The good years for Weimar Germany were from 1924 to 1929, when the Republic got through the crises of 1923 and entered a stage of stability. The economy at this time was prosperous and the political chaos turned to constancy. The brilliant culture of Germany made it the centre of European creativity. This was in the areas of music, film, art, literature, science and more where Berlin showed great talents! Berlin was now seen as one of the most exciting cities in Europe, and Germany was accepted back as an equal in to the community.
Theatre and the cabaret especially flourished in Weimar society and culture with the concept of Proletarian Theatre developed by Erwin Piscator coming in to play. This theatre produced plays as well as challenging views of the members of society which hadn’t been seen much before this time. A man named Bertolt Brecht along with composer Kurt Weill; they created The Threepenny Opera, a production that became very successful when it first appeared in 1928. Brecht was a communist and his work usually expressed his lack of exception with the commercial mid-class culture. Most theatre pieces of Germany were different to the past because much of it had a political and social message. When it came to the cinema, Berlin had a very progressive film industry. In the 1920’s, more films were produced then in the rest of Europe combined. Many amazing German directors were discovered who included Fritz Lang, Joseph von Sternberg and Ernst Lubitsch. Some of the movie master pieces these men created include: The Cabinet of Dr Caligari, The Blue Angel, Metropolis and Nosferatu. Blue Angel launched its star Marlene Dietrich who became world famous. Nosferatu was a German horror movie and so was The Cabinet of Dr Caligari. The Cabinet of Dr Caligari was directed in 1919 by Robert Wiene; and is the story of murder and deception set in a small German town of Hols enwall. Both of these horror movies were re-made again in the future. Great...
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