Ms. Katie Upton
Sociology 224 – Section 001
Film Analysis Paper
A Doll’s House
Nora will do anything to please her authoritarian husband Torvald. Per Torvald’s instructions, Nora focuses on such womanly disciplines as dancing and taking care of babies, while he sees to all the affairs of money. But when a past financial mistake comes back to haunt Nora and Torvald finds out, the result is an explosion of fury and a shocking revelation that changes the course of the entire family forever (Garland, 1973). Nora Helmer; seems completely happy. She responds affectionately to her husband’s teasing, speaks with excitement about the extra money his new job will provide, and takes pleasure in the company of her children and friends. She does not seem to mind her doll-like existence, in which she is coddled, pampered, and patronized. Torvald Helmer; embraces the belief that a man’s role in marriage is to protect and guide his wife. He clearly enjoys the idea that Nora needs his guidance, and he interacts with her as a father would. He instructs her with trite, moralistic sayings, such as; “A home that depends on loans and debt is not beautiful because it is not free.” Torvald likes to envision himself as Nora’s savior, asking her after the party, “Do you know that I’ve often wished you were facing some terrible dangers so that I could risk life and limb, risk everything, for your sake.” Krogstad; is the antagonist in the film but he is not necessarily a villain. Though his willingness to allow Nora’s torment to continue is cruel, Krogstad is not without sympathy for her, as he says, “even money lender, hacks, well a man like me, can have a little of what you call feeling, you know.” Krogstad has reasonable motives for behaving as he does; he wants to keep his job at the bank in order to spare his children from the hardship that come with a spoiled reputation. Unlike Torvald, who seems to desire respect for petty selfish reasons, Krogstad...
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