I wander thro’ each charter’d street,
Near where the charter’d Thames does flow.
And mark in every face I meet
Marks of weakness, marks of woe.
In every cry of every Man,
In every Infants cry of fear,
In every voice: in every ban,
The mind-forg’d manacles I hear
How the Chimney-sweepers cry
Every black’ning Church appalls,
And the hapless Soldiers sigh
Runs in blood down Palace walls
But most thro’ midnight streets I hear
How the youthful Harlots curse
Blasts the new-born Infants tear
And blights with plagues the Marriage hearse
The poem London was written by the British poet and engraver William Blake. It has 4 quatrains with alternative lines rhyming. Written in iambic pentameter, the poem is beautifully rhymed.
London deals with the dreadful scene in the industrialized London in the 18th century. In the first stanza, Blake gives an overview of the city and successfully creates the gloomy, dark and suffocating atmosphere. Blake applies varied rhetorical devices in the poem, of which the most striking and significant is repetition. For example, the word “chartered” is reiterated in line 1 and line 2 to emphasize the fact that the streets and river are owned by the wealthy upper class. And the word “mark” occurs in “mark in every face I meet”(line 3) and “mark of weakness, mark of woe”(line 4). The transition of the word “mark” from verb to noun manifests the change of observation to noticeable signs. Every person Blake meets in London is desperate and feeble. What a horrible scene it is! Repeated appearance of the word “every “in the second stanza stresses the idea that everyone suffers from misery. Blake hears the cry of the grown-ups, and of the infants in fear. Blake perceives the destructive restrictions on people’s mind caused by law and rules. “Mind-forged manacle” is a metaphor. Blake compares limitations with manacles. The expression that Blake hears “manacles” is synesthesia. In the third stanza Blake...
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