Walls. They have acted in the same way for centuries; they have given people a sense of security, yet at certain times walls turn on people. For some these walls of safety become walls of entrapment. Walls take the very same actions in Jean Rhys' novel, Wide Sargasso Sea, as they surround the main character, Antoinette Cosway, for her entire life. The use of walls acts as a significant part of Antoinette's life as they turn her from feeling safe and secure to feeling imprisoned and trapped.
Antoinette finds walls very comforting primarily during her childhood. She, as a child, lives in a world where her mother is insane and the slaves have been recently freed. For her, this is a troubling time as she neither belongs with the whites nor the blacks as she was a Creole. As most children do, she tried to shut out these problems as is evident when Antoinette is in the garden at Coulibri: "I sat close to the old wall at the end of the garden. It was covered with green moss soft as velvet and I never wanted to move again. Everything would be worse if I moved" (Rhys 23). This use of walls demonstrates just how Antoinette gets her sense of security. These garden walls also demonstrate a biblical reference to the Garden of Eden. God had placed Adam and Eve in this garden to protect them from the outside world, which held many evils. Antoinette felt protected from the outside world just as they had. She also finds a sense of security behind the walls of the convent that she is sent to: "This convent was my refuge, a place of sunshine and of death where very early in the morning the clap of a wooden signal woke the nine of us who slept in the dormitory" (Rhys 56). The convent had protected her from the evils in the outside world such as the boy who knocked her books out of her hands.
At the end of part one Antoinette had officially become a lady, as she was seventeen. Here she started adulthood and thus began the transformation of walls...