Wuthering Heights

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Wuthering Heights- Good vs. Evil
Many authors use contrasting settings in order to enhance literary work. Whether it is the sun versus the rain or Othello versus Iago, never has there been any opposing force similar to Wuthering Heights and Thrushcross Grange. Emily Bronte’s Wuthering Heights, creates a powerful contrast which further heightens the dynamic theme of good versus evil. Through powerful symbolism, abundant diction, and intoxicating personification, Bronte manipulates the mysterious setting and potent characters in order to illustrate the meaning of the author’s remarkable work.

Wuthering Heights is the dwelling of Hindley, Heathcliff, and Catherine that experiences commotion during stormy weather, hence the significant adjective: Wuthering. The mansion stands alone, only companioned by dreary, muddy moors, creating a mood of dark isolation. Bronte’s use of diction in the description of Wuthering Heights makes the mansion seem almost demonic. It possessed “a quantity of grotesque carving lavished over the front”, and a “villainous” collection of guns. It is depicted as a “pervading spirit of neglect”, accompanied by cruel canines and uninviting dwellers.

Bronte cleverly has Wuthering Heights reflect its inhabitants. Hindley had a stormy attitude and “bred bad feeling in the house”. He had “bad ways and bad companions” and possessed a “tyrannical and evil” persona. While Hindley held negative traits so did Heathcliff. The Byronic hero “showed no lights from within”; his eyes were “full of black fire”. “Ferocity lurked yet in the brows” and the tortured lover possessed a “source of trouble”. Catherine, the selfish ignorant beauty, had a “naughty spirit. Always thinking of herself, she was “mischievous and wayward” and “plagued” her peers. Edgar and Isabella Linton, both inferior in all ways, resemble Thrushcross Grange. Edgar is gently bred, spoiled, and emotionally weak. Isabella is naïve, innocent, and said to have “keen feelings”. Bronte...
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