‚ harmony‚ instrument) while contrasting them‚ but it can also be shown through the composers of the music‚ the size of the orchestra‚ musical directions‚ emotional content‚ and non-musical developments through that period of time. After
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The item I chose to do was my clarinet as my object and the Cittern as my object from The Met. I have chosen these two objects‚ because they have a lot in common as they are both musical instruments. The cittern was made roughly in 1685 made by German man‚ Joachim Tielke. The material used to make this was cypress‚ ivory‚ ebony‚ parchment‚ and brass. The cittern is 24 ⅞ in by 9 5/16 in. Also‚ this was made in Hamburg‚ Germany‚ so it is a german instrument. This was used to play music during church
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7:30 pm in the John Anthony Theatre. The four performers at this recital were Brian Allison on piano‚ Garry Evans on clarinet‚ Natalya Pitts on piano‚ and Alicja Usarek on violin. The music program that night was comprised of five works‚ including: “Fantasy for Two Pianos in A Minor”‚ “Six Studies in English Folksong”‚ “Melody in A Minor”‚ “Dance Preludes”‚ and “Suite for Violin‚ Clarinet and Piano Op. 157b.” After listening to each of the musical compositions in person‚ I formed my initial opinions
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hexachord? What is the compliment? ‘Peripetie’ was written for a large orchestra to produce contrasts with texture‚ dynamics & timbre. It is written for quadruple woodwind (4 per section) Flute Piccolo clarinet 3 flutes & piccolo 3 clarinets & bass clarinet 3 bassoons & Bass clarinet bassoon contrabassoon contrabassoon 3 oboes & cor anglais A large brass section‚ with and without mutes. A large percussion section – cymbals‚ timpani‚ xylophone & of course strings Oboe Cor
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Cornet Solo (1 bar) → Clarinet Solo (1 bar) **Solo break at Bar 3** Verse (16 bars) 0:06 Band (8 bars) 0:18 Band (8 bars) Chorus 1 (32 bars) 0:31 A Cornet Solo (8 bars) 0:43 B Cornet Solo (8 bars) **Solo break at Bar 7** 0:55 A Cornet Solo (8 bars) 1:08 C Cornet Solo (8 bars) **Solo breaks at Bars 1 and 3 (stop time)** Verse (16 bars) 1:21 Band (8 bars) 1:34 Band (8 bars) Chorus 2 (32 bars) 1:47 A Cornet Solo (2 bars) → Clarinet Solo (2 bars) → Cornet
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100-05 Orchestra Concert Report 1 The piece preformed was Clarinet Quintet in b minor‚ OP. 115 by Johannes Brahms (1833-1897). The piece had four movements: Allegro‚ Adagio‚ Andantino‚ Con moto and because it was a quintet‚ there were five musicians. There were two violins‚ played by Gregory Maytan and Oleg Bezuglov. There was one viola and one cello‚ played respectively by Paul Swantek and Pablo Mahave-Veglia. The clarinet was played by Arthur Campbell. Allegro‚ as the first movement is
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played in order: 1. Ricochet - Kerry Turner‚ 1960 2. Clarinet Sonata in E-flat Major‚ Op. 167 (1921) - Camille Saint-Saens‚ 1835-1921 I. Allegretto 3. Rhapsody for Clarinet (ca. 1979) - Giacomo Miluccio 4. Selections from Divertissement for Oboe‚ Clarinet‚ and Bassoon (1927) - Erwin Schulhoff‚ 1894-1942 Charleston: Allegro Romanzero: Andantino Rondino-Finale: Molto allegro con Fuoco 5. Suite d’après Corrette for Oboe‚ Clarinet‚ and Bassoon‚ Op. 161 (1937) - Darius Milhaud (1892-1974)
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Mattingly. Bailey played the flute‚ McMullen played the oboe‚ Barger was on the clarinet‚ McCray played the bassoon‚ and Mattingly played the horn. The first piece was called Quintet in g minor‚ Op. 56‚ No. 2. It was by Franz Danzi. The first movement was an Allegretto. It was in a major mode and in triple meter. It started with polyphonic texture. The flute and oboe were playing a portion of the melody and the clarinet was playing another melody‚ both over the bassoon and horn. There were portions
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