ART202 - 052: Final Paper
April 30, 2011
Arthur Hughes’ Opheia
This is a study of Arthur Hughes’ Ophelia. Painted circa 1851-53, oil on canvas, it is 27’’ x 48 3/4’’. Currently, it resides in the Manchester City Art Gallery in the United Kingdom. The painting is of a young blonde girl, thin and pale, with a self-made crown of reeds atop her blonde hair. Her expression is sad, fixated downward. The female featured is frail, almost sickly looking, and is developed in both sorrow and insanity. Contrasting bright colors are used, and each object is painstakingly accurate, as was popular of the PRB when he painted this. She holds flowers, dropping them slowly in the murky lake beneath the L-bend tree on which she is seated. The area around her is overgrown and wild, with very few trees. Behind her is an open field, ending at the horizon with trees. The sun seems to be setting. The setting is meant to be wild, untamed; the pond is infested with algae, the grass rises high around her. A bat swoops underneath the tree on which she sits, flying towards the viewer. The artist enclosed this picture with a border, making the painting semi-cirular, and around it he has quoted Shakespeare’s Hamlet; “There is a willow grows aslant the brook,
That shows his hoar leaves in the glassy stream;
There with fantastic garlands did she come.
Of crow-flowers, nettles, daisies, and long purples.
There on the pendant boughs her coronet weeds
Clambering to hang an envious sliver broke.
When down the weedy trophies and herself
Fell in the weeping brook.”
-Hamlet, Act IV, Scene VII.
(Interestingly enough, his self-framing left out this quote “That liberal shepherds give a grosser name, / but our cold maids do dead men’s fingers call them;”) The lines are thin and sweeping, creating a curved plane that is both vertical and horizontal. The image is very two-dimensional, careful shading adding depth to the piece. It is very...