Women in theatre in the past have tried to become center-stage rather than a prop and now in the present they are more than a spotlight. The changes from 1970’s to 1980’s gave women a feminist thought to a political one, which encountered different types of development of their role and expressed numerous obstacles they faced as a whole. In the article Cunning Stunts shows the drastic change in women theatre form 70’s to 80’s. The article Constructing Experience expresses attitude towards feminism. And in The Difficulties Facing Feminist Theater article details the obstacles and hardship of this great struggle for women in theatre.
During the 1970’s when women who wanted to see more of themselves in theatre turned into a feminist group that consider them to question their role in society. They wanted a change to not only be equal to men but equal in theatre as well. Because theatre is essentially by definition a public, social, and hence a male-dominated art. It has been run by and for men throughout most of its history and has for the most part, reflected current political and social realities deferring to the taste of the political majority. The article Cunning Stunts: women’s theatre in the 1970’s and 1980’s by Red Chidgey, was about the rise of the feminist movement of theatre. The author Red Chidgey provides a tantalizing window into the history of women’s theatre troupes sharing the multiple changes in a decade. Women like Adele and Jacqueline shared their testimonies on experience in feminist acts and as well as a political issue. In the 70’s the rise of the feminist revolution was performed in theatre as a message and getting it to new audiences. Their goal was to use theatre to question power structures and shake down patriarchy. Other types of theatre performances on the revolution emphasized the art form, exploring the possibilities of female language, buffoonery, wild satire, mockery, and darken hidden desires. It was not until the 1980’s when...
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