Zora Neale-Hurston, born in 1891 in the small town of Notasulga Alabama, a very influential writer during the Harlem renaissance. She preached individuality through her work, but the individuality birthed from tough discrimination from both white and black people alike in her story, “How it Feels to Be Colored Me.” She also had to overcome the fact that even though her work was incredible white publishers refused to publish her work, like in her essay, “What White Publishers Wont Print.”
The Harlem renaissance was the coming back of African-American art and literature, at it forefronts were writer like Langston Hughes, Claude McKay and Countee Cullen. Zora not the most famous writer during the renaissance, she truly expressed herself in such a way that was set her apart from other Harlem renaissance writer and all writers in general in my opinion.
The two pieces of work I looked at by Hurston were, “How it Feels to Be Colored Me,” and “What White Publishers Wont Print.” These two works by Zora are similar to the fact the she states the discrimination she received throughout her life, colored me really goes along with how she was discriminated against as a young girl. The short story illustrates how the white folk used her as amusement on the street and how the black folk treated her after she “spoke pieces,” for the white people. “What White Publishers Wont Print,” discusses Zora trying to get her work published but not being able to just because her skin color. Though the white printers refused to put her work to the public, Zora Neale-Hurston still managed to have her work read by a vast amount of people which is why she is so well-known to all today.
Zora Neal-Hurston died in 1960, and was a very individualized writer who blossomed during the Harlem renaissance. She discriminated against by all parties she still managed to fight through and become a very decorated and well-known writer during her time.