A Commentary on William Blake's Introduction to Songs of Experience

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William Blake is a poet in the Romantic era. Introduction to Songs of Experience is the first poem in the Songs of Experience poetry set in Songs of Innocence and Songs of Experience. The poem is organized in four stanzas, where each of them contains five lines. The third and fourth lines of each stanza have less beats than any other lines in the verse. The rhyme in every stanza is consistent, which is in ABAAB form. In this poem the tone is criticizing. In William Blake’s Introduction to Songs of Experience, the poet uses auditory imagery, diction of detachment, imagery of darkness and light, and diction of renewal in order to portray the speaker or author’s intention to spread the call to salvation to the corrupt society.

William Blake uses auditory imagery in order to represent the need to communicate the ‘Holy’ message to other people. This auditory imagery is built diction of sound such as ‘hear’, ‘voice’, ‘calling’ and ‘weeping’. These choices of word are located in the first and second stanza. In the first stanza, the Bard, who might be Blake himself, hears the ‘Holy Word’; therefore he might be a messenger from God. In the second verse ‘the Bard’ is calling people, ‘lapsed Soul’, weeping and spreading the message of salvation. In both stanzas, auditory imagery is used to indicate the importance of conveyance of the ‘Holy’ message.

The next technique that Blake uses is diction of detachment. ‘Fallen’ is repeated twice and consecutively on the last line in the second stanza and this emphasizes the depth of spiritual degradation that people experience. Likewise, in the forth stanza, ‘turn away’ is repeated two times in order to stress that people move further away from God. This technique of repeating the diction of detachment, such as ‘fallen’ and ‘turn away’ are used to demonstrate the increasing gap between God and mankind.

The third literary technique that is employed by William Blake is the imagery of darkness and light. The purpose of this...
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