Zaha Hadid Architects have completed the Riverside Museum in Glasgow with a zig-zagging, zinc-clad roof.
Housing a museum of transport with over 3,000 exhibits, the building has a 36 metre-high glazed frontage overlooking the River Clyde.
The building zig-zags back across its site from this pointy roofline in folds clad with patinated zinc panels.
Strips of lighting inside follow seams in the green underside of the undulating roof.
Photographs are by Hufton + Crow unless otherwise stated.
Here are some more details from Zaha Hadid Architects:
The Riverside Museum is derived from its context. The historic development of the Clyde and the city of Glasgow is a unique legacy. Located where the Kelvin joins the Clyde, the museum’s design flows from the city to the river; symbolizing a dynamic relationship where the museum is the voice of both, connecting the city to the river and also the transition from one to the other. The museum is situated in very context of its origins, with its design actively encouraging connectivity between the exhibits and the wider environment.
The building, open at opposite ends, has a tunnel-like configuration between the city and the Clyde. However, within this connection between the city and river, the building diverts to create a journey away from its external context into the world of the exhibits. Here, the internal path within the museum becomes a mediator between city and river, which can either be hermetic or porous depending on the exhibition layout. Thus, the museum positions itself symbolically and functionally as open and fluid, engaging its context and content to ensure it is profoundly interlinked with not only Glasgow’s history, but also its future. Visitors build up a gradual sense of the external context as they move through the museum from exhibit to exhibit.
The design is a sectional extrusion, open at opposing ends along a diverted linear...